LEADER 00754nam0-22002651i-450- 001 990001218850403321 035 $a000121885 035 $aFED01000121885 035 $a(Aleph)000121885FED01 035 $a000121885 100 $a--------d--------km-y0itay50------ba 101 1$aeng 200 1 $aTrasformazioni lineari$fdi Burali. Forti. Marcolongo. 210 $as.l.$cZanichelli$d1929. 300 $aVolume I. 700 1$aBurali Forti,$bCesare$02779 702 1$aBurali Forti,$bCesare 702 1$aMarcolongo,$bRoberto$c 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001218850403321 952 $a223-C-3a$b01904$fMA1 959 $aMA1 996 $aTrasformazioni lineari$9342980 997 $aUNINA LEADER 03061 am 22004933u 450 001 996552364803316 005 20230621135343.0 024 7 $a10.7765/9781526147240 035 $a(CKB)4100000008710967 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35182 035 $a(DE-B1597)659211 035 $a(DE-B1597)9781526147240 035 $a(EXLCZ)994100000008710967 100 $a20190721h20192016 uy| 0 101 0 $aeng 135 $aur||#---u|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe cinema of Oliver Stone $eart, authorship and activism /$fIan Scott and Henry Thompson 210 $aManchester, UK$cManchester University Press$d2019 210 1$aManchester, UK :$cManchester University Press,$d2019. 210 4$dİ2016 215 $a1 online resource (307 pages) $cillustrations; digital, PDF file(s) 300 $aPreviously issued in print: 2016. 311 $a1-5261-0711-2 311 $a1-5261-4724-6 320 $aIncludes bibliographical references and index. 330 $aThis book charts and analyses the work of Oliver Stone ? arguably one of the foremost political filmmakers in Hollywood during the last thirty years. Drawing on previously unseen production files from Oliver Stone?s personal archives and hours of interviews both with Stone and a range of present and former associates within the industry, the book employs a thematic structure to explore Stone?s life and work in terms of war, politics, money, love and corporations. This allows the authors both to provide a synthesis of earlier and later film work as well as locate that work within Stone?s developing critique of government. The book explores the development of aesthetic changes in Stone?s filmmaking and locates those changes within ongoing academic debates about the relationship between film and history as well as wider debates about Hollywood and the film industry. All of this is explored with detailed reference to the films themselves and related to a set of wider concerns that Stone has sought to grapple with -the American Century, exceptionalism and the American Dream, global empire, government surveillance and corporate accountability. The book concludes with a perspective on Stone?s ?brand? as not just an auteur and commercially viable independent filmmaker but as an activist arguing for a very distinct kind of American exceptionalism that seeks a positive role for the US globally whilst eschewing military adventurism. 606 $aMotion picture producers and directors$zUnited States 610 $aOliver Stone 610 $aHollywood 610 $aAuteurism 610 $aVietnam 610 $aPolitics 615 0$aMotion picture producers and directors 676 $a791.430233092 700 $aScott$b Ian$f1954-$0964499 702 $aThompson$b Henry 801 2$bUkMaJRU 906 $aBOOK 912 $a996552364803316 996 $aThe cinema of Oliver Stone$92188182 997 $aUNISA