LEADER 00953nam0-2200313---450- 001 990009754220403321 005 20130927145013.0 035 $a000975422 035 $aFED01000975422 035 $a(Aleph)000975422FED01 035 $a000975422 100 $a20130724f1987----km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $aac--bcg-001yy 200 1 $aOld master drawings$ean exhibition at our New York Galleries, 12th - 29th may 1987$fColnaghi 210 $aLondon$cColnaghi$d[1987?] 215 $a[95] p.$cill.$d24 cm 300 $aCatalogo dell'esposizione per la vendita, New York 610 0 $aDisegni$aCataloghi di vendita$a1979 676 $a741.9 712 02$aColnaghi P. & D.$c 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009754220403321 952 $a759.04 MOSTRE NEW YORK 1987$bBIBL. 60130$fFLFBC 959 $aFLFBC 996 $aOld master drawings$9834285 997 $aUNINA LEADER 03771oam 2200637 c 450 001 996582046403316 005 20220221094418.0 010 $a3-8394-6037-9 024 3 $a9783839460375 035 $a(CKB)4100000012050159 035 $a(MiAaPQ)EBC6742530 035 $a(Au-PeEL)EBL6742530 035 $a(OCoLC)1273979255 035 $a(transcript Verlag)9783839460375 035 $a(DE-B1597)596610 035 $a(DE-B1597)9783839460375 035 $a(OCoLC)1280943074 035 $a(EXLCZ)994100000012050159 100 $a20220221d2021 uy 0 101 0 $ager 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNarco-Rap$eEine kulturwissenschaftliche Perspektive auf die Grenzstadtperipherie und das organisierte Verbrechen in Mexiko$fChristiane M. Goßen 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2021 215 $a1 online resource (277 pages) 225 0 $aCultural Studies$v55 311 $a3-8376-6037-0 327 $aFrontmatter 1 Inhalt 5 Danksagung 7 Prolog 9 1 Einleitung 11 2 Die Entstehung des Narco-Rap im soziopolitischen Kontext 31 3 Eine Kontextualisierung mithilfe anthropologischer Parameter 59 4 Raum: Peripherien, Zentren und die Staatsgrenze 87 5 Imaginarien: Drogen, Krieg und Glaube 131 6 Identita?t: Grenzstadtbu?rger, Kartellmitglieder und Rapper 179 7 Die Erma?chtigung der Peripherie: Ein unerfu?lltes Versprechen 229 Epilog 237 Narco-Rap-Glossar 239 Analysekorpus 243 Literaturverzeichnis 257 330 $aDer mexikanische Narco-Rap entstand im Jahr 2008 innerhalb des Drogenkriegs in den Sta?dten entlang der US-amerikanischen Grenze. Er dokumentiert die bewaffneten Auseinandersetzungen, welche die Grenzsta?dte fast ta?glich erschu?ttern. Gleichzeitig wird er vom organisierten Verbrechen zu Propagandazwecken instrumentalisiert, wodurch er sich von anderen Rap-Genres abhebt. Christiane M. Goßen zeigt, wie durch diese Instrumentalisierung im Narco-Rap aus einer ungewo?hnlichen Perspektive soziale und existenzielle Ra?ume, Imaginarien und urbane Identita?ten inklusive bestimmter Rollenerfu?llungen (re-)pra?sentiert werden. Damit bietet ihre Studie einen Einblick in die Bedeutung der Drogenkriminalita?t fu?r das Leben in den Grenzsta?dten Mexikos. 330 1 $aO-Ton: »Wie ein Pakt mit dem Teufel« - Christiane Großen im Interview bei Deutschlandfunk - Tonart am 20.10.2021. 410 0$aCultural Studies 606 $aRap; Musik; Kultur; Mexiko; Grenze; Drogenkrieg; Organisiertes Verbrechen; Kriminalita?t; Armut; Popkultur; Raum; Cultural Studies; Popmusik; Lateinamerika; Kulturwissenschaft; Music; Culture; Mexico; Border; Drug War; Organised Crime; Poverty; Popular Culture; Space; Pop Music; Latin America; 610 $aBorder. 610 $aCultural Studies. 610 $aCulture. 610 $aDrug War. 610 $aLatin America. 610 $aMexico. 610 $aMusic. 610 $aOrganised Crime. 610 $aPop Music. 610 $aPopular Culture. 610 $aPoverty. 610 $aSpace. 615 4$aRap; Musik; Kultur; Mexiko; Grenze; Drogenkrieg; Organisiertes Verbrechen; Kriminalita?t; Armut; Popkultur; Raum; Cultural Studies; Popmusik; Lateinamerika; Kulturwissenschaft; Music; Culture; Mexico; Border; Drug War; Organised Crime; Poverty; Popular Culture; Space; Pop Music; Latin America; 700 $aGoßen$b Christiane M$pUniversita?t Duisburg-Essen, Deutschland$4aut$01725382 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996582046403316 996 $aNarco-Rap$94128387 997 $aUNISA LEADER 05366oam 22006014a 450 001 9910968672603321 005 20251117044245.0 010 $a9781602232747 010 $a1602232741 035 $a(CKB)3710000000513942 035 $a(EBL)4312704 035 $a(SSID)ssj0001569999 035 $a(PQKBManifestationID)16218562 035 $a(PQKBTitleCode)TC0001569999 035 $a(PQKBWorkID)14614420 035 $a(PQKB)11620465 035 $a(Au-PeEL)EBL4312704 035 $a(CaPaEBR)ebr11139087 035 $a(OCoLC)929629465 035 $a(MdBmJHUP)musev2_98390 035 $a(MiAaPQ)EBC4312704 035 $a(Perlego)3022760 035 $a(EXLCZ)993710000000513942 100 $a20141229d2015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aColoring the Universe$eAn Insider's Look at Making Spectacular Images of Space /$fDr. Travis A. Rector, Kimberly Arcand, and Megan Watzke 205 $a1st ed. 210 1$aFairbanks :$d[2015]$cUniversity of Alaska Press, 215 $a1 online resource (265 p.) 300 $aDescription based upon print version of record. 