LEADER 02510nam 22003733a 450 001 996599564703316 005 20240111173430.0 010 $a1-4780-9195-9 035 $a(CKB)4900000000578840 035 $a(ScCtBLL)e3f98b5d-5347-44d7-87b7-610b2c92925d 035 $a(EXLCZ)994900000000578840 100 $a20220304i20142022 uu 101 0 $aeng 135 $auru|||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAnimating Film Theory$fKaren Redrobe Beckman 210 1$a[s.l.] :$cDuke University Press,$d2014. 215 $a1 online resource (370 p.) 330 $aAnimating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Herve? Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi 606 $aPerforming Arts / Film / History & Criticism$2bisacsh 606 $aPerforming Arts / Animation$2bisacsh 606 $aPerforming arts 615 7$aPerforming Arts / Film / History & Criticism 615 7$aPerforming Arts / Animation 615 0$aPerforming arts 702 $aBeckman$b Karen Redrobe 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a996599564703316 996 $aAnimating film theory$92935284 997 $aUNISA