LEADER 03393nam 22006613u 450 001 9910452746803321 005 20210106203421.0 010 $a0-8166-8884-2 035 $a(CKB)2550000001039485 035 $a(EBL)1161008 035 $a(SSID)ssj0000860576 035 $a(PQKBManifestationID)11519458 035 $a(PQKBTitleCode)TC0000860576 035 $a(PQKBWorkID)10917074 035 $a(PQKB)10199496 035 $a(MiAaPQ)EBC1161008 035 $a(EXLCZ)992550000001039485 100 $a20130418d2013|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOn Writing with Photography$b[electronic resource] 210 $aMinnesota $cUniversity of Minnesota Press$d2013 215 $a1 online resource (365 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-7729-8 327 $aCover; Contents; Acknowledgments; Introduction; Chapter 1: From the Birth of Photography to the Death of the Author; Chapter 2: Picturing the Great Unknown: John Wesley Powell and the Divergent Paths of Art and Science in the Representation of the Colorado River and Utah Canyonlands; Chapter 3: "Watch How Dem Touris' Like Fe Look": Tourist Photography and Claude McKay's Jamaica; Chapter 4: Captured Things: Man Ray's Object Photography; Chapter 5: Photography's Linguistic Turn: On Werner Graeff's Here Comes the New Photographer! 327 $aChapter 6: The Power of What Is Not There: James Agee's Let Us Now Praise Famous MenChapter 7: Playing Doll; Chapter 8: Situating Images: Photography, Writing, and Cinema in the Work of Guy Debord; Chapter 9: The Generation of Postmemory; Chapter 10: Picturing the Specter of History: Zhang Ailing's Visual Practice; Chapter 11: Sphinxes without Secrets: W. G. Sebald's Albums and the Aesthetics of Photographic Exchange; Chapter 12: Nothing to Say: The War on Terror and the Mad Photography of Roland Barthes; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W 327 $aXY; Z 330 $aOn Writing with Photography explores what happens to texts-and images-when they are brought together, addressing a wide range of genres and media, including graphic novels, children's books, photo-essays, films, diaries, newspapers, and art installations. Together, these essays help explain how writers and photographers-past and present-have served as powerful creative resources for each other. 606 $aLiterature and photography 606 $aLiterature 606 $aPhotography in literature 606 $aPhotography 606 $aLiterature and photography 606 $aLanguages & Literatures$2HILCC 606 $aLiterature - General$2HILCC 608 $aElectronic books. 615 4$aLiterature and photography. 615 4$aLiterature. 615 4$aPhotography in literature. 615 4$aPhotography. 615 0$aLiterature and photography 615 7$aLanguages & Literatures 615 7$aLiterature - General 676 $a809.9/3357 676 $a809.93357 700 $aWeissberg$b Liliane$0950821 701 $aBeckman$b Karen$01032028 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910452746803321 996 $aOn Writing with Photography$92449651 997 $aUNINA LEADER 01031nam 2200289 450 001 996685382603316 005 20251116174358.0 100 $a20251110d1981----km y0itay5003 ba 101 0 $aita 102 $aIT 105 $ay 00 y 200 1 $a[Quali prospettive per la legislazione agraria degli anni '80?]$f[Giuseppe Fauceglia] 210 $aMilano$cGiuffrè$d[1981] 215 $a[287]-289 p.$d24 cm 300 $aTitolo dell'intitolazione 300 $aNome dell'autore alla fine del testo 300 $aEstratto da: Rivista di diritto agrario : organo dell'Osservatorio italiano di diritto agrario, anno 60, fasc. 2 (apr.-giu. 1981) 606 0 $aAgricoltura$xLegislazione$xItalia$z1980-1989$2BNCF 676 $a343.45076 700 1$aFAUCEGLIA,$bGiuseppe$0116475 801 0$aIT$bcba$gREICAT 912 $a996685382603316 951 $aXVI.7.Misc. 243$b245 FBUO$cXVI.7.Misc. 959 $aBK 969 $aFBUO 996 $aQuali prospettive per la legislazione agraria degli anni '80?$94455377 997 $aUNISA