LEADER 03460nam 2200445 450 001 996580164903316 005 20231114051626.0 010 $a1-4875-4137-6 010 $a1-4875-3864-2 035 $a(CKB)5450000000362523 035 $a(NjHacI)995450000000362523 035 $a(OCoLC)1337866459 035 $a(MdBmJHUP)musev2_109097 035 $a(EXLCZ)995450000000362523 100 $a20230508d2021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aDostoevsky at 200 $ethe novel in modernity /$fedited by Katherine Bowers and Kate Holland 210 1$aToronto, Ontario :$cUniversity of Toronto Press,$d2021. 215 $a1 online resource (viii, 253 pages) 311 $a1-4875-0863-8 327 $aThe Poetics of the Slap: Dostoevsky's Disintegrating Duel Plot / Kate Holland -- Dostoevsky and the (Missing) Marriage Plot / Anna A. Berman -- The Greasy-Haired Pawnbroker and the Capitalist Raskrasavitsa: Dostoevsky's Businesswomen / Vadim Shneyder -- Allegories of the Material World: Dostoevsky and Nineteenth-Century Science / Melissa Frazier -- Dostoevsky, Sechenov, and the Reflexes of the Brain: Towards a Stylistic Genealogy of Notes from Underground / Alexey Vdovin -- Deferred Senses and Distanced Spaces: Embodying the Boundaries of Dostoevsky's Realism / Sarah J. Young -- Under the Floorboards, Over the Door: The Gothic Corpse and Writing Fear in The Idiot / Katherine Bowers -- The Improbable Poetics of Crime and Punishment / Greta Matzner-Gore -- Illegitimacies of the Novel: Characterization in Dostoevsky's The Adolescent / Chlo? Kitzinger -- Sovereignty and the Novel: Dostoevsky's Political Theology / Ilya Kliger. 330 $a"Marking the bicentenary of Dostoevsky's birth, Dostoevsky at 200: The Novel in Modernity takes the writer's art--specifically the tension between experience and formal representation--as its central theme. While many critical approaches to Dostoevsky's works are concerned with spiritual and philosophical dilemmas, this volume focuses instead on questions of design and narrative to explore Dostoevsky and the novel from a multitude of perspectives. Contributions situate Dostoevsky's formal choices of narrative, plot, genre, characterization, and the novel itself within modernity and consider how the experience of modernity led to Dostoevsky's particular engagement with form. Conceived as a forum for younger scholars working in new directions in Dostoevsky scholarship, the chapters that comprise this volume ask how narrative and genre shape Dostoevsky's works, as well as how they influence the way modernity is represented. Of interest not just to readers and scholars of Russian literature, but also to those interested in the genre of the novel more broadly, Dostoevsky at 200 is pathbreaking in its approach to the question of Dostoevsky's contribution to the novel as a form. "--$cProvided by publisher. 517 $aDostoevsky at 200 606 $aCivilization, Modern, in literature 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aCivilization, Modern, in literature. 676 $a891.733 702 $aBowers$b Katherine 702 $aHolland$b Kate 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a996580164903316 996 $aDostoevsky at 200$93259805 997 $aUNISA