LEADER 00957nam a2200229 i 4500 001 991003113369707536 008 071218s2007 it b 000 0 ita d 035 $ab13631603-39ule_inst 040 $aDip.to Matematica$beng 084 $aAMS 12D05 100 1 $aMarsano, Emanuela Carmine$0627020 245 10$aEndomorfismi triangolabili. Tesi di laurea /$claureanda Emanuela Carmine Marsano; relat. Adriano Maniglia 260 $aLecce :$bUniversità degli Studi di Lecce. Facoltà di Scienze MM. FF. NN. Corso di laurea in Matematica,$ca.a. 2005-06 300 $a23 p. ;$c29 cm 650 4$aPolynomials 700 1 $aManiglia, Adriano 907 $a.b13631603$b02-04-14$c18-12-07 912 $a991003113369707536 945 $aLE013 TES 2005/06 MAR1$g1$lle013$og$pE13.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i14642463$z08-01-08 996 $aEndomorfismi triangolabili. Tesi di laurea$91216799 997 $aUNISALENTO 998 $ale013$b18-12-07$cm$da $e-$fita$git $h0$i0 LEADER 02988nam 2200517 450 001 9910798264003321 005 20230807211538.0 010 $a1-78023-472-4 035 $a(CKB)3710000000610878 035 $a(EBL)4438915 035 $a(MiAaPQ)EBC4438915 035 $a(Au-PeEL)EBL4438915 035 $a(CaPaEBR)ebr11170753 035 $a(CaONFJC)MIL902830 035 $a(OCoLC)944157875 035 $a(EXLCZ)993710000000610878 100 $a20160406h20152015 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Mafia $ea cultural history /$fRoberto M. Dainotto 210 1$aLondon, England :$cReaktion Books,$d2015. 210 4$d©2015 215 $a1 online resource (239 pages) $cillustrations 300 $aDescription based upon print version of record. 311 $a1-78023-443-0 320 $aIncludes bibliographical references and index. 327 $aCover; The MAFIA: A Cultural History; Imprint Page; Contents; Preface ; One: Of Rustic Knights and Godfathers: The Origin of the Mafia; Two: From Corleone to Hollywood; Three: The Far West is Here; Four: The Godfather; Five: Prime Time; Six: Avatars; References; Bibliography; Acknowledgements; Photo Acknowledgements; Index 330 $aWhat makes Tony Soprano so likeable? Why would we rather leave the cannoli and take the gun? Do we truly want Scarface's Tony Montana to succeed? Is Michael Corleone a misunderstood hero or a despicable villain? Roberto Dainotto traces the complex and fascinating development of the Mafia: its rural beginnings in Western Sicily; its growth into what has been aptly described as a global multinational of crime; and its parallel evolution in music, print and on the big screen. The book probes the tension between the real Mafia - its brutal and often violent reality - and how we imagine it to be: a mythical assembly of codes of honour, family values and chivalric masochism. Rather than dismissing such Mafia stereotypes as untrue, Dainotto sets out to understand what needs and desires, material and psychic longings, are satisfied by our Mafia fantasies. Exploring the rich array of films, books, television, music and even video games portraying and inspired by the Mafia, this book offers not only a social, economic and political history of the Mafia but a new way of understanding our enduring fascination with what lurks behind the sinister omerta of the family business. 606 $aOrganized crime 606 $aMafia in motion pictures 606 $aMafia in literature 615 0$aOrganized crime. 615 0$aMafia in motion pictures. 615 0$aMafia in literature. 676 $a364.10609 700 $aDainotto$b Roberto M$g(Roberto Maria),$f1962-$0897477 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798264003321 996 $aThe Mafia$93716682 997 $aUNINA LEADER 05165nam 22007095 450 001 996543163003316 005 20230808014301.0 010 $a3-8394-6761-6 024 7 $a10.1515/9783839467619 035 $a(CKB)27588296200041 035 $a(DE-B1597)663347 035 $a(DE-B1597)9783839467619 035 $a(EXLCZ)9927588296200041 100 $a20230808h20232023 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aActor & Avatar $eA Scientific and Artistic Catalog /$fed. by Dieter Mersch, Miriam Laura Loertscher, Lorena Kegel, Anton Rey, Thomas Grunwald, Jörg Sternagel 210 1$aBielefeld : $ctranscript Verlag, $d[2023] 210 4$d©2023 215 $a1 online resource (312 p.) 