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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusical imagiNation$b[electronic resource] $eU.S.-Colombian identity and the Latin music boom /$fMari?a Elena Cepeda
210   $aNew York $cNew York University Press$d2010
215   $a1 online resource (268 p.)
300   $aDescription based upon print version of record.
311   $a0-8147-1692-X 
311   $a0-8147-1691-1 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1 La crisis colombiana -- $t2 A Miami Sound Machine -- $t3 Shakira as the Idealized Transnational Citizen -- $t4 Florecita rockera -- $t5 The Colombian Vallenato acá y allá -- $t6 The Colombian Transcultural Aesthetic Recipe -- $tAfterword -- $tNotes -- $tReferences -- $tDiscography -- $tIndex -- $tAbout the Author 
330   $aLong associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami?s growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock en español, pop, and vallenato stars.Musical ImagiNation provides an overview of the ongoing Colombian political and economic crisis and the dynamics of Colombian immigration to metropolitan Miami. More notably, placed in this context, the book discusses the creative work and media personas of talented Colombian artists Shakira, Andrea Echeverri of Aterciopelados, and Carlos Vives. In her examination of the transnational figures and music that illuminate the recent shifts in the meanings attached to Colombian identity both in the United States and Latin America, Cepeda argues that music is a powerful arbitrator of memory and transnational identity.
606   $aMusic$xSocial aspects$zUnited States$xHistory$y20th century
606   $aPopular music$zFlorida$zMiami$xHistory and criticism
606   $aPopular music$zColombia$xHistory and criticism
606   $aMusic trade$zFlorida$zMiami
606   $aIdentity (Psychology) and mass media
610   $aColombian.
610   $aImagiNation.
610   $aMiami.
610   $aMusical.
610   $acrisis.
610   $adynamics.
610   $aeconomic.
610   $aimmigration.
610   $ametropolitan.
610   $aongoing.
610   $aoverview.
610   $apolitical.
610   $aprovides.
615  0$aMusic$xSocial aspects$xHistory
615  0$aPopular music$xHistory and criticism.
615  0$aPopular music$xHistory and criticism.
615  0$aMusic trade
615  0$aIdentity (Psychology) and mass media.
676   $a781.64089/68861075938
700   $aCepeda$b Mari?a Elena$01089728
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a996582072203316
996   $aMusical imagiNation$93985846
997   $aUNISA