LEADER 03433nam 22005655 450 001 996500665003316 005 20221205051307.0 010 $a3-11-076901-8 035 $a(CKB)5850000000262582 035 $a(DE-B1597)609948 035 $a(DE-B1597)9783110769012 035 $a(MiAaPQ)EBC7177165 035 $a(Au-PeEL)EBL7177165 035 $a(OCoLC)1359337098 035 $a(EXLCZ)995850000000262582 100 $a20221205h20222023 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMapping the Sensible $eDistribution, Inscription, Cinematic Thinking /$fErica Carter, Eileen Rositzka, Bettina Malcomess 205 $a1st ed. 210 1$aBerlin ;$aBoston : $cDe Gruyter, $d[2022] 210 4$d©2023 215 $a1 online resource (X, 157 p.) 225 0 $aCinepoetics Essay ,$x2626-9198 ;$v3 311 $a3-11-076898-4 327 $tFrontmatter -- $tPreface and Acknowledgements -- $tContents -- $tIntroduction: Mapping the Sensible -- $tWhite Bodies in Motion: Mapping Cinema and Whiteness in the Postwar Bahamas -- $tThe Illegible Field: The Journey of a Signal, a Soldier, and a Camera -- $tA Saturn State of Mind: PATIENCE (AFTER SEBALD) -- $tAbout the Authors 330 $aIn academic and public discourse, 'mapping' has become a ubiquitous term for epistemic practices ranging from surveys of scholarly fields to processes of data collection, ordering and visualization. Mapping captures patterns of distribution, segregation and hierarchy across socio-cultural spaces and geographical territories. Often lost in such accounts, however, is the experiential dimension of mapping as an aesthetic practice with determinate social, cultural and political effects. This volume draws on approaches from film philosophy, media archaeology, decolonial scholarship and independent film practice to explore mapping as a mediated experience in which film becomes entangled in larger processes of historical subject-formation, as well as in dissident reconfigurations of cultural memory. Proposing an approach to mapping through decolonial aesthetics and poetic thinking, the three essays in this volume help define a film studies perspective on mapping as a practice that structures political and aesthetic regimes, organizes and communicates shared realities, but also enables dissenting reconfigurations of concretely experienced worlds. 410 0$aCinepoetics Essay Series 606 $aSOCIAL SCIENCE / Media Studies$2bisacsh 610 $aMapping. 610 $acinematic experience. 610 $aembodied mobilities. 610 $apostcolonialism. 615 7$aSOCIAL SCIENCE / Media Studies. 676 $a791.4301 700 $aCarter$b Erica, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01271597 702 $aCarter$b Erica, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMalcomess$b Bettina, $4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aMalcomess$b Bettina, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aRositzka$b Eileen, $4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aRositzka$b Eileen, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996500665003316 996 $aMapping the Sensible$92995549 997 $aUNISA