LEADER 04271nam 22005413 450 001 996659464103316 005 20250701140349.0 010 $a3-11-158996-X 010 $a3-11-158964-1 035 $a(CKB)38125056000041 035 $a(MiAaPQ)EBC32006047 035 $a(Au-PeEL)EBL32006047 035 $a(DE-B1597)697427 035 $a(DE-B1597)9783111589640 035 $a(OCoLC)1512594999 035 $a(EXLCZ)9938125056000041 100 $a20250413d2025 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBut There Was Love $eShaping the Memory of the Shoah 205 $a1st ed. 210 1$aBerlin/Boston :$cWalter de Gruyter GmbH,$d2025. 210 4$dİ2025. 215 $a1 online resource (380 pages) 225 1 $aPerspectives on Jewish Texts and Contexts Series ;$vv.28 311 08$a3-11-158946-3 327 $tFrontmatter --$tContents --$tBut There Was Love: Shaping the Memory of the Shoah: Introduction to the English Edition --$tPreface: How to Remember the Shoah --$tBook Sections and Chapters --$tSection One: Conversations in the First Person --$t?Everything was Death. But Within It There Was a lot of Love? --$tOn Historiography and the Personal Voice --$tSection Two: Languages of Memory --$tMemory of the Present --$tClouds --$tMemory and Oblivion from Individual to Society: Consequences for Remembering the Holocaust --$tSection Three: Facing the Nothingness --$t?And Who Will Remember? And How Shall We Preserve a Memory??: New Approaches to Exhibits on The Holocaust --$tMarek Laub: Negative of a Testimony --$tButton-Camera --$tInside That Gray Cloud --$tUnsettling Dust --$tSection Four: Echoes and Witnesses --$tReflections on the Holocaust in Jewish Thought --$t?The Hassidic Underground? as a Counter Ultra-Orthodox (Haredi) Historiography --$tCreating My Memory --$tReflections on Hannah Arendt, Radical Evil and Holocaust Survivors? Testimonies --$tDeath of the Witness: Thoughts on what Remains when the Witness Departs --$tSection Five: Poetics of Memory and Forgetting --$tThe Literary Act as Giving Shape to a Scream: a Transition to Poetics --$tA Secret Sealed: Between the Researcher?s Riddle and the Poet?s in Pagis? Work --$tThe Role of Memory and Forgetting in the Creative Process --$tRemembering and Forgetting in Music Composition --$tAmulet for the Widening of the Heart --$tSection Six: Representation and Responsibility --$tFour Views: Members of the Third Generation Reflect on the Holocaust in 2000s Cinema --$tArnon Goldfinger?s The Flat (2011): Ethics and Aesthetics in Third Generation Holocaust Cinema --$tCine-Memory: The Representation of Women?s Sexualized Trauma in Israeli Holocaust-Related Narrative Films --$tSurvivors --$tEthics of Documentation: Attentiveness as Responsibility and Grace --$tSection Seven: Hitkansut ? Shoah Remembrance Ritual --$tCreating Space Within Time: An Invitation to Ritual --$tThe Responsibility to Remember ? Remember Responsibly: Hitkansut, A Ritual Gathering for Yom HaShoah --$tA Note about Adapting Hitkansut to English --$tAcknowledgements --$tContributors 330 $aBut There Was Love?Shaping the Memory of the Shoah proposes a new paradigm for Shoah remembrance in today?s cultural and political reality. It derives from the four-year workings of a group of researchers and artists at The Van Leer Jerusalem Institute led by Michal Govrin. The group positions the extraordinary Jewish and non-Jewish human struggle in facing dehumanization and extermination as the essence of the Shoah, challenging us with a profound ethical call. 410 0$aPerspectives on Jewish Texts and Contexts Series 606 $aHISTORY / Holocaust$2bisacsh 610 $aRememberance. 610 $aShoah, Memory. 615 7$aHISTORY / Holocaust. 676 $a940.4318 700 $aGovrin$b Michal$01819072 701 $aFreibach-Heifetz$b Dana$01819073 701 $aBenZaken$b Etty$01819074 701 $aMorag$b Raya$01819075 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996659464103316 996 $aBut There Was Love$94378949 997 $aUNISA