LEADER 03628nam 22005175 450 001 996582062403316 005 20240306015011.0 010 $a3-8394-7018-8 024 7 $a10.1515/9783839470183 035 $a(CKB)30574013000041 035 $a(DE-B1597)666369 035 $a(DE-B1597)9783839470183 035 $a(EXLCZ)9930574013000041 100 $a20240306h20242024 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIbsen at the Theatrical Crossroads of Europe $eA Performance History of Henrik Ibsen's Plays on the Romanian Stages, 1894-1947 /$fGianina Druta 210 1$aBielefeld : $ctranscript Verlag, $d[2024] 210 4$dİ2024 215 $a1 online resource (324 p.) 225 0 $aTheater ;$v160 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $tIntroduction -- $tPart One -- $t1.1 Methodological and theoretical framework -- $t1.2 What is Romania? Preliminary considerations -- $t1.3 Previous research on Henrik Ibsen's presence on the Romanian stage -- $t1.4 Dataset -- $t1.5 Periodization and patterns revealed by the data -- $tPart Two -- $t2.1 The appropriation of foreign cultural models in the reception to Henrik Ibsen in Romania -- $t2.2 The French model -- $t2.3 The Italian model -- $t2.4 The German model -- $t2.5 Minor reception models. Hungarian and Yiddish Ibsen performances on the Romanian map -- $t2.6 Conclusions -- $tPart Three -- $t3.1 How much Ibsen? Ibsen's "acclimatisation" in the Romanian theatres' repertory -- $t3.2 What is the Romanian national theatre? The National Theatres caught between laws, politics and money -- $tPart Four -- $t4.1 Romanian Ibsenites -- $t4.2 Section One. Production Hubs -- $t4.3 Section Two. Character sites -- $tPart Five: Conclusions -- $tPart Six: Technical Appendix. Networks -- $tIntroduction -- $t6.1 Three layers -- $t6.2 Ibsen network layer -- $t6.3 Romanian Ibsen key contributors layer -- $t6.4 National network layer -- $t6.5 Final remarks -- $tFigures -- $tBibliography 330 $aWhile Ibsen's plays were seldom performed in Romania in the first half of the 20th century, historical sources highlight his strong impact on the national theatre practice. To address this contradiction, Gianina Druta approaches the reception of Ibsen in the Romanian theatre in the period 1894-1947, combining Digital Humanities and theatre historiography. This investigation of the European theatre culture and the way in which the foreign acting and staging traditions influenced the Romanian Ibsenites provides new insights into mechanisms of aesthetic transmission. Thus, this study presents a European theatre landscape whose unpredictability and uniqueness cannot be confined to essentialist interpretations. 606 $aPERFORMING ARTS / Theater / History & Criticism$2bisacsh 610 $aCultural History. 610 $aDigital Humanities. 610 $aHistory of Theatre. 610 $aLiterature. 610 $aRomance Studies. 610 $aRomania. 610 $aSlavic Studies. 610 $aTheatre Studies. 610 $aTheatre and Performance. 610 $aTheatre. 615 7$aPERFORMING ARTS / Theater / History & Criticism. 700 $aDruta$b Gianina, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01733152 712 02$aOslo Metropolitan University$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996582062403316 996 $aIbsen at the Theatrical Crossroads of Europe$94148361 997 $aUNISA