LEADER 04256nam 2200697Ia 450 001 9911108058403321 005 20260415134919.0 010 $a1-283-71864-2 010 $a0-8135-5345-8 024 7 $a10.36019/9780813553450 035 $a(CKB)2670000000276431 035 $a(EBL)1051868 035 $a(OCoLC)818869295 035 $a(SSID)ssj0000797304 035 $a(PQKBManifestationID)11464136 035 $a(PQKBTitleCode)TC0000797304 035 $a(PQKBWorkID)10800349 035 $a(PQKB)10977910 035 $a(OCoLC)830023884 035 $a(MdBmJHUP)muse17734 035 $a(DE-B1597)530156 035 $a(DE-B1597)9780813553450 035 $a(Au-PeEL)EBL1051868 035 $a(CaPaEBR)ebr10621676 035 $a(CaONFJC)MIL403114 035 $a(MiAaPQ)EBC1051868 035 $a(EXLCZ)992670000000276431 100 $a20121120d2013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 14$aThe selected papers of Elizabeth Cady Stanton and Susan B. Anthony$hVol, 6$iAn awful hush, 1895 to 1906 /$fAnn D. Gordon, editor 205 $a1st ed. 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2013 215 $a1 online resource (664 p.) 300 $aDescription based upon print version of record. 311 0 $a0-8135-5347-4 320 $aIncludes bibliographical references and indexes. 327 $tFront matter --$tContents --$tIllustrations --$tPreface --$tAcknowledgments --$tIntroduction --$tEditorial Practice --$tAbbreviations --$t19?20 December 1895- 21?22 December 1895 --$t14 January 1896- 24 December 1896 --$t4 January 1897- 27 December 1897 --$t1 January 1898- 23 December 1898 --$t1 January 1899- 29 November 1899 --$t2 February 1900-28 December 1900 --$t1 January 1901- 15 December 1901 --$t20 January 1902- 22 December 1902 --$t26 January 1903- 15 December 1903 --$t4 January 1904- 22 December 1904 --$t3 January 1905- 8 December 1905 --$t3 January 1906- 13 March 1906 --$tIndex 330 $aThe ?hush? of the title comes suddenly, when first Elizabeth Cady Stanton dies on October 26, 1902, and three years later Susan B. Anthony dies on March 13, 1906. It is sudden because Stanton, despite near blindness and immobility, wrote so intently right to the end that editors had supplies of her articles on hand to publish several months after her death. It is sudden because Anthony, at the age of eighty-five, set off for one more transcontinental trip, telling a friend on the Pacific Coast, ?it will be just as well if I come to the end on the cars, or anywhere, as to be at home.? Volume VI of this extraordinary series of selected papers is inescapably about endings, death, and silence. But death happens here to women still in the fight. An Awful Hush is about reformers trained ?in the school of anti-slavery? trying to practice their craft in the age of Jim Crow and a new American Empire. It recounts new challenges to ?an aristocracy of sex,? whether among the bishops of the Episcopal church, the voters of California, or the trustees of the University of Rochester. And it sends last messages about woman suffrage. As Stanton wrote to Theodore Roosevelt on the day before she died, ?Surely there is no greater monopoly than that of all men, in denying to all women a voice in the laws they are compelled to obey.? With the publication of Volume VI, this series is now complete. 606 $aFeminists$zUnited States 606 $aSuffragists$zUnited States 606 $aFeminism$zUnited States$xHistory$y19th century 606 $aWomen$xSuffrage$zUnited States$xHistory$y19th century$vSources 615 0$aFeminists 615 0$aSuffragists 615 0$aFeminism$xHistory 615 0$aWomen$xSuffrage$xHistory 676 $a016.30542 700 $aStanton$b Elizabeth Cady$f1815-1902.$01095462 701 $aGordon$b Ann D$g(Ann Dexter)$0539096 701 $aAnthony$b Susan B$g(Susan Brownell),$f1820-1906.$01663831 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911108058403321 996 $aThe selected papers of Elizabeth Cady Stanton and Susan B. Anthony$94677273 997 $aUNINA LEADER 06513nam 2200721zu 450 001 996717208003316 005 20260829110022.0 010 $a9783689240554 035 $a(CKB)46175216300041 035 $a(DE-B1597)BR1175933 035 $a(DE-B1597)9783689240554 035 $a(ODN)ODN0013528196 035 $a(EXLCZ)9946175216300041 100 $a20260415|2026uuuu || | 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aInfrastructures of Art Producing, Transporting, and Logistics from a Transnational Perspective$fBurcu Dogramaci, Ursula Strobele 210 $aLaVergne $cdG Arts$d2026 210 1$aBoston$cdG Arts, $d[2026] 210 4$dİ2026 215 $a1 online resource (320 p.) 300 $aTitle from eBook information screen.. 