LEADER 04352nam 22005533 450 001 996635569403316 005 20241230084506.0 010 $a9783111082486 010 $a3111082482 024 7 $a10.1515/9783111082486 035 $a(CKB)37051312000041 035 $a(MiAaPQ)EBC31860288 035 $a(Au-PeEL)EBL31860288 035 $a(OCoLC)1482262168 035 $a(Exl-AI)31860288 035 $a(NjHacI)9937051312000041 035 $a(EXLCZ)9937051312000041 100 $a20241230d2024 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDoing Digital Film History $eConcepts, Tools, Practices 205 $a1st ed. 210 1$aBasel/Berlin/Boston :$cWalter de Gruyter GmbH,$d2024. 210 4$d©2025. 215 $a1 online resource (450 pages) 225 1 $aStudies in Digital History and Hermeneutics Series ;$vv.11 311 08$a9783111081496 311 08$a3111081494 327 $aAcknowledgments -- Contents -- Doing Digital Film History: An Introduction -- Prologue -- The DH Dilemma: Knowing More & Knowing for Sure vs. Never Knowing At All -- I Search -- Finding Female Film Editors in Wikidata: How to Query and Visualize Filmographic Records -- The Digitization of Silent Films and the Teaching of Film Historiography: Entanglements and Opportunities -- Collecting Data and Connecting Traces: Researching and Modeling Sources on Doña Francisquita (S 1934) -- Teaching Small-Gauge Formats with Digital Methods -- II Data -- Managing the Past: Research Data and Film History -- (Re)Visioning Women?s Film History: The Women Film Pioneers Project and Digital Curatorial-Editorial Labor -- Data Cleaning and Diversity in Digital Film Historiography -- Critically Curating Data in Cultural Heritage Collections -- III Analysis -- Timelines of Scholarly Video Annotation: For a Tool Critical History of Digital Film Historical Scholarship -- Distant Viewing the Amateur Film Platform -- Pursuing Film History with Digital Images: Towards Visual Literacy in the Age of AI and Social Media -- Managing Tools and Expectations: Dos and Don?ts of Teaching Digital Methods for Film Analysis and Film Historiography -- IV Visualization -- Visualization In/As Digital Media Studies -- A Scalable Perspective on Historical Cinema Cultures: Studying Movie Going in Amsterdam (1952?1972) with Digital Data and Tools -- Catastrophe or Pointillism of Disaster? Annotating and Visualizing Patterns of Ecological Imagination -- ?Pure Information, Not the Real Thing?: Digital Hermeneutics and Nelson Sullivan?s Videographic Legacy (1983?1989) -- Epilogue -- Narration, Agency, and the Digital Film Historiography Group Chat -- List of Authors -- Index$7Generated by AI. 330 $aThis book explores the transformative impact of digital technologies on the field of film history research and teaching. Edited by Sarah-Mai Dang, Tim van der Heijden, and Christian Gosvig Olesen, it is the result of an international research network and conference held between 2019 and 2023. The volume examines digital tools and methodologies in film and media studies, addressing topics such as digital archives, data-driven research, visualization techniques, and critical approaches to computational methods. Contributions from interdisciplinary experts discuss the challenges and opportunities of integrating digital methods into film historiography, emphasizing both theoretical and practical perspectives. Intended for scholars, educators, and practitioners in film studies, digital humanities, and related fields, the book highlights innovative strategies for analyzing, interpreting, and presenting film history in the digital era.$7Generated by AI. 410 0$aStudies in Digital History and Hermeneutics Series 606 $aDigital humanities 606 $aAudiovisual education 615 0$aDigital humanities. 615 0$aAudiovisual education. 676 $a791.4309 700 $aDang$b Sarah-Mai$01063300 701 $avan der Heijden$b Tim$01363516 701 $aOlesen$b Christian Gosvig$01782940 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996635569403316 996 $aDoing Digital Film History$94309581 997 $aUNISA