LEADER 03509nam 2200577zu 450 001 9910987795703321 005 20250602175929.0 010 $a1-68571-257-6 035 $a(CKB)37989762900041 035 $a(EXLCZ)9937989762900041 100 $a20250321|2025uuuu || | 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMourning the ends $ecollaborative writing and performance /$fMaria Shantelle Alexies Ambayec, Kristof van Baarle, Peter Burke, Renata Gaspar, Sozita Goudouna, Nilu?fer Oval?og?lu Gros, Adham Hafez, Jan-Tage Kuehling, Eero Laine, Sarah Lucie, Juliana Martins Rodrigues de Moraes, Evan Moritz, Malin Palani, Rumen Rachev, Aneta Stojnic? 210 1 $aBrooklyn, NY :$cpunctum books,$d2025 215 $a1 online resource (229 pages) 311 08$a1-68571-256-8 320 $aIncludes bilbiographical references. 330 $a"Mourning the Ends: Collaborative Writing and Performance is an opening, a beginning, an attempt to rethink how we can be, think, and work together. This book, authored by a multitude, explores new methodologies of collaborative scholarship for the arts and humanities within the context of the various ecological, medical, military, and epistemic ends facing the world.The authors of Mourning the Ends performed an experimental methodology as the book was researched, written, and revised by fifteen individuals situated across the globe. The writing emerged in part from a shared sense of mourning through the global pandemic and ongoing ecological catastrophes, yet the questions and arguments that are raised are immediately relevant as the rolling crises of our contemporary moment play out and further develop. The volume challenges a number of key areas in performance studies as well as foundational expectations and assumptions of the arts and humanities more broadly?namely, that writing and scholarship should be solitary endeavors. The authors write back against the model of thinking and studying that centers the singular genius, especially against the backdrop of enduring and apparent end times.Mourning the Ends is in some ways a rehearsal for another future, a speculative engagement with performance, ecology, and academic affiliation beyond institutional bounds?a methodology for shared mourning, performance, and thinking."--Publisher's website. 606 $aAuthorship$xCollaboration 606 $aArtistic collaboration 606 $aArts$xExperimental methods 606 $aCreation (Literary, artistic, etc.) 615 0$aAuthorship$xCollaboration. 615 0$aArtistic collaboration. 615 0$aArts$xExperimental methods. 615 0$aCreation (Literary, artistic, etc.) 700 $aAmbayec$b Maria Shantelle Alexies$01798509 702 $aBaarle$b Kristof van$f1989- 702 $aBurke$b Peter$c(Senior lecturer in design), 702 $aGaspar$b Renata 702 $aGoudouna$b Sozita 702 $aGros$b Nilu?fer Oval?og?lu 702 $aHafez$b Adham 702 $aKuehling$b Jan-Tage 702 $aLaine$b Eero$f1981- 702 $aLucie$b Sarah 702 $aMoraes$b Juliana Martins Rodrigues de 702 $aMoritz$b Evan 702 $aPalani$b Malin 702 $aRachev$b Rumen 702 $aStojnic?$b Aneta 801 0$bCaOTU 801 1$bCaOTU 906 $aBOOK 912 $a9910987795703321 996 $aMourning the Ends$94341327 997 $aUNINA LEADER 05399nam 22007935 450 001 996668464203316 005 20250715124735.0 010 $a3-031-93753-8 024 7 $a10.1007/978-3-031-93753-8 035 $a(MiAaPQ)EBC32223148 035 $a(Au-PeEL)EBL32223148 035 $a(CKB)39660162500041 035 $a(DE-He213)978-3-031-93753-8 035 $a(OCoLC)1528961156 035 $a(EXLCZ)9939660162500041 100 $a20250715d2025 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a3D Research Challenges in Cultural Heritage IV $eRisk Prevention and Monitoring Methods /$fedited by Marinos Ioannides, Giovanni Issini, Daniel Oliveira 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2025. 