LEADER 03602nam 2200601 450 001 996552355103316 005 20220127215431.0 010 $a1-4744-9523-0 010 $a1-4744-4636-1 024 7 $a10.1515/9781474446365 035 $a(CKB)4100000011804508 035 $a(StDuBDS)EDZ0002607562 035 $a(MiAaPQ)EBC6519203 035 $a(Au-PeEL)EBL6519203 035 $a(OCoLC)1243534589 035 $a(DE-B1597)616520 035 $a(DE-B1597)9781474446365 035 $a(OCoLC)1306539574 035 $a(ScCtBLL)207e084d-c183-4ff1-8fdd-e896e2daaccd 035 $a(EXLCZ)994100000011804508 100 $a20211011d2021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 181 $2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCinematic intermediality $etheory and practice /$fedited by Kim Knowles and Marion Schmid 210 1$aEdinburgh, Scotland :$cEdinburgh University Press,$d[2021] 215 $a1 online resource (208 pages) $cillustrations 225 1 $aEdinburgh studies in film and intermediality 311 $a1-4744-4634-5 320 $aIncludes bibliographical references and index. 327 $aIntro -- Cinematic Intermediality -- Copyright -- Contents -- Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004) -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Euge?ne Green, Le Fis de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index. 330 8 $aThis edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. 410 0$aEdinburgh studies in film and intermediality. 606 $aMotion pictures and the arts 606 $aIntermediality 606 $aMotion pictures$xCriticism and interpretation 615 0$aMotion pictures and the arts. 615 0$aIntermediality. 615 0$aMotion pictures$xCriticism and interpretation. 676 $a791.43657 700 $aKnowles$b Kim, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01368079 702 $aKnowles$b Kim$f1976- 702 $aSchmid$b Marion$f1969- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996552355103316 996 $aCinematic intermediality$93392527 997 $aUNISA