LEADER 01134nam0-2200277 --450 001 9911025279603321 005 20250916095818.0 100 $a20250916d1964----kmuy0itay5050 ba 101 0 $ager 102 $aAT 105 $aa b 001yy 200 1 $a100 Jahre Österreichisches Museum für angewandte Kunst$eKunstgewerbe des Historismus$eWien, 1964-1965 210 $aWien$cÖsterreichisches Museum für angenwandte Kunst$d1964 215 $aXXXXV, 109 p., 80 p. di tav.$d23 cm 300 $aCatalogo della mostra organizzata dal Verein der Museumsfreunde e tenutasi all'Österreichischen Museum für angewandte Kunst, a Vienna, 1964-1965 532 11$aHundert Jahre Österreichisches Museum für angenwandte Kunst 610 0 $aOpere d'arte$aAustria$aSec. 20.$aEsposizioni -1964 676 $a709.436 710 02$aOsterreichisches Museum fur angewandte Kunst$c$01848148 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9911025279603321 952 $aDE FUSCO 1173$bRDF 1217$fDARST 959 $aDARST 996 $a100 Jahre Österreichisches Museum für angewandte Kunst$94434490 997 $aUNINA LEADER 07406nam 22005533 450 001 996662858403316 005 20250827080354.0 010 $a3-11-220742-4 010 $a3-11-220735-1 035 $a(CKB)39324930100041 035 $a(MiAaPQ)EBC32260994 035 $a(Au-PeEL)EBL32260994 035 $a(BIP)120742997 035 $a(BIP)120743042 035 $a(OCoLC)1534817062 035 $a(EXLCZ)9939324930100041 100 $a20250827d2025 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStaging the Nation in an Intermediate Space $eCultural Policy in Luxembourg and the State Museums (1918-1974) 205 $a1st ed. 210 1$aBasel/Berlin/Boston :$cWalter de Gruyter GmbH,$d2025. 210 4$d©2025. 215 $a1 online resource (552 pages) 225 1 $aStudien Zur Transnationalen Zeitgeschichte Luxemburgs Series ;$vv.3 311 08$a3-11-914743-5 327 $aIntro -- Acknowledgements -- Contents -- Introduction -- A review of cultural policy literature and historiography in Luxembourg -- Presentation of the case study: The Musée National d'Archéologie, d'Histoire et d'ArtPresentation of the case study -- The self-reflecting historian -- Chapter 1 Theory, framework and methodology -- 1.1 Towards a cultural policy history -- 1.2 A framework for a cultural policy history -- 1.3 Luxembourg as a nationalised intermediate space -- 1.4 Sources and source criticism -- Chapter 2 Building the nation: Cultural policy until 1940 -- 2.1 From a liberal era to a national period -- 2.1.1 An anatomy of two concepts: Kulturpolitik and arts et sciences -- 2.1.2 Government spending as a reflection of interwar cultural policy -- 2.2 Cultural policy between nation-building and cultural hybridity -- 2.2.1 The legal framework and the protection of the past -- 2.2.2 Consecrations and celebrations -- The literature prize -- Celebrations and commemorations -- Monumentalising the nation -- 2.2.3 Diplomacy, propaganda and espionage in the Zwischenraum -- 2.3 An aggrandisement of the nation: The Centenary of Independence in 1939 -- 2.3.1 The organisation of a national aggrandisement -- 2.3.2 Multiplying the Centenary: Media, monuments and performances -- The Centenary monument -- Performing the master narrative: The historical procession -- Theatrical performances: D'Hémecht Erzielt -- Capturing the performance: The Centenary film -- 2.3.3 Reception of the Centenary of independence -- 2.4 From private initiatives to the Musée(s) de l'État -- 2.4.1 Travelling collections and unsuitable spaces -- 2.4.2 The imagined museum -- 2.4.3 The construction of the national museum -- 2.5 Preliminary conclusions -- Chapter 3 Neutralising the nation: Luxembourg during Nazi occupation (1940-1944). 