LEADER 04610nam 22006615 450 001 996647833503316 005 20250705110034.0 010 $a1-4780-9361-7 024 7 $a10.1515/9781478093619 035 $a(CKB)5860000000552813 035 $a(DE-B1597)733018 035 $a(DE-B1597)9781478093619 035 $a(ODN)ODN0010771397 035 $a(EXLCZ)995860000000552813 100 $a20250320h20232023 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCitizens of Photography $eThe Camera and the Political Imagination /$fed. by Ileana L. Selejan, Konstantinos Kalantzis, Naluwembe Binaisa, Christopher Pinney, Sokphea Young, Vindhya Buthpitiya 210 $d2023 210 1$aDurham : $cDuke University Press, $d[2023] 210 4$d2023 215 $a1 online resource (368 p.) 327 $tFrontmatter -- $tCONTENTS -- $tAcknowledgments -- $tIntroduction: Photographing OR, THE FUTURE OF THE IMAGE -- $t1 ?The Truth Is in the Soil? THE POLITICAL WORK OF PHOTOGRAPHY IN NORTHERN SRI LANKA -- $t2 Visual Citizenship in Cambodia FROM APOCALYPSE TO VISUAL ?POLITICAL EMANCIPATION? -- $t3 Photography, Citizenship, and Accusatory Memory in the Greek Crisis -- $t4 Insurgent Archive THE PHOTOGRAPHIC MAKING AND UNMAKING OF THE NICARAGUAN REVOLUTIONARY STATE -- $t5 ?We Are Moving with Technology? PHOTOGRAPHING VOICE AND BELONGING IN NIGERIA -- $t6 Citizenship, Contingency, and Futurity PHOTOGRAPHIC ETHNOGRAPHIES FROM NEPAL, INDIA, AND BANGLADESH -- $tBibliography -- $tContributors -- $tIndex 330 $aCitizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography?s performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography?s open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality. 606 $aDocumentary photography$2DLC 606 $aPhotography in ethnology$2DLC 606 $aPhotography$xPolitical aspects$2DLC 606 $aPhotography$xSocial aspects$2DLC 606 $aPhotography / History$2bisacsh 615 0$aDocumentary photography. 615 0$aPhotography in ethnology. 615 0$aPhotography$xPolitical aspects. 615 0$aPhotography$xSocial aspects. 615 7$aPhotography / History. 686 $aPHO010000$aPOL033000$aSOC002010$2bisacsh 700 $aPinney$b Christopher$0758287 702 $aBinaisa$b Naluwembe, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBinaisa$b Naluwembe, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aButhpitiya$b Vindhya, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aButhpitiya$b Vindhya, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aKalantzis$b Konstantinos, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aKalantzis$b Konstantinos, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPinney$b Christopher, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aPinney$b Christopher, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSelejan$b Ileana L., $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aSelejan$b Ileana L., $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aYoung$b Sokphea, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aYoung$b Sokphea, $4edt$4http://id.loc.gov/vocabulary/relators/edt 712 02$aUniversity College London$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996647833503316 996 $aCitizens of Photography$94402625 997 $aUNISA