LEADER 05592oam 22008654a 450 001 996552366003316 005 20230621135406.0 010 $a1-4744-2979-3 010 $a1-280-87486-4 010 $a9786613716170 010 $a0-7486-5603-0 024 7 $a10.1515/9780748656035 035 $a(CKB)2550000000104446 035 $a(EBL)951332 035 $a(OCoLC)818858072 035 $a(SSID)ssj0000742857 035 $a(PQKBManifestationID)11462761 035 $a(PQKBTitleCode)TC0000742857 035 $a(PQKBWorkID)10779442 035 $a(PQKB)10091346 035 $a(MiAaPQ)EBC951332 035 $a(OCoLC)1112236771 035 $a(MdBmJHUP)muse73598 035 $a(ScCtBLL)a57c0ab9-9c3f-47d6-9330-bebe0affaa28 035 $a(DE-B1597)616718 035 $a(DE-B1597)9780748656035 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35672 035 $a(OCoLC)1302166621 035 $a(UtSlPG)30390 035 $a(EXLCZ)992550000000104446 100 $a20190816e20192012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDickens's London$ePerception, Subjectivity and Phenomenal Urban Multiplicity /$fJulian Wolfreys 210 $cEdinburgh University Press$d2012 210 1$aBaltimore, Maryland :$cProject Muse,$d2019 210 4$dİ2019 215 $a1 online resource (273 p.) 225 0 $aEdinburgh critical studies in Victorian culture 300 $aDescription based upon print version of record. 311 $a1-4744-0238-0 311 $a0-7486-4040-1 320 $aIncludes bibliographical references (pages 244-249) and index. 327 $aDickens's London -- Dickens, our Contemporary -- Enargia -- A. Arrivals (and Returns): London, Whitechapel, Blackheath, Blackfriars, Windsor Terrace, City Road, The Strand, Drury Lane, Fleet Street, Buckingham Street, the Adelphi, Custom House [Lower Thames Street], the Monument, Fish-Street Hill, Saint Paul's Cathedral -- B. Banking and Breakfast: Gray's Inn Square, Temple Bar, Strand Lane -- C. Chambers: Holborn, Staple Inn, Furnival's Inn -- D. Dismal: Little Britain, Smithfields, Saint Paul's Cathedral -- E. Exteriors: Golden Square, Portland Place, Bryanston Square -- F. Faded Gentility: Camden Town -- G. Gothic: Seven Dials, Walworth, Covent Garden, India House, Aldgate Pump, Whitechapel Church, Commercial Road, Wapping Old Stairs, St George's in the East, Snow Hill, Newgate -- H. Heart: St Paul's Cathedral -- I. Insolvent Court: Portugal Street, Lincoln's Inn, Houndsditch, Tyburn, Whitechapel, St George's Fields, Southwark -- J. Jaggers's House: Gerrard Street, Soho -- K. Krook's: by Lincoln's Inn -- L. Life and Death: Snow Hill, the Saracen's Head, Smithfield, Saint James's Parish, Saint Sepulchre's Church -- M. Melancholy: Leadenhall Street, Newgate, Lant Street, Borough, St George the Martyr -- N. Nocturnal: Millbank -- O. Obstructive: Tower Street Ward -- P. Poverty: Angel, Islington, St John's Road, Sadler's Wells Theatre, Exmouth Street, Coppice Row, Hockley-in-the-Hole, Saffron Hill, Field Lane -- Q. Quiet: Soho Square, Lincoln's Inn Fields, Old Square -- R. Resignation: Todgers's, somewhere adjacent to the Monument -- S. Spring Evenings: London -- T. Time: The City, Coram's Fields -- U. Unfinished: Stagg's Gardens, Camden Town -- V. Voice: Brentford, the Borough -- W. Walking: St Martin's Court, Covent Garden -- X. X marks the Spot: St Mary Axe. 330 $aThis exploration of the streets of Dickens's London opens up new perspectives on the city and the writer. Taking Walter Benjamin's Arcades Project as an inspiration, Dickens's London offers an exciting and original project that opens a dialogue between phenomenology, philosophy and the Dickensian representation of the city in all its forms. Julian Wolfreys suggests that in their representations of London - its streets, buildings, public institutions, domestic residences, rooms and phenomena that constitute such space - Dickens's novels and journalism can be seen as forerunners of urban and material phenomenology. While also addressing those aspects of the urban that are developed from Dickens's interpretations of other literary forms, styles and genres, Dickens's London presents in twenty-six episodes (from Banking and Breakfast via the Insolvent Court, Melancholy and Poverty, to Todgers and Time, Voice and Waking) a radical reorientation to London in the nineteenth century, the development of Dickens as a writer, and the ways in which readers today receive and perceive both. 410 0$aEdinburgh critical studies in Victorian culture. 606 $aLiterary Criticism / Ancient & Classical$2bisacsh 606 $aLiterature$xHistory and criticism 607 $aLondon (England)$xHistory$y19th century 607 $aLondon (England)$xIn literature 608 $aElectronic books. 610 $aLiterature 610 $aVictorian 610 $aLondon 610 $aurban consciousness 610 $aurban tropology 610 $anineteenth-century literature 610 $acharles dickens 610 $aGothic architecture 610 $aModernity 610 $aSubjectivity 615 7$aLiterary Criticism / Ancient & Classical 615 0$aLiterature$xHistory and criticism 676 $a823.8 686 $aHL 2585$2rvk 700 $aWolfreys$b Julian$f1958-$0856701 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996552366003316 996 $aDickens's London$92433390 997 $aUNISA