LEADER 01092nlm 2200301Ia 450 001 996499470503316 005 20221215103757.0 100 $a19840402d1688---- uy | 101 0 $aeng 102 $aUK 135 $adrcnu 200 1 $a<> impartial disquisition, how far conquest gives the conqueror a title 210 1 $a[London?$cs.n.$d1688?] 215 $aTesto elettronico (PDF) (8 p.) 230 $aBase dati testuale 300 $aTitolo della didascalia 300 $aAttribuito da Wing a Edmund Ghest 300 $a"Lettore, questo è un riassunto di un trattato scritto dal signor Ghest, un dotto e pio teologo del Suffolk, quando gli usurpatori di Carlo il Martire pretendevano un titolo per conquista" 300 $aRiproduzione dell'originale nella Harvard University Library 606 0 $aMonarchia$2BNCF 676 $a321 700 1$aGHEST,$bEdmund$01268412 801 0$aIT$bcba$cREICAT 912 $a996499470503316 959 $aEB 969 $aER 996 $aImpartial disquisition, how far conquest gives the conqueror a title$92983199 997 $aUNISA LEADER 04637nam 2200553 450 001 9910563095703321 005 20220615005310.0 010 $a1-4384-8574-3 035 $a(CKB)4100000012026524 035 $a(MiAaPQ)EBC6726791 035 $a(Au-PeEL)EBL6726791 035 $a(OCoLC)1268326806$z(OCoLC)1275788658$z(OCoLC)1276834046$z(OCoLC)1279017720$z(OCoLC)1281208778 035 $a(OCoLC)1268326806 035 $a(MdBmJHUP)musev2_100679 035 $a(ScCtBLL)a98c94b1-c892-4d54-9ff3-a34981ecde5c 035 $a(EXLCZ)994100000012026524 100 $a20220615d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt activism for an anticolonial future /$fCarlos Garrido Castellano 210 1$aAlbany, New York :$cState University of New York Press,$d[2021] 210 4$d©2021 215 $a1 online resource (x, 337 pages) $cillustrations 225 1 $aSUNY series, praxis: theory in action 311 1 $a1-4384-8573-5 311 08$aPrint version: 9781438485737 (DLC)2021000579 320 $aIncludes bibliographical references and index. 327 $aIntro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Undisciplining Socially Engaged Art -- Practicing Decolonialization -- Homegrown Theory -- Chapter Outline -- Part 1: Undisciplining Socially Engaged Art -- 1. Art Biennials and Postcolonialism's Politics of Discourse -- Postcolonialism Dematerialized (I): Biennialism and the Contemporary -- Postcolonialism Dematerialized (II): Theoretical Limitations -- Looking for Alternatives (I): Subversive Excavations -- Looking for Alternatives (II): Critical Regionalism -- Looking for Alternatives (III): Curated and Noncurated Collaboration -- Conclusion -- 2. The Lexicon of Social Practice and Socially Engaged Art's Futures -- The Lexicon of Social Practice -- Dealing with Socially Engaged Art's Master Narratives -- Birth of a Discipline -- Looking Anew: Racializing the "US" Genealogy of Socially Engaged Art -- Conclusion -- Part 2: Radical Affinities and the Horizon of Decolonization -- 3. On Experience, Land Use, and the Threats of the Bourgeoisie: Learning from Amílcar Cabral -- 4. Art, Engagement, and Popular Imagination: Around the "Missed Encounter" between Theodor Adorno and C. L. R. James -- Jamesian Aesthetics -- Paying Attention: James as Engaged Critic of Culture -- Creative Forms, Transnational Linkages, and the Militant Avant-Garde -- Conclusion -- Part 3: Legacies -- 5. The Boda Moment: Repositioning Socially Engaged Art in Contemporary Uganda -- II -- III -- IV -- Interlude I: Locating Socially Engaged Art in Africa -- V -- Interlude II: The Makerere Moment -- VI -- VII -- 6. Art and Politics in Times of Reform: The Collective and the Contemporary in Indonesia -- Taring Padi -- Periodizing Indonesian Collectivism -- Excursus: Collective Sampling/Sampling Collectivism -- ruangrupa -- Expanding the Field -- Conclusion. 327 $a7. Agency and (Street) Art Politics in Beirut: On Temporary Art Platform's Guide for Urban Intervention -- Part 4: Enclosures, Apertures, and the Performative -- 8. Utility, Multispecies Agency, and Speculative Study: On Ensayos -- Introduction -- Ensayos -- Historicizing Utility in the Americas -- Collaborative Art and/as Multispecies Entanglements -- Ensayos as Study Ecosystems -- Conclusions: Redefining Utility after the Privatization of Everything -- 9. Activism and Performance in the Age of Intellectual and Artistic Witch Hunting -- Some Facts ? and Fictions -- Fantasmagorias do Império (Imperial Ghosting) and the Making of Exclusionary Public Spaces -- Acting, the Enclosed, and the Unforeseeable -- Beyond Control, Hopefully -- Conclusion: Exposing Ourselves to Others -- Open Coda: Black Lives Matter and/for the Genealogies of Subversive Artistic Creativity -- Notes -- Bibliography -- Index. 330 $aAnalyzes socially engaged art practices worldwide, linking them to decolonial struggle and critique. 410 0$aSUNY series, praxis, theory in action 606 $aArt$xPolitical aspects 606 $aDecolonization in art 606 $aArt and social action 615 0$aArt$xPolitical aspects. 615 0$aDecolonization in art. 615 0$aArt and social action. 676 $a701.03 700 $aGarrido Castellano$b Carlos$01223090 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910563095703321 996 $aArt activism for an anticolonial future$92837275 997 $aUNINA LEADER 00925nam a2200265 i 4500 001 991003036389707536 005 20020509111033.0 008 961211s1994 fr ||| | fre 020 $a2711611914 035 $ab11099094-39ule_inst 035 $aPARLA173869$9ExL 040 $aDip.to Filol. 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