LEADER 04078nam 22006012 450 001 9910451812803321 005 20210531145055.0 010 $a94-012-0316-4 010 $a1-4294-6802-5 024 7 $a10.1163/9789401203166 035 $a(CKB)1000000000464440 035 $a(EBL)556482 035 $a(OCoLC)126879446 035 $a(SSID)ssj0000100238 035 $a(PQKBManifestationID)11990807 035 $a(PQKBTitleCode)TC0000100238 035 $a(PQKBWorkID)10021099 035 $a(PQKB)10779927 035 $a(MiAaPQ)EBC556482 035 $a(Au-PeEL)EBL556482 035 $a(CaPaEBR)ebr10380533 035 $a(nllekb)BRILL9789401203166 035 $a(EXLCZ)991000000000464440 100 $a20200716d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAge Rage and Going Gently $eStories of the Senescent Subject in Twentieth-Century French Writing /$fOliver Davis 210 1$aLeiden; $aBoston :$cBRILL,$d2006. 215 $a1 online resource (226 p.) 225 1 $aFaux Titre ;$v283 300 $aDescription based upon print version of record. 311 $a90-420-2026-1 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements -- Introduction -- 1. Gerontology against ontology in Simone de Beauvoir's La Vieillesse -- 2. André Gide's split senescent subject -- 3. Violette Leduc and the problem with psychoanalysis -- 4. Towards a psychoanalytic approach to senescent subjectivity -- 5. Beauvoir as biographer and autobiographer of the ageing subject -- 6. Hervé Guibert's intergenerational photo-text -- Conclusion -- Appendix 1 -- Bibliography -- Index. 330 $aThis wide-ranging study looks at how the ageing process has alternately been figured in and excluded from twentieth-century French literature, philosophy and psychoanalysis. It espouses a critical interdisciplinarity and calls into question the assumptions underlying much research into ageing in the social sciences, work in which the negative aspects of growing older are almost invariably suppressed. It offers a major reappraisal of Simone de Beauvoir's great but neglected late treatise, La Vieillesse , and presents the first substantial discussion of a lost documentary film about old age in which Beauvoir appears and which she helped to write, PROMENADE AU PAYS DE LA VIEILLESSE. Questioning Beauvoir's own rather reductive reading of Gide's work on old age, this study analyses the way in which his Journal and Ainsi soit-il experiment with a range of representational models for the senescent subject. The encounter between psychoanalysis and ageing is framed by a reading of Violette Leduc's autobiographical trilogy, in which she suggests that psychoanalysis, to its detriment, simply cannot allow ageing to signify. This claim is tested in a critical survey of recent theoretical and clinical work by psychoanalysts interested in ageing in France, the UK and the US. Lastly, Hervé Guibert's recently republished photo-novel about his elderly great-aunts, Suzanne et Louise , is examined as a work of intergenerational empathy and is found, in addition, to be an important statement of his photographic aesthetic. Navigating between the extremes of fury ('age rage') and serene acceptance ('going gently'), this study aims throughout to examine the role which ageing plays in formal, as well as thematic, terms in writing the life of the subject. 410 0$aFaux Titre ;$v283. 517 3 $aStories of the Senescent Subject in Twentieth-Century French Writing 606 $aAging in literature 606 $aFrench literature$y20th century$xHistory and criticism 608 $aElectronic books. 615 0$aAging in literature. 615 0$aFrench literature$xHistory and criticism. 676 $a840.9/355 700 $aDavis$b Oliver$01049119 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910451812803321 996 $aAge Rage and Going Gently$92477836 997 $aUNINA LEADER 04174nam 2200601 450 001 996492066003316 005 20231031164535.0 010 $a3-11-079593-0 024 7 $a10.1515/9783110795936 035 $a(CKB)5690000000033065 035 $a(NjHacI)995690000000033065 035 $a(DE-B1597)626119 035 $a(DE-B1597)9783110795936 035 $a(MiAaPQ)EBC7113757 035 $a(Au-PeEL)EBL7113757 035 $a(OCoLC)1346260551 035 $a(MiAaPQ)EBC30386331 035 $a(Au-PeEL)EBL30386331 035 $a(EXLCZ)995690000000033065 100 $a20221124d2022 uy 0 101 0 $aspa 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAlgunos "animales feroces" en el teatro venezolano $eTeatralidad de la violencia en la dramaturgia de los 70 en Venezuela /$fCarlos Dimeo-A?lvarez 205 $a1st ed. 210 1$aBerlin :$cDe Gruyter,$d2022. 210 4$d©2022 215 $a1 online resource (vii, 333 pages) $cillustrations 225 1 $aMimesis ;$vVolume 98 311 $a3-11-079591-4 327 $tFrontmatter --$tDedicatoria --$tÍndice de contenidos --$t1 Prefacio: Breve nota para Isaac Chocrón --$t2 Introducción: sobre la investigación del teatro venezolano --$tPrimera parte: Deconstrucciones teórico-críticas para un estudio del teatro venezolano --$t3 Marcos y estructuras teóricas --$t4 Excursus: «La revolución como mención en el teatro venezolano» --$tSegunda parte: Desarrollo y transformación de un teatro --$t5 Primera y segunda modernidad del teatro en Venezuela --$tTercera parte: Dramaturgia de los setenta en Venezuela --$t6 Epistemes políticas o de denuncia social --$t7 Excursus: Teatro(s) sin revolución / Revolución sin teatros --$t8 Orden cerrado: a manera de conclusión --$tBibliografía --$tÍndice de nombres 330 $aEsta monografía investiga el desarrollo del teatro venezolano en los años 70. La década se caracterizó por llevar la experimentación teatral a extremos que culminaron en un período de crisis y su quiebre total en los ochenta. Esta trayectoria se puede explicar por el uso indiscriminado de la violencia ? ya sea psicológica, física, o verbal ? como recurso para la acción teatral. La violencia marcó a todos los ámbitos de la vida social, política y cultural venezolana de entonces: el teatro la adoptó como metodología de trabajo, con consecuencias de diversa índole. El presente estudio elabora una taxonomía inédita de las obras teatrales de este periodo, que crea entre ellas un sistema de relaciones y las pone de relieve. El método de trabajo es mixto. Primeramente, se elabora una genealogía que toma como principio la teoría de Michel Foucault y permite agrupar a los autores por movimientos estéticos y epistemes. En segundo lugar, se utiliza un método crítico-dramático, crítico-escénico y crítico-literario a partir del cual se desarrolla un estudio general de la dramaturgia venezolana de los setenta. Del mismo modo, el libro expone y define las primeras fuentes a la teoría de los fractales en el teatro. 330 $aThis monograph studies the development of Venezuelan theater in the 70s, characterized by psychological, physical as well as verbal violence and cruelty. Throughout the decade, violence pervaded not only drama, but every sphere of social, political and cultural life in Venezuela. While these dramaturgies of violence disrupted the aesthetic field in many ways, they also interpreted the development of Venezuelan society. 410 0$aMimesis ;$vVolume 98. 517 $aAlgunos «animales feroces» en el teatro venezolano 606 $aLiterature 606 $aDrama 610 $aTheatre of Cruelty. 610 $aVenezuela. 610 $adramaturgy. 610 $aviolence. 615 0$aLiterature. 615 0$aDrama. 676 $a809 700 $aDimeo-A?lvarez$b Carlos$01265195 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a996492066003316 996 $aAlgunos "animales feroces" en el teatro venezolano$92967072 997 $aUNISA