LEADER 04353 am 22006133u 450 001 996552358703316 005 20230621140434.0 035 $a(CKB)4100000006999959 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35978 035 $a(DE-B1597)658953 035 $a(DE-B1597)9781526137999 035 $a(EXLCZ)994100000006999959 100 $a20181014h20182002 fy| 0 101 0 $aeng 135 $aur||#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aWomen's writing in contemporary France $enew writers, new literatures in the 1990s /$fedited by Gill Rye and Michael Worton 210 $cManchester University Press$d2003 210 1$aManchester, UK :$cManchester University Press,$d2018. 210 4$d©2002 215 $a1 online resource (ix, 262 pages) $cdigital, PDF file(s) 300 $aFirst published: 2002. 311 $a0-7190-6227-6 311 $a1-5261-3799-2 320 $aIncludes bibliographical references and index. 327 $tFront matter -- $tContents -- $tContributors -- $tAcknowledgements -- $tIntroduction -- $tPart I Rewriting the past -- $t1 Louise L. Lambrichs -- $t2 Evermore or nevermore? -- $t3 The female vampire -- $t4 Lost and found -- $t5 Puzzling out the fathers -- $tPart II Writing the dynamics of identity -- $t6 Anatomical writing -- $t7 'On ne s'entendait plus et c'était parfait ainsi' (They could no longer hear each other and it was just fine that way) -- $t8 Textual mirrors and uncertain reflections -- $t9 The articulation of beur female identity in the works of Farida Belghoul, Ferrudja Kessas and Soraya Nini -- $t10 Saying the unsayable -- $tPart III Transgressions and transformation -- $t11 Experiment and experience in the phototextual projects of Sophie Calle -- $t12 Christine Angot's autofictions -- $t13 'Il n'y a pas de troisième voie' (There is no third way) -- $t14 The subversion of the gaze -- $t15 Unnatural women and uncomfortable readers? -- $tConclusion -- $tIndividual author bibliography -- $tGeneral bibliography -- $tIndex 330 $aThe 1990s witnessed a veritable explosion in women's writing in France, with a particularly exciting new generation of writers coming to the fore, names like Christine Angot, Marie Darrieussecq and Régine Detambel. Other authors such as Paule Constant, Sylvie Germain, Marie Redonnet and Leïla Sebbar, who had begun publishing in the 1980s, claimed their mainstream status in the 1990s with new texts. This book provides an up-to-date introduction to and analysis of new women's writing in contemporary France including both new writers of the 1990s and their more established counterparts. The editors' incisive introduction situates these authors and their texts at the centre of the current trends and issues concerning French literary production today, whilst fifteen original essays focus on individual writers. The volume includes specialist bibliographies on each writer, incorporating English translations, major interviews, and key critical studies. Quotations are given in both French and English throughout. An invaluable study resource, its clear and accessible style makes this book of interest to the general reader as well as to students of all levels, to teachers of a wide range of courses on French culture, and to specialist researchers of French and Francophone literature. 606 $aFrench literature$xWomen authors$xHistory and criticism 606 $aFrench literature$y20th century$xHistory and criticism 606 $aWomen and literature$zFrance$xHistory$y20th century 610 $afrench 610 $afeminism 610 $adetambel 610 $aangot 610 $adarrieussecq 610 $aBeur 610 $aFrance 610 $aJacques Lacan 610 $aLondon 610 $aParis 615 0$aFrench literature$xWomen authors$xHistory and criticism. 615 0$aFrench literature$xHistory and criticism. 615 0$aWomen and literature$xHistory 676 $a840.99287 700 $aWorton$b Michael$4auth$0800736 702 $aRye$b Gill$f1948- 702 $aWorton$b Michael$f1951- 801 0$bUkMaJRU 906 $aBOOK 912 $a996552358703316 996 $aWomen's writing in contemporary France$93388488 997 $aUNISA