LEADER 04188oam 22008174a 450 001 996571847103316 005 20240123190111.0 010 $a1-4798-9605-5 024 7 $a10.18574/9781479896059 035 $a(CKB)3790000000017032 035 $a(EBL)2073210 035 $a(OCoLC)912234731 035 $a(SSID)ssj0001517280 035 $a(PQKBManifestationID)12566717 035 $a(PQKBTitleCode)TC0001517280 035 $a(PQKBWorkID)11502576 035 $a(PQKB)10644458 035 $a(StDuBDS)EDZ0001533253 035 $a(MiAaPQ)EBC2073210 035 $a(DE-B1597)547994 035 $a(DE-B1597)9781479896059 035 $a(OCoLC)951103577 035 $a(MdBmJHUP)muse87003 035 $a(MiAaPQ)EBC4050764 035 $a(Au-PeEL)EBL4050764 035 $a(EXLCZ)993790000000017032 100 $a20160603d2015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 13$aAn Imperialist Love Story$eDesert Romances and the War on Terror /$fAmira Jarmakani 210 1$aNew York :$cNew York University Press,$d[2015] 210 3$aBaltimore, Md. :$cProject MUSE,$d2021 210 4$dİ[2015] 215 $a1 online resource (510 p.) 300 $aDescription based upon print version of record. 311 $a1-4798-1561-6 311 $a1-4798-2086-5 320 $aIncludes bibliographical references (pages 241-256) and index. 327 $aIntroduction: the romantic sheikh as hero of the War on Terror -- "To catch a sheikh?" in the War on Terror -- Desert is just another word for freedom -- Desiring the big bad blade: the racialization of the sheikh -- To make a woman happy in bed ... -- Conclusion: the ends. 330 $aA curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called ?desert romances.? Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and interviews with authors, Jarmakani explores popular investments in the war on terror by examining the collisions between fantasy and reality in desert romances. Focusing on issues of security, freedom, and liberal multiculturalism, she foregrounds the role that desire plays in contemporary formations of U.S. imperialism. Drawing on transnational feminist theory and cultural studies, An Imperialist Love Story offers a radical reinterpretation of the war on terror, demonstrating romance to be a powerful framework for understanding how it works, and how it perseveres. 606 $aDeserts in literature 606 $aDesire in literature 606 $aEast and West in literature 606 $aErotic stories, American$xHistory and criticism 606 $aHeroes in literature 606 $aMasculinity in literature 606 $aRomance fiction, American$xHistory and criticism 606 $aSocial values in literature 606 $aLITERARY CRITICISM / Gothic & Romance$2bisacsh 610 0$aDesert romances. 610 0$aSheikh romances. 615 0$aDeserts in literature. 615 0$aDesire in literature. 615 0$aEast and West in literature. 615 0$aErotic stories, American$xHistory and criticism. 615 0$aHeroes in literature. 615 0$aMasculinity in literature. 615 0$aRomance fiction, American$xHistory and criticism. 615 0$aSocial values in literature. 615 7$aLITERARY CRITICISM / Gothic & Romance. 676 $a813.08509 700 $aJarmakani$b Amira$f1974-$01461772 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996571847103316 996 $aAn Imperialist Love Story$93670551 997 $aUNISA