LEADER 01702nam 2200409 450 001 996574985003316 005 20231214123649.0 010 $a1-5044-9111-4 035 $a(CKB)4100000012897283 035 $a(NjHacI)994100000012897283 035 $a(EXLCZ)994100000012897283 100 $a20231214d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a1786-2022 - IEEE Guide for Human Factors Applications of Computerized Operating Procedure Systems (COPS) at Nuclear Power Generating Stations and Other Nuclear Facilities - Redline /$fIEEE 210 1$aNew York :$cIEEE,$d2022. 215 $a1 online resource (61 pages) 330 $aThe application of computerized operating procedure systems (COPS), their design (i.e., form and function), and use is presented in this guide. 517 $a1786-2022 - IEEE Guide for Human Factors Applications of Computerized Operating Procedure Systems 606 $aHuman-computer interaction 606 $aNuclear power plants$xManagement 606 $aRadiation$xPhysiological effect 606 $aIndustrial safety 615 0$aHuman-computer interaction. 615 0$aNuclear power plants$xManagement. 615 0$aRadiation$xPhysiological effect. 615 0$aIndustrial safety. 676 $a004.019 801 0$bNjHacI 801 1$bNjHacl 906 $aDOCUMENT 912 $a996574985003316 996 $a1786-2022 - IEEE Guide for Human Factors Applications of Computerized Operating Procedure Systems (COPS) at Nuclear Power Generating Stations and Other Nuclear Facilities - Redline$93881787 997 $aUNISA LEADER 04948nam 2200613 450 001 9910820469003321 005 20231217101253.0 010 $a1-59756-748-5 035 $a(CKB)3710000000342810 035 $a(EBL)1922903 035 $a(OCoLC)903957406 035 $a(SSID)ssj0001421194 035 $a(PQKBManifestationID)12611381 035 $a(PQKBTitleCode)TC0001421194 035 $a(PQKBWorkID)11422862 035 $a(PQKB)10681601 035 $a(MiAaPQ)EBC1922903 035 $a(Au-PeEL)EBL1922903 035 $a(CaPaEBR)ebr11014290 035 $a(EXLCZ)993710000000342810 100 $a20150214h20092009 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHearing loss in musicians $eprevention and management /$fMarshall Chasin 210 1$aSan Diego, California ;$aOxfordshire, [England] :$cPlural Publishing,$d2009. 210 4$dİ2009 215 $a1 online resource (219 p.) 300 $aDescription based upon print version of record. 311 $a1-59756-181-9 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $a1 Hearing Loss Prevention for Musicians and Introduction to the Problem BY MARSHALL CHASIN INDUSTRIAL NOISE AND MUSIC Music and industrial noise have many similarities and some interesting differences. Depending on the musical instrument, the spectral shape and concentration of energy can be quite similar to those of an industrial noise spectrum. This is true of stringed, vocal, brass, and woodwind instruments. It is not true, however, of percussive instruments such as the drums or cymbals- 327 $a2 Overview of Anatomy and Physiology of the Peripheral Auditory System BY RICHARD J. SALVI, EDWARD LOBARINAS, AND WEI SUN Musicians possess a remarkable array of instruments and vocal styles that can appeal to diverse musical interests ranging from classical and operatic on the one hand to jazz, rock, and rap at the other end of the continuum. Regardless of the musical proclivity of the listener, the melodies, consisting of sound waves, must be transferred from the external ear through the mid 327 $a3 The Medical Aspects of Otologic Damage from Noise in Musicians BY KENNETH EINHORN Every day in the United States, an otolaryngologist encounters a patient with hearing loss that is caused in part or in whole by loud noise exposure. Approximately 10 million Americans suffer from hearing loss attributed to damage from excessive noise exposure (National Institutes of Health [NIH], 1990). The physician is also familiar with some (but maybe not all) of the other adverse medical conditions that ca 327 $a4 Tinnitus, Hyperacusis, and Music BY RICHARD S. TYLER, SON-A CHANG, PAN TAO, STEPHANIE GOGEL, AND ANNE K. GEHRINGER WHAT IS TINNITUS? Tinnitus is the perception of sound in the absence of an external sound. It is commonly associated with noise induced hearing loss. There are two broad types of tinnitus. Middle-ear tinnitus is a result of abnormal blood vessels or muscle twitching in the middle ear cavity behind the eardrum. Sensorineural tinnitus involves the cochlea and/or auditory nervous s 327 $a5 Do Headphones Cause Hearing Loss? Risk of Music Induced Hearing Loss for the Music Consumer BY BRIAN J. FLIGOR NATURE OF THE PROBLEM Increasing population densities and human encroachment in previously uninhabited areas have served to continually increase sound levels in society. Noise is now virtually everywhere. According to Berger (2003), 40% of the European community is continuously exposed to transportation noise of 55 dBA (similar to a normal voice in the background) and 20% are expose 327 $a6 Uniform Hearing Protection for Musicians BY PATRICIA A. NIQUETTE INTRODUCTION Use of hearing protection by musicians and music industry professionals can dramatically reduce auditory risk 330 $aThe editor and contributors are all experts in their relative fields and work daily with professionals in the performing arts who are endangered by exposure to high-volume sound. Here they clearly present some of the anatomy and physiology of the hearing mechanism; medical problems associated with exposure to long-term, high volume sounds in the musical environment; and, in the bulk of the book, hearing protection and practical advice on preventive measures. 606 $aDeafness, Noise induced$xPrevention 606 $aMusicians$xWounds and injuries$xPrevention 615 0$aDeafness, Noise induced$xPrevention. 615 0$aMusicians$xWounds and injuries$xPrevention. 676 $a617.8002478 700 $aChasin$b Marshall$01721054 701 $aChasin$b Marshall$01721054 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820469003321 996 $aHearing loss in musicians$94120242 997 $aUNINA