LEADER 04240nam 22005295 450 001 996543163303316 005 20230808014301.0 010 $a3-11-124269-2 024 7 $a10.1515/9783111242699 035 $a(CKB)27977043900041 035 $a(DE-B1597)650973 035 $a(DE-B1597)9783111242699 035 $a(EXLCZ)9927977043900041 100 $a20230808h20232023 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBetween Manuscript and Print $eTranscultural Perspectives, ca. 1400?1800 /$fed. by Sylvia Brockstieger, Paul Schweitzer-Martin 210 1$aBerlin ;$aBoston : $cDe Gruyter, $d[2023] 210 4$d©2023 215 $a1 online resource (IX, 238 p.) 225 0 $aMateriale Textkulturen ,$x2198-6932 ;$v40 311 $a9783111242309 327 $tFrontmatter -- $tPreface -- $tBibliography -- $tContents -- $tBetween Manuscript and Print ? Introduction -- $tThe Risk to Print History in the Late 15th Century. Johann Koelhoff?s Chronicle Project in 1499 -- $tMedial Translations and Material Manifestations. The Fasciculus Medicinae in Physician-Patient Interaction -- $tA Good Book is an Old Book? Hebrew Manuscripts and Prints in 16th-Century Christian Book Collections -- $tTitle Pages in Icelandic Post-Medieval Manuscripts and Books -- $tBehaving like Print. On the Graphic and Performative Adaptation of Printed Letters in Early Modern Handwriting -- $t?Bilderfahrzeug? of the Rosicrucians. Daniel Mögling?s Speculum Sophicum Rhodostauroticum (1618) in Print and Manuscript -- $tTakahiro Sasaki Manuscript Features of Early Japanese Movable Type Books. On the Intersection of Eastern and Western Typesetting Techniques -- $tThe Media Trajectory of Kano Naganobu?s Merrymaking under Cherry and Aronia Blossoms -- $tNotes on Contributors -- $tIndex of Names and Locations 330 $aA cross-cultural, comparative view on the transition from a predominant ?culture of handwriting? to a predominant ?culture of print? in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor.While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages? 606 $aLITERARY CRITICISM / Books & Reading$2bisacsh 610 $aMateriality. 610 $achange of medium. 610 $ahistory of writing. 610 $aletterpress printing. 615 7$aLITERARY CRITICISM / Books & Reading. 702 $aBrockstieger$b Sylvia, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBrockstieger$b Sylvia, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aEckhart$b Pia, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aHirt$b Rebecca, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aLeca$b Radu, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aSchweitzer-Martin$b Paul, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSugerman$b Samuel, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 712 02$aDeutsche Forschungsgemeinschaft$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996543163303316 996 $aBetween Manuscript and Print$93420222 997 $aUNISA