LEADER 01129nam a2200337 i 4500 001 991000087189707536 005 20020509161918.0 008 970419s1938 de ||| | ger 035 $ab11309052-39ule_inst 035 $aPARLA201627$9ExL 040 $aDip.to Filol. Class. e Med.$bita 082 0 $a292.38 100 1 $aReiner, Eugen$0500838 245 14$aDie rituelle Totenklage der griechen /$cvon Eugen Reiner 260 $aStuttgart ; Berlin :$bKohlhammer,$c1938 300 $aX, 124 p. ;$c24 cm. 490 0 $aTübinger Beiträge zur Altertumswissenschaft ;$v30 650 4$aLamento funebre 650 4$aLirici greci 650 4$aPindaro$xStudi 650 4$aPoesia lirica greca 650 4$aReligione greca 650 4$aSimonide 650 4$aThrenos 650 4$aTimoteo 907 $a.b11309052$b23-02-17$c01-07-02 912 $a991000087189707536 945 $aLE007 292 REI 02.01$g1$i2007000016411$lle007$o-$pE0.00$q-$rl$s- $t0$u1$v1$w1$x0$y.i1147791x$z01-07-02 996 $aRituelle totenklage der Griechen$9721668 997 $aUNISALENTO 998 $ale007$b01-01-97$cm$da $e-$fger$gde $h4$i1 LEADER 03640nam 2200565 450 001 9910815819203321 005 20200520144314.0 010 $a1-5036-0600-7 024 7 $a10.1515/9781503606005 035 $a(CKB)4100000004835126 035 $a(MiAaPQ)EBC5430258 035 $a(DE-B1597)563973 035 $a(DE-B1597)9781503606005 035 $a(Au-PeEL)EBL5430258 035 $a(OCoLC)1038796995 035 $a(OCoLC)1178769423 035 $a(dli)heb40045.0001.001 035 $a(MiU)MIU400450001001 035 $a(EXLCZ)994100000004835126 100 $a20180704d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aK-pop live $efans, idols, and multimedia performance /$fSuk-Young Kim 210 1$aStanford, California :$cStanford University Press,$d[2018] 210 4$d©2018 215 $a1 online resource (ix, 275 pages ) 311 $a1-5036-0503-5 320 $aIncludes bibliographical references and index. 327 $aHistoricizing K-pop -- K-pop from live television to social media -- Simulating liveness in K-pop music videos -- Hologram stars greet live audience -- Live K-pop concerts and their digital doubles. 330 $a1990's South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be "live" and "alive." Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of "liveness" in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how "what is live" becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call "live." 606 $aPopular music$zKorea (South)$xHistory and criticism 606 $aPopular music$xPerformances$zKorea (South) 606 $aConcerts$zKorea (South) 606 $aMusic and technology$zKorea (South) 615 0$aPopular music$xHistory and criticism. 615 0$aPopular music$xPerformances 615 0$aConcerts 615 0$aMusic and technology 676 $a781.63095195 700 $aKim$b Suk-Young$f1970-$01598652 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815819203321 996 $aK-pop live$93923945 997 $aUNINA