LEADER 03820oam 22006734a 450 001 996478970903316 005 20240424230447.0 010 $a0-8232-7582-5 010 $a0-8232-7580-9 010 $a0-8232-7581-7 024 7 $a10.1515/9780823275823 035 $a(CKB)3710000001177140 035 $a(MiAaPQ)EBC4842987 035 $a(OCoLC)976138473 035 $a(MdBmJHUP)muse59069 035 $a(DE-B1597)554995 035 $a(DE-B1597)9780823275823 035 $a(MiAaPQ)EBC4821729 035 $a(OCoLC)987454464 035 $a(ScCtBLL)75bb1a09-b497-4444-bf7d-77f1fe8374bb 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/32369 035 $a(EXLCZ)993710000001177140 100 $a20161210d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe Insistence of Art$eAesthetic Philosophy after Early Modernity /$fedited by Paul A. Kottman 205 $aFirst edition. 210 $aNY$cFordham University Press$d2016 210 1$aNew York, NY :$cFordham University Press,$d2017. 210 4$dİ2017. 215 $a1 online resource (226 pages) 300 $aIncludes index. 311 0 $a0-8232-7573-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry --$tChapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics --$tChapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry --$tChapter 3. How Do We Recognize Metaphysical Poetry? --$tChapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder?s Shakespeare Studies --$tChapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare --$tChapter 6. ?All Art Constantly Aspires to the Condition of Music??Except the Art of Music: Reviewing the Contest of the Sister Arts --$tChapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome --$tChapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy --$tChapter 9. Goya: Secularization and the Aesthetics of Belief --$tChapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith --$tContributors --$tIndex 330 $aPhilosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another. Rather than take art as a stand-in for or reflection of some other historical event or social phenomenon, this book treats art as a phenomenon in itself. The contributors suggest ways in which artworks and practices of the early modern period make aesthetic experience central to philosophical reflection, while also showing art?s need for philosophy. 606 $aArt$xPhilosophy 606 $aAesthetics, Modern 608 $aElectronic books. 610 $aAesthetics. 610 $aArt. 610 $aEarly Modern. 610 $aGerman. 610 $aPhilosophy. 610 $aRenaissance. 615 0$aArt$xPhilosophy. 615 0$aAesthetics, Modern. 676 $a111/.85 700 $aKottman$b Paul A$4auth$0619658 702 $aKottman$b Paul A.$f1970- 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996478970903316 996 $aThe Insistence of Art$94155508 997 $aUNISA