327 $a3.1 From a nationalised intermediate space to a Grenzland of the Third Reich -- 3.1.1 Administration and budget -- 3.1.2 Nazi cultural policy and the dispositif of control -- Ideological foundations -- Reshaping cultural society -- 3.2 Cultural institutions: Instrumentalisation, innovation, expansion -- 3.2.1 Theatre as a tool for cultural propaganda -- 3.2.2 The State Archives and the Archivpflege -- 3.2.3 The Landesbibliothek: "A spiritual fortress in the West of the Reich" -- 3.3 The ambiguous institution: The State Museums during the occupation -- 3.3.1 The administration of the museum and the planned expansion -- 3.3.2 The (ambiguous) activities of the museum -- Acquisitions -- Exhibitions -- 3.3.3 The staff of the Landesmuseum -- The evolution of the staff -- Attitudes and post-war (self-)representation -- 3.4 Preliminary conclusions -- Chapter 4 Rebuilding the nation: Cultural policy in the post-war period -- 4.1 Cultural policy in the aftermath of the war -- 4.1.1 The cultural society between continuities and transformations -- 4.1.2 Cultural policy in times of restitution and reconstruction -- Restitution of books -- Restitution of artworks -- 4.1.3 Ambiguities in the nationalised intermediate space -- Cultural diplomacy -- Cracks in national self-perception -- 4.1.4 A renewed national aggrandisement: Heroes, victims, patriots -- The "return" of John the Blind (1946) -- 4.2 The age of the administrator-state -- 4.2.1 From arts et sciences to affaires culturelles -- 4.2.2 The culture budget: Towards consolidation -- 4.2.3 A conservative cultural policy: High culture, cultural heritage, cultural institutions -- Parliamentary debates -- Legal framework -- 4.2.4 The Millennium Celebration in 1963: Aggrandisement and changes in continuity -- Organisation and coordination -- Projects and programme -- Media and propaganda -- Perceptions and impact. 327 $a4.2.5 A new cultural diplomacy in a changing context -- Multilateral cultural relations -- Bilateral cultural relations -- International events -- 4.3 Answering the public call: The State Museums after 1945 -- 4.3.1 An institution for the people: Democratisation and education -- 4.3.2 An institution for the nation: The persistence of the national idea -- 4.3.3 Framing the museum: Professionalisation and its limits -- Personnel -- Issues of space and conservation -- Legal framework -- Acquisitions -- Temporary exhibitions -- 4.3.4 Of junk, masterpieces and other things: The value of art and its definition -- Acquisitions -- Temporary exhibitions -- Industrial and popular arts: A special case? -- 4.4 Preliminary conclusions -- Conclusions -- Annex -- Bibliography -- Index of persons. 330 $aIn Luxembourg, the evolution of cultural policy remains underexplored despite its pivotal role in the nation-building process. This book investigates how national cultural policy evolved from the 1920s to the early 1970s, casting Luxembourg as a nationalized intermediate space between French and German influences. Featuring a case study of the history and art section of the State Museums - the precursor to today's Muse?e national d'arche?ologie, d'histoire et d'art - the book examines the interplay of structures, actors, and discourses and how a cultural institution was intertwined with cultural policy. The study exposes the tensions between adopting external models, on the one hand, and asserting a distinct national culture amid interventionist policies, on the other hand. By including the occupation period from 1940 to 1944, it illustrates how Nazi policies challenged Luxembourg's nation-building by seeking to integrate it into the Third Reich. Combining theoretical analysis with archival research, this work offers nuanced insights into nation-building processes and is highly relevant for historians, cultural policy scholars, and museum professionals. 410 0$aStudien Zur Transnationalen Zeitgeschichte Luxemburgs Series 606 $aHISTORY / Europe / Western$2bisacsh 606 $aHISTORY / Modern / 20th Century / General$2bisacsh 606 $aHISTORY / Modern / General$2bisacsh 615 7$aHISTORY / Europe / Western 615 7$aHISTORY / Modern / 20th Century / General 615 7$aHISTORY / Modern / General 676 $a949.35042 700 $aSpirinelli$b Fabio$01842964 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996662858403316 996 $aStaging the Nation in an Intermediate Space$94423540 997 $aUNISA