215 $a1 online resource (266 pages) 225 1 $aLecture Notes in Computer Science,$x1611-3349 ;$v13577 311 08$a3-031-93752-X 327 $aOn the Use of HBIM for the Analysis of Historical Constructions: Technical and Semantic Interoperability for Different Aspects of the Structural Assessment -- The key role of structural health monitoring as a control tool in the post-earthquake recovery phase of damaged heritage buildings: The case study of "Collegiata di Santa Maria" in Visso, Italy -- Understanding and managing risk in historic areas: A multi-hazard vulnerability assessment of the Historic City Centre of Guimarães, Portugal -- Digital guardians: A new method of data management for at-risk cultural heritage in Bavaria -- Risks and Responsibilities: The German Tendaguru Collection as Chiltural Heritage and its 3D Digitisation -- AI-Driven Analysis in Point Clouds for Archaeological Documentation -- Digital Preservation and Restoration of Historic Buildings in Agadez, Niger -- Digital Humanities and Physics Applied to the Study of Cultural Heritage Objects: the case of ex-votos -- "Fostering Community-Cultural Heritage Resilience in Post-Disaster Scenarios: Merging Hands-On Experience with Digital Technologies in the OPHERA Project" -- Digital tools for assessment and communication of historic architectural heritage restoration project: The case study of Palazzo Saladini di Rovetino in Ascoli Piceno, Italy -- Preserving and Communicating a Sudanese Heritage Site through a Digital Exhibition -- Digital Heritage Documentation for Protecting and Rebuilding Tangible Heritage in Natural Disaster and Conflict Zones -- Restoration and Digitisation of the Tarxien Stone Bowl: A Multidisciplinary Approach. 330 $aThis open access book presents a collection of papers focusing on a range of digital technologies and their use in the protection and restoration of cultural heritage. Digital tools - from 3D scanning and photogrammetry to Heritage Building Information Modeling (HBIM), Digital Twins, and Extended Reality (XR) - are transforming the way we understand and care for tangible heritage. These technologies are applied to both record the physical form and material conditions of a site and to permit simulations of deterioration, design interventions, and careful reconstruction. A central theme of this volume is post-disaster restoration and how the scientific and technical aspects of restoration can be made accessible to a broader audience through innovative visualizations, interactive platforms and storytelling. Digital tools should not only serve experts but also allow the public to participate both on-site and remotely via the web. This book advocates a holistic approach to heritage management, combining cutting-edge technology with local knowledge, risk analysis with creative reuse, and positioning the act of restoration as a bridge connecting the past, present and future. 410 0$aLecture Notes in Computer Science,$x1611-3349 ;$v13577 606 $aDigital humanities 606 $aVirtual reality 606 $aAugmented reality 606 $aImage processing$xDigital techniques 606 $aComputer vision 606 $aBuilding information modeling 606 $aCultural property 606 $aArchaeology 606 $aDigital Humanities 606 $aVirtual and Augmented Reality 606 $aComputer Imaging, Vision, Pattern Recognition and Graphics 606 $aBuilding Information Modeling 606 $aCultural Heritage 606 $aHeritage Management 615 0$aDigital humanities. 615 0$aVirtual reality. 615 0$aAugmented reality. 615 0$aImage processing$xDigital techniques. 615 0$aComputer vision. 615 0$aBuilding information modeling. 615 0$aCultural property. 615 0$aArchaeology. 615 14$aDigital Humanities. 615 24$aVirtual and Augmented Reality. 615 24$aComputer Imaging, Vision, Pattern Recognition and Graphics. 615 24$aBuilding Information Modeling. 615 24$aCultural Heritage. 615 24$aHeritage Management. 676 $a025.060013 700 $aIoannides$b Marinos$01423793 701 $aIssini$b Giovanni$01833363 701 $aOliveira$b Daniel$01833364 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996668464203316 996 $a3D Research Challenges in Cultural Heritage IV$94408299 997 $aUNISA