LEADER 04573nam 22006135 450 001 996524967803316 005 20230502090707.0 010 $a3-11-079511-6 024 7 $a10.1515/9783110795110 035 $a(CKB)26620468800041 035 $a(DE-B1597)625931 035 $a(DE-B1597)9783110795110 035 $a(NjHacI)9926620468800041 035 $a(EXLCZ)9926620468800041 100 $a20230502h20232023 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aTruth in Serial Form $eSerial Formats and the Form of the Series, 1850?1930 /$fed. by Malika Maskarinec 205 $aEine Auflage. 210 1$aBerlin ;$aBoston : $cDe Gruyter, $d[2023] 210 4$dİ2023 215 $a1 online resource (IX, 295 p.) 225 0 $aParadigms : Literature and the Human Sciences ,$x2195-2205 ;$v15 311 $a9783110795080 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tIntroduction: Serial Formats and the Form of the Series, 1850?1930 -- $tI Serial Temporalities -- $tHeine?s Serial Histories of the Revolution -- $tWorld History in Six Installments: Epistemic Seriality and the Epistemology of Series -- $t?Nachkommenschaften?: Stifter?s Series -- $tLe temps retrouvé: Claude Monet?s Series between Impression and Belatedness -- $tSequencing Failure: Photodynamism and the Knotting of Time -- $tII Serial Formats -- $tTrying on the Drawing Room: Realness and Truth in and out of Photographs -- $tThe Bachelor: Gottfried Keller?s ?Der Landvogt von Greifensee? and Serial Erotics -- $tMax Klinger?s Ein Handschuh as Cycle and Series -- $tDIN A: The Basis of All Thought -- $tSerial Untruth: The Feuilleton and the Ornamental Image -- $tContributors -- $tIndex 330 $aThis volume has its starting point in the veritable explosion of serialized formats in all of forms representation, from painting to printing, beginning in the mid nineteenth century and the well-known fascination with series in biology, mathematics, music, art, or literature. The new media culture of the late nineteenth century, very much shaped by these serialized formats, sees itself confronted with questions of truthfulness in new and profound ways, just as perhaps the accelerated rhythm, anonymity, and broadened accessibility of new media today have created new possibilities for the dissemination of misinformation and, conversely, give us cause to interrogate anew our notions of truthfulness. By examining both the formal operations of both aesthetic and scientific objects in a series form, and the historical context of their publication or presentation, the contributions in this volume examine the often strained, but yet immensely productive relationship between the way in which a series negotiates questions of truthfulness: both by reference to the rules established in its series form or by means of its serial format. This volume provides ten detailed cases of the series form from the history of science and journalism, and the history of painting, photography, and literature as well. 606 $aLITERARY CRITICISM / General$2bisacsh 610 $aSerialization. 610 $aepistemics. 610 $aform. 610 $arealism. 615 7$aLITERARY CRITICISM / General. 676 $a070.572 702 $aEhninger$b Eva, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aFranzel$b Sean, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aKrajewski$b Markus, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMaskarinec$b Malika, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMaskarinec$b Malika, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMcBride$b Patrizia, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMüller-Helle$b Katja, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aStrowick$b Elisabeth, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aUbl$b Ralph, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aWimmer$b Mario, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aWittmann$b Barbara, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 712 02$aSchweizerischer Nationalfonds (SNF)$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996524967803316 996 $aTruth in Serial Form$93229478 997 $aUNISA