LEADER 02266nam 22004331 450 001 9910467667403321 005 20211104163850.0 010 $a93-5328-786-3 010 $a93-5328-696-4 035 $a(CKB)4950000000162188 035 $a(MiAaPQ)EBC5976603 035 $a(OCoLC)1127567486 035 $a(CaToSAGE)SAGE000009273 035 $a(EXLCZ)994950000000162188 100 $a20200302d2020 fy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIslamophobia $ehistory, context and deconstruction /$fZafar Iqbal 205 $a1st edition. 210 1$aMathura Road :$cSAGE Publications Pvt Ltd.,$d2020. 215 $a1 online resource (337 pages) 311 $a93-5328-695-6 320 $aIncludes bibliographical references and index. 330 8 $aThe only common aspect among all definitions of Islamophobia is that all of them have something negative to say about Muslims or Islam or both. This book traces Islamophobia as a phenomenon from history and attempts to break some of the myths that are dominant in contemporary literature. It explains how the fear of Islam travelled through ages, adding more ills into its ambit and escalating to a level of generalized fear of Muslims today. Islamophobia: History, Context and Deconstruction challenges many established theories including that of the influential post-colonial writer and critic. Edward Said's view that Islamophobia is European hostility and prejudice towards Arabo-Muslim people. The author envisages Islamophobia as a multidimensional construct and provides tools for measuring its manifold dimensions. The book focuses on providing a diagnosis of the problem and prognostic solutions to avoid further degradation of the relations between Islam, the West and the rest. It is a response from the East to the Western discourses on Islamophobia. 606 $aIslamophobia 608 $aElectronic books. 615 0$aIslamophobia. 676 $a305.697 700 $aIqbal$b Zafar$0852700 801 0$bCaToSAGE 801 1$bCaToSAGE 801 2$bUtOrBLW 906 $aBOOK 912 $a9910467667403321 996 $aIslamophobia$91904228 997 $aUNINA LEADER 03723nam 22005893 450 001 996565568303316 005 20230911124921.0 010 $a90-485-5255-9 024 7 $a10.1515/9789048552559 035 $a(CKB)27676631400041 035 $a(MiAaPQ)EBC30649915 035 $a(Au-PeEL)EBL30649915 035 $a(DE-B1597)658629 035 $a(DE-B1597)9789048552559 035 $a(OCoLC)1378041441 035 $a(ScCtBLL)daee5273-b24f-484b-88f3-937be699fcc5 035 $a(EXLCZ)9927676631400041 100 $a20230911d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aExploring Past Images in a Digital Age $eReinventing the Archive 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d2023. 210 4$dİ2023. 215 $a1 online resource (259 pages) 225 1 $aFraming Film Series 311 $a9789463723442 327 $tFrontmatter -- $tTABLE OF CONTENTS -- $tAcknowledgements -- $tIntroduction: The Joys of Forgetting, Reinventing and Coping with the Archive Fever -- $tI New Frontiers? Between Absence and Presence of Archives -- $t1 What Are Film Archives For? (and Why We Need Them to Change), or: Adventures in the Archive World -- $t2 Viewing the Ottoman Lands in Early Travel Films -- $t3 How Social Media Platforms Replace Film Archives When There Are No Archives -- $t4 The Intersecting Paths of Eveline T. Scott and Traugott Fuchs: How Do Private Collections Speak to Us? -- $tII The God of Small Films, or What You Have Found Is Not What You Have Lost -- $t5 The Ethics of Appropriation: Found Footage between Archive and Internet -- $t6 The Infra-ordinary Archive: On Turkish 8 mm Home Movies -- $t7 Interview with Gustav Deutsch: "Categorisation Limits" -- $t8 Old Footage, New Meanings: The Case of The Atomic Cafe -- $tIII What The Prints (Don't) Tell -- $t9 Preservation and Resignation: A Study of Survival -- $t10 Memory and Trust in a Time of Un-framing Film Heritage -- $t11 "Uncontained" Archives of Cinema -- $tBibliography -- $tIndex 330 $aFilm archives are fast spreading around the world, and with them issues surrounding archival digitisation, artistic appropriation, and academic reinterpretation of film material that demand scholarly attention. Exploring Past Images in a Digital Age: Reinventing the Archive aims to fill this demand with a thought-provoking collection of original articles contributed by renowned scholars, archivists, and artists. It urges the reader to "forget" standard ways of thinking about film archives and come to grips with the challenges of analysing and recontextualising an area in transit from the analogue to the digital. The book not only throws light on unexplored issues related to film archives but also introduces unconventional approaches and alternative sources for scholarly research and a vast range of artistic possibilities. 410 0$aFraming Film Series 606 $aArts 606 $aFilm archives 606 $aMotion picture film collections 606 $aART / History / General$2bisacsh 610 $aFilm Archive, Film History and Historiography, Digital Archiving, Digital Humanities, Memory. 615 0$aArts. 615 0$aFilm archives. 615 0$aMotion picture film collections. 615 7$aART / History / General. 676 $a026.79143 700 $aErdogan$b Nezih$01424764 701 $aKayaalp$b Ebru$01149666 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996565568303316 996 $aExploring Past Images in a Digital Age$93554273 997 $aUNISA