LEADER 01804nam 2200589 450 001 996466618103316 005 20220907121409.0 010 $a3-540-35865-X 024 7 $a10.1007/BFb0098434 035 $a(CKB)1000000000438735 035 $a(SSID)ssj0000321555 035 $a(PQKBManifestationID)12125857 035 $a(PQKBTitleCode)TC0000321555 035 $a(PQKBWorkID)10280762 035 $a(PQKB)11394738 035 $a(DE-He213)978-3-540-35865-7 035 $a(MiAaPQ)EBC5585653 035 $a(Au-PeEL)EBL5585653 035 $a(OCoLC)1066188398 035 $a(MiAaPQ)EBC6842037 035 $a(Au-PeEL)EBL6842037 035 $a(OCoLC)1292355206 035 $a(PPN)155172980 035 $a(EXLCZ)991000000000438735 100 $a20220907d1968 uy 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aAutomorphic forms on semisimple lie groups /$fJ. G. M. Mars, Bhartendu Harishchandra 205 $a1st ed. 1968. 210 1$aBerlin, Germany :$cSpringer,$d[1968] 210 4$dİ1968 215 $a1 online resource (X, 138 p.) 225 1 $aLecture Notes in Mathematics,$x0075-8434 ;$v62 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-540-04232-6 327 $aI -- II -- III -- IV -- V. 410 0$aLecture Notes in Mathematics,$x0075-8434 ;$v62 606 $aFunctional equations 615 0$aFunctional equations. 676 $a512.89 700 $aMars$b J. G. M$g(Johannes Gerardus Maria),$01255020 702 $aHarishchandra$b Bhartendu 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996466618103316 996 $aAutomorphic forms on semisimple lie groups$92909934 997 $aUNISA LEADER 03884nam 22006495 450 001 9910988384303321 005 20251027045727.0 010 $a0-7766-4493-9 024 7 $a10.1515/9780776644936 035 $a(CKB)38180440900041 035 $a(DE-B1597)782978 035 $a(DE-B1597)9780776644936 035 $a(OCoLC)1482377845 035 $a(MdBmJHUP)musev2_135009 035 $a(EXLCZ)9938180440900041 100 $a20250423h20252025 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStaging Prison Theatre in Canada $eSetting the Spotlight on William Head on Stage /$fThana Ridha, Sylvie Frigon 205 $aDigital ed. 210 1$aOttawa : $cUniversity of Ottawa Press, $d[2025] 210 4$d2025 215 $a1 online resource (122 p.) $c7 black and with photos 311 08$a0-7766-4490-4 311 08$a0-7766-4491-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tTable of Contents -- $tList of Figures -- $tList of Tables -- $tForeword -- $tAcknowledgements -- $tCHAPTER 1 The Opening Script -- $tCHAPTER 2 Setting the Stage -- $tCHAPTER 3 Freedom from Within -- $tCHAPTER 4 The Ensemble -- $tCHAPTER 5 Character Development -- $tCHAPTER 6 Revising the Script -- $tCHAPTER 7 Curtain Call -- $tAppendix A Literature -- $tAppendix B WHoS Productions and Projects -- $tAppendix C Methodological Considerations -- $tReferences 330 $a"For over forty years, William Head on Stage (WHoS) has operated as an inmate-run prison theatre, making it one of Canada?s longest-standing prison arts initiatives. Staging Prison Theatre in Canada: Setting the Spotlight on William Head on Stage delves into the story of WHoS through the voices of the men involved, offering a unique criminological perspective that situates their experiences within the prison context. The analysis explores how WHoS creates an alternative space within the social and emotional realities of incarceration. By unlocking participants? capacities, skills, and confidence, the initiative fosters a sense of agency and community both inside the prison and beyond. WHoS becomes a space for transformation, offering men opportunities to re-imagine themselves and build meaningful connections. This work underscores the broader significance of arts-based initiatives like WHoS, not only within prisons but also in the fields of criminology, theatre, and community engagement. It offers valuable insights for correctional administrators, criminologists, theatre practitioners, scholars, students, and anyone interested in the intersection of art and rehabilitation."--$cProvided by publisher. 606 $aSOCIAL SCIENCE / Criminology$2bisacsh 608 $aElectronic books. 610 $aArts-Based Initiatives. 610 $aCanadian Prison Arts. 610 $aCommunity Engagement in Prisons. 610 $aCriminology and Theatre. 610 $aInmate Arts Programs. 610 $aPrison Rehabilitation. 610 $aPrison Theatre. 610 $aRehabilitation through Arts. 610 $aSocial Impact of Theatre. 610 $aTheatre in Incarceration. 610 $aTransformative Justice. 610 $aWilliam Head on Stage. 615 7$aSOCIAL SCIENCE / Criminology. 676 $a365/.668 700 $aRidha$b Thana, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01817497 702 $aFrigon$b Sylvie, $4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aLuther$b Jeni, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aRubin$b Kate, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910988384303321 996 $aStaging Prison Theatre in Canada$94375767 997 $aUNINA