311 08$a9781602232730 311 08$a1602232733 320 $aIncludes bibliographical references and index. 327 $aForeword / by David Malin -- Preface -- Human versus telescope : comparing telescopic vision with human vision. Seeing is believing ; Three things a telescope does -- This is not a selfie : how telescopes and their cameras work. How a "visible-light" telescope works ; Starlight, camera, action! ; Calibrating the camera -- Coloring the universe : broadband images, and how we use color. Show your true colors ; Making color in photography ; Putting color into astronomical images ; Broadband filters -- Color is knowledge : what scientists learn from color with broadband filters. Stars in living color ; Diamonds and dust ; The colors of galaxies -- A brief history of astronomical images : the history of how (and why) images are made. The era of photographic plates ; Astronomy for everyone ; The rise of the electronic camera ; The year that was 1994 ; Onward to the future ; The time is now -- The marvel of hydrogen : the most important element and how we see it. Element number one ; The birth of stars ; Jets from forming stars ; Choosing the colors -- Seeing red : how we see color, and how we use it. How our eyes see color ; Interpretation of color ; Perception of temperature ; Here and far ; Not paint by numbers -- Narrowband imaging : addition by subtraction. The spaces between the notes ; Give me oxygen ; When a star hits empty ; Fifty shades of red ; The "hubble palette" and beyond ; Big stars go bang -- A night in the life : observing with the word's largest telescopes. These are professional grade ; Reservations required? ; Working dusk till dawn ; Remote control -- Outside the rainbow : the electromagnetic spectrum, different kinds of light. The electromagnetic spectrum ; Radio, radio ; Microwaves : more than the oven ; Infrared : can you feel the heat? ; Visible : the tiny slice you can see ; Ultraviolet : light my way ; X-rays : beyond the dentist's office ; Gamma rays : light to the extreme ; The visible made visible -- Photoshopping the universe : what do astronomers do? What do astronomers not do? From data to an image ; Enter photoshop ; Cleaning the image ; What not to do -- The aesthetics of astrophysics : principles of composition applied to the universe. The sharpness of an image ; Color contrasts ; The composition of an image ; Structure and detail ; The natural and supernatural ; Anatomy of and image : breakdown of the pillars of creation ; Scientific and beautiful -- Epilogue: Seeing the eye (and hand) of god : pareidolia, or seeing faces/objects in astronomical imagery. 330 $aWith a fleet of telescopes in space and giant observatories on the ground, professional astronomers produce hundreds of spectacular images of space every year. These colorful pictures have become infused into popular culture and can found everywhere, from advertising to television shows to memes. But they also invite questions: Is this what outer space really looks like? Are the colors real? And how do these images get from the stars to our screens? Coloring the Universe uses accessible language to describe how these giant telescopes work, what scientists learn with them, and how they are used to make color images. It talks about how otherwise un-seeable rays, such as radio waves, infrared light, X-rays, and gamma rays, are turned into recognizable colors. And it is filled with fantastic images taken in far-away pockets of the universe. Informative and beautiful, Coloring the Universe will give space fans of all levels an insider's look at how scientists bring deep space into brilliant focus. 606 $aSpace photography$2fast$3(OCoLC)fst01127787 606 $aSpace photography 615 7$aSpace photography. 615 7$aSpace photography. 676 $a778.3/5 700 $aRector$b Travis A$g(Travis Arthur),$01806206 701 $aWatzke$b Megan$01882792 701 $aArcand$b Kimberly$f1975-$01882793 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910968672603321 996 $aColoring the Universe$94498253 997 $aUNINA