311 08$a9783689242756 327 $tFrontmatter --$tTable of Contents --$tIntroduction$r/ Burcu Dogramaci, Ursula Strobele --$tSection I Performing the Making --$tMonuments in the Measure of a Palm: Scale and Mobility in the Work of Olga Jevric$r/ Ana Eres --$tProduction and Art in 1990s Net Art Initiatives$r/ Anna-Lisa Scherfose --$tInfrastructural Realism in Melanie Gilligans Self-Capital (2009) and Merlin Carpenters Midcareer Paintings (2015)$r/ Tobias Ertl --$tPerforming the Trade: Zheng Mahlers A Season in Shell$r/ Sophia Prinz --$tInfrastructures of Production and Logistics in Transnational Perspective (2024)/Mobile Studio (2024). With a Commentary by Luciana Tamas: Lia Perjovschis Diagrams: A Visceral Act of Cultural Translation$r/ Lia Perjovschi --$tSection II Mobile Studios --$tThe Suitcase as Mobile Studio: Mary Swanzys Career and Travels, 19191923$r/ Cai Lyons --$tLost and Found: Transporting and Producing Art in London Exile$r/ Burcu Dogramaci --$tFollow the Materials: Tracing Infrastructures of Production, Transport, and Communication in the Work of Alina Szapocznikow A Case Study$r/ Ursula Strobele --$tThe Question of Location: The Makeshift Hotel Room as Site of Production$r/ Simone Wille --$tMichael Ashers Utility$r/ Annie Ochmanek --$tSection III Invisible and Overlooked Structures of Production and Transport --$tWe fly from desk to desk! : Infrastructural Matters Beyond the Postal Network in Artists Ephemera of the 1960s and 1970s$r/ Barbara Preisig --$tStar Country Exhibitions: Conceptions, Assemblages, and Event Logistics at Selected Postcolonial Pan-African Festivals (19661977)$r/ Gideon Morison --$tStretched Between Servers and Services: Artistic and Institutional Strategies Dealing with Evolving Internet Infrastructures$r/ Inge Hinterwaldner --$tBusiness Infrastructures: Art and Trade Networks in Kate Richs Feral Trade$r/ Christoph Chwatal --$tSection IV The Accompanied Object --$tGreen Modernism: A Talk on Eco-curating and Climate-friendly Transport$r/ Burcu Dogramaci, Miriam Szwast --$tBiography of the Archive: The Journey of the Photo Sender Archive from Istanbul to Athens$r/ Dilara Ulu --$tThe Dresdner Werkstatten fur Handwerkskunst and the Material Infrastructures of Making (an Armchair)$r/ Kaja Ninnis --$tFrom Buenos Aires to Brno to Lublin: Transnational Infrastructures of Mail Art and the Circulation of Czechoslovak Conceptualism$r/ Aneta Zahradnik --$tAuthor Biographies --$tIndex 330 $aAdopting a transnational perspective, this book takes a look at the art history of production, transport and logistics with its heterogenous actors, objects, institutions, and their interwoven stories. The production of art goes along with complex infrastructures that are often unseen and associated with political and ecological challenges. To what extent is mobility already taken into account in the production of art? What role do customs regulations, political border restrictions, and sustainability play? This publication focuses on contexts, networks, material flows and the conditions of production and distribution within the arts of the 20th and 21st century. Contribution to the growing field of infrastructural studies in art history from a transnational perspective Art history of production, transport and logistics Mapping the technical, political, and economic conditions of the cultural field 330 $aDiese Publikation nimmt einen transnationalen Blickwinkel ein und betrachtet die Kunstgeschichte von Produktion, Transport und Logistik, mit ihren heterogenen Akteur*innen, Objekten, Institutionen und den damit verwobenen Geschichten. Die Produktion von Kunst geht mit komplexen Infrastrukturen einher, die oft unbemerkt bleiben und mit politischen und okologischen Herausforderungen assoziiert werden. In welchem Ausma wird Mobilitat bei der Herstellung von Kunst bereits berucksichtigt? Welche Rolle spielen Zollbestimmungen, politische Grenzbeschrankungen und Nachhaltigkeit? Der Schwerpunkt dieses Buches liegt auf den Kontexten, Netzwerken, Materialstromen und den Bedingungen von Herstellung und Vertrieb in der Kunst des 20. und 21. Jahrhunderts. Beitrag zum wachsenden Bereich der Infrastrukturstudien in der Kunstgeschichte Kunstgeschichte von Produktion, Transport und Logistik aus transnationaler Perspektive Darstellung der technischen, politischen und wirtschaftlichen Bedingungen des kulturellen Umfelds 606 $aART / History / General$2bisacsh 606 $aART / Criticism & Theory$2bisacsh 606 $aART / History / Contemporary (1945-)$2bisacsh 610 0$aart 610 0$a21st century 610 0$acontemporary art 610 0$amodern art 610 0$aart production 610 0$atransnational perspective 610 0$ainstitution 610 0$alogistics 610 0$aart world 610 0$aKunst 610 0$a21. Jahrhundert 610 0$azeitgenossische Kunst 610 0$aModerne 610 0$aKunstproduktion 610 0$atransnationale Perspektive 610 0$aInstitution 610 0$aLogistik 610 0$aKunstbetrieb 615 7$aART / History / General. 615 7$aART / Criticism & Theory. 615 7$aART / History / Contemporary (1945-). 686 $aART009000$aART015000$aART015110$2bisacsh 700 $aDogramaci$b Burcu$01255622 702 $aDogramaci$b Burcu 702 $aStro?bele$b Ursula 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996717208003316 996 $aInfrastructures of Art Producing, Transporting, and Logistics from a Transnational Perspective$94831200 997 $aUNISA