LEADER 03035nam 2200457 450 001 996466733903316 005 20211011225325.0 010 $a3-030-62320-3 024 7 $a10.1007/978-3-030-62320-3 035 $a(CKB)4100000011797652 035 $a(DE-He213)978-3-030-62320-3 035 $a(MiAaPQ)EBC6520852 035 $a(Au-PeEL)EBL6520852 035 $a(OCoLC)1242407340 035 $a(PPN)254725317 035 $a(EXLCZ)994100000011797652 100 $a20211011d2021 uy 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRock and pop venues $eacoustic and architectural design /$fNiels Werner Adelman-Larsen 205 $aSecond edition. 210 1$aCham, Switzerland :$cSpringer,$d[2021] 210 4$d©2021 215 $a1 online resource (XIX, 480 p. 477 illus., 217 illus. in color.) 311 $a3-030-62319-X 327 $aHistory of Pop and Rock Sound -- Terms, Language -- The Gallery of Rock, Pop and Jazz Venues -- Acoustical Principles -- Assessment of Real Halls -- Design Principles -- The Acoustics during a Gig. 330 $aPopular music plays a substantial role in most people?s life. The demand and financial revenue of Rock and Pop concerts is large and still increasing with the decreased revenue on recorded music. Based on the first ever scientific investigations on recommendable acoustics for amplified music conducted by the author, this book sets forward precise guidelines for acoustical engineers to optimize the acoustics in existing or future halls for amplified music. Gives precise guidelines on how to design the acoustics in venues that present amplified music Debates essential construction details, including placement of sound system and use of possible building materials, in the architectural design of new venues or the renovation of old ones Portrays 75 well-known European Rock & Pop venues, their architecture and acoustic properties. 20 venues were rated for their acoustics by music professionals leading to an easy-to-use assessment methodology ?Acoustics are important within pop and rock venues to ensure a great experience for audiences and performers. This book fills an important gap of knowledge on the acoustics of venues. It will be of value to sound engineers as well as building owners and operators and building design professionals?. Rob Harris, Arup Acoustics ?With this book, many future amplified music concerts will sound better, for the joy of audiences and musicians alike. This enormous work demonstrates a rare degree of passion and insight, from the hand of the key researcher in the field?. Dr. Per V. Brüel. 606 $aMusic-halls 615 0$aMusic-halls. 676 $a725.81 700 $aAdelman-Larsen$b Niels Werner$0846810 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996466733903316 996 $aRock and pop venues$91891898 997 $aUNISA LEADER 02715nam 2200373 450 001 9910476825703321 005 20230512115902.0 035 $a(CKB)5470000000566299 035 $a(NjHacI)995470000000566299 035 $a(EXLCZ)995470000000566299 100 $a20230512d2020 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCommunicating the Past in the Digital Age $eproceedings of the international conference on digital methods in teaching and learning in archaeology (12-13 October 2018) /$fEdited by Sebastian Hageneuer 210 1$aLondon :$cUbiquity Press,$d2020. 210 4$d©2020 215 $a1 online resource (222 pages) 311 $a1-911529-87-0 320 $aIncludes bibliographical references and index. 330 $a"Recent developments in the field of archaeology are not only progressing archaeological fieldwork but also changing the way we practise and present archaeology today. As these digital technologies are being used more and more every day on excavations or in museums, this also means that we must change the way we approach teaching and communicating archaeology as a discipline. The communication of archaeology is an often neglected but ever more important part of the profession. Instead of traditional lectures and museum displays, we can interact with the past in various ways. Students of archaeology today need to learn and understand these technologies, but can on the other hand also profit from them in creative ways of teaching and learning. The same holds true for visitors to a museum. This volume presents the outcome of a two-day international symposium on digital methods in teaching and learning in archaeology held at the University of Cologne in October 2018 addressing exactly this topic. Specialists from around the world share their views on the newest developments in the field of archaeology and the way we teach these with the help of archaeogaming, augmented and virtual reality, 3D reconstruction and many more. Thirteen chapters cover different approaches to teaching and learning archaeology in universities and museums and offer insights into modern-day ways to communicate the past in a digital age."-- Provided by publisher. 517 $aCommunicating the Past in the Digital Age 606 $aArchaeology$xData processing$vCongresses 615 0$aArchaeology$xData processing 676 $a930.10285 702 $aHageneuer$b Sebastian 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910476825703321 996 $aCommunicating the Past in the Digital Age$92024128 997 $aUNINA