LEADER 01251nam a2200313 i 4500 001 991003150599707536 005 20020509113024.0 008 940519s1968 it ||| | ita 035 $ab11116250-39ule_inst 035 $aPARLA176005$9ExL 040 $aDip.to Filosofia$bita 082 0 $a320.0903 100 1 $aChevallier, Jean Jacques$0162055 245 13$aLe grandi opere del pensiero politico :$bda Machiavelli ai nostri giorni /$cJean-Jacques Chevallier 260 $aBologna :$bIl Mulino,$c1968 300 $a545 p. ;$c22 cm. 490 0 $aCollezione di testi e di studi. Storiografia 490 0 $aStrumenti. Storia 650 4$aMachiavelli, Niccolo 650 4$aPolitica 650 4$aPolitica$xTeorie$ySec. 16.-20. 740 4 $aLes grandes oeuvres politiques. De Machiavel a nos jours 907 $a.b11116250$b23-02-17$c28-06-02 912 $a991003150599707536 945 $aLE005IF XXXII C 12$g1$i2005000113628$lle005$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11253538$z28-06-02 945 $aLE005 MF 24 M 4$g1$i2005000223013$lle005$o-$pE0.00$q-$rl$sn $t0$u1$v2$w1$x0$y.i1125354x$z28-06-02 996 $aGrandi opere del pensiero politico$9165514 997 $aUNISALENTO 998 $ale005$b01-01-94$cm$da $e-$fita$git $h3$i2 LEADER 02991nam 2200409Ia 450 001 996552353403316 005 20231101071823.0 024 7 $a10.7765/9781526161888 035 $a(CKB)5690000000029471 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/91664 035 $a(DE-B1597)660695 035 $a(DE-B1597)9781526161888 035 $a(EXLCZ)995690000000029471 100 $a20231101h20222022 fg 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPerforming the jumbled city $eSubversive aesthetics and anticolonial indigeneity in Santiago de Chile /$fed. by Olivia Casagrande 210 1$aManchester : $cManchester University Press, $d[2022] 210 4$dİ2022 215 $a1 online resource $c71 black & white illustrations 225 0 $aAnthropology, Creative Practice and Ethnography 311 $a1-5261-6188-5 330 $aPerforming the jumbled city is a complex artefact beyond its own materiality. Linked to a dedicated website hosting additional audio-visual materials, the book acts as a connecting device allowing an exchange between texts, audio-visual materials, and original artworks, situating it in the emerging field of multi-modal ethnography. From this stance, and as an edited collection co-authored with urban indigenous artists and activists, it interrogates the ways in which knowledge is built and shared. The book is constructed as a particular kind of edited collection, shifting between different authorships. The resulting interaction between individual and collective essays draws together scholars' and activists' perspectives in a rich exchange between textual, visual and dramatic sections, for the book is organised around the original script of the site-specific performance Santiago Waria, and the related exhibition MapsUrbe.Making a claim for creation, rather than recuperation, the essays contained in the book put forward alternative imaginations that disrupt the social and material landscape of the (post)colonial city, defying the spatialities usually assigned to colonised bodies and subjects. As such, and actively engaging with current debates through collective writing by indigenous people raising questions in terms of decolonisation, the book stands as both an academic and a political project, interrogating the relationship between activism and academia, and issues of representation, authorship, and knowledge production. 606 $aThe arts: general issues$2bicssc 610 $aThe arts: general issues 615 7$aThe arts: general issues 702 $aCasagrande$b Olivia, $4edt$4http://id.loc.gov/vocabulary/relators/edt 712 02$aMarie Sklodowska-Curie$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996552353403316 996 $aPerforming the jumbled city$93039844 997 $aUNISA