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[336]-341) and index. 327 $aPreface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Ho?lderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index. 330 $aOffering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche. 517 3 $aAesthetics and subjectivity from Kant to Nietzsche 606 $aAesthetics, German$y18th century 606 $aAesthetics, German$y19th century 606 $aAesthetics, Modern$y18th century 606 $aAesthetics, Modern$y19th century 606 $aSubjectivity 610 $aCritique of Judgement. 610 $aCritique of Practical Reason. 610 $aCritique of Pure Reason. 610 $aFriedrich Schleiermacher. 610 $aGerman politico-philosophical manifesto. 610 $aRomantic thought. 610 $aSTI. 610 $aaesthetic theory. 610 $aconceptions of language. 610 $ahermeneutics. 610 $ahuman subject. 610 $amodern philosophy. 610 $amusic. 610 $apost-Kantian history. 610 $apost-structuralism. 610 $apragmatism. 615 0$aAesthetics, German 615 0$aAesthetics, German 615 0$aAesthetics, Modern 615 0$aAesthetics, Modern 615 0$aSubjectivity. 676 $a111/.85/094309033 700 $aBowie$b Andrew$f1952-$0775827 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996543163703316 996 $aAesthetics and subjectivity$91704593 997 $aUNISA