LEADER 01298nas 2200481- 450 001 996473368403316 005 20230426213022.0 011 $a2564-1891 035 $a(DE-599)ZDB3120770-4 035 $a(OCoLC)1262566408 035 $a(CKB)5860000000044726 035 $a(CONSER)cn2021028689 035 $a(EXLCZ)995860000000044726 100 $a20210802a20219999 --- a 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aJMIR infodemiology 210 1$aToronto, ON, Canada :$cJMIR Publications,$d[2021]- 215 $a1 online resource 531 10$aJMIR Infodemiology 606 $aMedical informatics$vPeriodicals 606 $aPublic health$vPeriodicals 606 $aMisinformation 606 $aInfodemiology 606 $aInfodemic 606 $aHealth Communication 608 $aPeriodical 615 0$aMedical informatics 615 0$aPublic health 615 0$aMisinformation. 615 12$aInfodemiology 615 22$aInfodemic 615 22$aHealth Communication 676 $a302 686 $acollissn$2lacc 686 $acci1icc$2lacc 906 $aJOURNAL 912 $a996473368403316 996 $aJMIR Infodemiology$92847229 997 $aUNISA LEADER 03319nam 2200613Ia 450 001 9910827322203321 005 20230421042403.0 010 $a0-19-772928-2 010 $a1-280-45099-1 010 $a0-19-535743-4 010 $a1-60256-031-5 035 $a(CKB)1000000000028762 035 $a(EBL)1591191 035 $a(OCoLC)908078653 035 $a(SSID)ssj0000257528 035 $a(PQKBManifestationID)11220005 035 $a(PQKBTitleCode)TC0000257528 035 $a(PQKBWorkID)10246674 035 $a(PQKB)10690416 035 $a(Au-PeEL)EBL1591191 035 $a(CaPaEBR)ebr10086896 035 $a(CaONFJC)MIL45099 035 $a(MiAaPQ)EBC1591191 035 $a(EXLCZ)991000000000028762 100 $a19951212d1995 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aText and act$b[electronic resource] $eessays on music and performance /$fRichard Taruskin 210 $aNew York $cOxford University Press$d1995 215 $a1 online resource (391 p.) 300 $aDescription based upon print version of record. 311 $a0-19-509437-9 311 $a0-19-509458-1 320 $aIncludes bibliographical references and index. 327 $aContents; Author's Note; INTRODUCTION; Last Thoughts First; IN THEORY; 1. On Letting the Music Speak for Itself; 2. The Limits of Authenticity: A Contribution; 3. Down with the Fence; 4. The Pastness of the Present and the Presence of the Past; 5. What-or Where-Is the Original?; 6. The Modern Sound of Early Music; 7. Tradition and Authority; IN PRACTICE; Beethoven; 8. The New Antiquity; 9. Resisting the Ninth; Mozart; 10. An Icon for Our Time; 11. A Mozart Wholly Ours; 12. Old (New) Instruments, New (Old) Tempos; Bach; 13. Backslide or Harbinger?; 14. Facing up, Finally, to Bach's Dark Vision 327 $a15. The Crooked Straight and the Rough Places PlainAntiquarian Innocence; 16. Report from Lincoln Center: The International Josquin Festival-Conference, 21-25 June 1971; 17. The Price of Literacy, or, Why We Need Musicology; 18. High, Sweet, and Loud; 19. Text and Act; Full Circle; 20. Stravinsky Lite (Even ""The Rite""); Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z 330 $aOver the last dozen years, the writings of Richard Taruskin have transformed the debate about ""early music"" and ""authenticity."" Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical ve 606 $aPerformance practice (Music) 606 $aStyle, Musical 615 0$aPerformance practice (Music) 615 0$aStyle, Musical. 676 $a781.4/3 676 $a781.43 700 $aTaruskin$b Richard$0607112 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827322203321 996 $aText and act$94096500 997 $aUNINA