LEADER 03661nam 2200685 a 450 001 9910455641103321 005 20211028001110.0 010 $a1-282-35646-1 010 $a9786612356469 010 $a0-520-92587-4 010 $a1-59734-823-6 024 7 $a10.1525/9780520925878 035 $a(CKB)111087027177534 035 $a(EBL)223702 035 $a(OCoLC)475928822 035 $a(SSID)ssj0000224503 035 $a(PQKBManifestationID)11910941 035 $a(PQKBTitleCode)TC0000224503 035 $a(PQKBWorkID)10210554 035 $a(PQKB)11191618 035 $a(MiAaPQ)EBC223702 035 $a(OCoLC)52862196 035 $a(MdBmJHUP)muse30535 035 $a(DE-B1597)520950 035 $a(OCoLC)1058867988 035 $a(DE-B1597)9780520925878 035 $a(Au-PeEL)EBL223702 035 $a(CaPaEBR)ebr10051164 035 $a(CaONFJC)MIL235646 035 $a(EXLCZ)99111087027177534 100 $a20010816d2002 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aPopular theater and society in Tsarist Russia$b[electronic resource] /$fE. Anthony Swift 210 $aBerkeley, Calif. $cUniversity of California Press$dc2002 215 $a1 online resource (367 p.) 225 1 $aStudies on the history of society and culture ;$v44 300 $aDescription based upon print version of record. 311 0 $a0-520-22594-5 320 $aIncludes bibliographical references (p. 303-326) and index. 327 $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$tNote on Transliteration and Dates --$tIntroduction --$t1. The Urban Theatrical Landscape --$t2. People's Theater and Cultural Politics --$t3. Censorship and Repertoire --$t4. Theater, Temperance, and Popular Culture --$t5. Workers' Theater, Proletarian Culture, and Respectability --$t6. The People at the Theater: Audience Reception --$tConclusion --$tEpilogue --$tAppendix of Titles --$tNotes --$tSelected Bibliography --$tIndex 330 $aThis is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters-the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays. 410 0$aStudies on the history of society and culture ;$v44. 606 $aTheater$zRussia$xHistory 606 $aPopular culture$zRussia 608 $aElectronic books. 615 0$aTheater$xHistory. 615 0$aPopular culture 676 $a792/.0947 700 $aSwift$b Eugene Anthony$01047221 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455641103321 996 $aPopular theater and society in Tsarist Russia$92474664 997 $aUNINA LEADER 00917nam a2200265 i 4500 001 991000022089707536 005 20020506120649.0 008 001103s1964 it ||| | ita 035 $ab10638155-39ule_inst 035 $aEXGIL137602$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a331.892 100 1 $aMelotti, Umberto$032510 245 13$aLo sciopero nel suo contesto sociale /$cUmberto Melotti 260 $aMilano :$bLa Culturale,$c1964 300 $a336 p. ;$c21 cm. 490 0 $aBiblioteca di cultura sociale 650 4$aSciopero 907 $a.b10638155$b23-02-17$c28-06-02 912 $a991000022089707536 945 $aLE002 331.892 MEL 945 $aLE002 Dir. I H 5$g1$i2002000469984$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10726652$z28-06-02 996 $aSciopero nel suo contesto sociale$9688153 997 $aUNISALENTO 998 $ale002$b01-01-00$cm$da $e-$fita$git $h3$i1