311 $a3-8376-6761-8 327 $tFrontmatter -- $tContents -- $tIntroduction -- $tI. Avatars -- $tThe Avatar -- $tProsthethics. Replacement and Exchange -- $tAvatarhood and Selfhood -- $tThe Self and Its Avatars in Neuropsychiatry -- $tThe Secret Behind the Actor-and-Avatar Fmri-Study -- $tAvatar?s Faces in EEG -- $t?Doppeltgänger?. Body Doubles, or the Shadow and His Ego -- $tThe Avatar?s Body in Game Spaces -- $tThe AIS Have It? Hacking into the AI Avatar Dream -- $tII. Actors -- $tThe Mask -- $tCreating My Digital Self -- $tThe Birth of a Digital Actor -- $tHumanizing Virtual People -- $tDouble Trouble. Digital Avatars on Stage -- $tIn Conversation with Neil Newbon -- $tFacing Characters. A Volumetric Intelligence Framework -- $tA New Geometry of the Eye. The Curious Case of Brad Pitt -- $tOn Ali Moini?s Avatar Hacking -- $t?Tears of Truth? -- $tIII. Dolls, Puppets & Uncanny Tracks -- $tGet into The Uncanny Valley -- $tThe Mechanical Bride and the Ambivalent Pleasures of the Uncanny -- $tThe Mechanical Bride. Realdolls as Companions and Accessible Objects -- $tPromethean Shame? Pandora Reframes: Elena Dorfman?s Origin of the New World -- $tThe Artist?s Statement -- $tEncounters of the Uncanny Kind at the Origin of the New World -- $tFace Fracking -- $tSophia?s Smile. The Challenges of a Humanoid Citizen -- $tI Married a Puppet -- $tIV. Digital Encounters -- $tMask, Face, Countenance -- $tA Brief Avatar-Network Theory -- $tPuppets, Pets or Deputies. On the Relationship between Actors and Avatars -- $tEngaging Consciousness. Time and Duration in Holly Bynoe?s Compounds -- $tEmotional Ambivalences. Loving and Hating a Tamagotchi -- $tConsciousness Performed -- $tArtificial Intelligence. Traditional Expectations and a New Category of Machines -- $tThe Eyes Have It. The Problem of the Avatar Gaze -- $tWhat is Koin?nia under Technological Conditions? -- $tAppendix -- $tPictures of the Research Project -- $tAuthors -- $tSubtexte 330 $aWhat kind of relationship do we have with artificial beings (avatars, puppets, robots, etc.)? What does it mean to mirror ourselves in them, to perform them or to play trial identity games with them? This volume addresses these questions from artistic and scholarly angles. Contributions on the making of »technical others« and philosophical reflections on artificial alterity are flanked by neuroscientific studies on different ways of perceiving living persons and artificial counterparts. The contributors have achieved a successful artistic-scientific collaboration with extensive visual material. 606 $aAvatars (Virtual reality) 606 $aPuppets 606 $aRobots 606 $aPHILOSOPHY / General$2bisacsh 610 $aAvatars. 610 $aFilm. 610 $aMedia Philosophy. 610 $aMedia Studies. 610 $aMedia Theory. 610 $aMedia. 610 $aNeuroscientific Investigations on Perception. 610 $aPhilosophy. 610 $aTechnological Others. 615 0$aAvatars (Virtual reality). 615 0$aPuppets. 615 0$aRobots. 615 7$aPHILOSOPHY / General. 676 $a006.7 702 $aBeeler$b Thabo, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBen Khelifa$b Nadja, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBradley$b Derek, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBrugger$b Peter, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDorfman$b Elena, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGrunwald$b Thomas, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aKegel$b Lorena, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aLoertscher$b Miriam Laura, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMersch$b Dieter, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aRey$b Anton, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSternagel$b Jörg, $4edt$4http://id.loc.gov/vocabulary/relators/edt 712 02$aSwiss National Science Foundation (SNSF)$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996543163003316 996 $aActor & Avatar$93519271 997 $aUNISA