LEADER 01522nam 2200469 450 001 9910271021103321 010 $a1-119-51451-7 010 $a1-119-51453-3 010 $a1-119-51446-0 035 $a(CKB)4340000000264379 035 $a(MiAaPQ)EBC5345270 035 $a(EXLCZ)994340000000264379 100 $a20180511d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aForm 990 $eexploring the form's complex schedules. /$fby Eve Rose Borenstein and Jane M. Searing 210 1$aDurham, NC :$cAssociation of International Certified Professional Accountants, Inc.,$d[2017] 210 4$dİ2017 215 $a1 online resource (357 pages) 311 $a1-119-51450-9 606 $aNonprofit organizations$xTaxation$xLaw and legislation$zUnited States 606 $aTax exemption$xLaw and legislation$zUnited States 606 $aTax exemption$zUnited States$vForms 606 $aTax returns$zUnited States 608 $aElectronic books. 615 0$aNonprofit organizations$xTaxation$xLaw and legislation 615 0$aTax exemption$xLaw and legislation 615 0$aTax exemption 615 0$aTax returns 676 $a343.73066 700 $aBorenstein$b Eve Rose$01217266 702 $aSearing$b Jane M. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910271021103321 996 $aForm 990$92815256 997 $aUNINA LEADER 04225nam 22007215 450 001 996466467203316 005 20200707022141.0 010 $a3-319-99247-3 024 7 $a10.1007/978-3-319-99247-1 035 $a(CKB)4100000005679167 035 $a(DE-He213)978-3-319-99247-1 035 $a(MiAaPQ)EBC6282915 035 $a(PPN)229916295 035 $a(EXLCZ)994100000005679167 100 $a20180810d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aKnowledge Science, Engineering and Management$b[electronic resource] $e11th International Conference, KSEM 2018, Changchun, China, August 17?19, 2018, Proceedings, Part II /$fedited by Weiru Liu, Fausto Giunchiglia, Bo Yang 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2018. 215 $a1 online resource (XIX, 492 p. 135 illus.) 225 1 $aLecture Notes in Artificial Intelligence ;$v11062 300 $aIncludes index. 311 $a3-319-99246-5 327 $aConstraints and Satisfiability -- Formal Reasoning and Ontologies -- Deep Learning -- Network Knowledge Representation and Learning -- Social Knowledge Analysis and Management. 330 $aThis two volume set of LNAI 11061 and LNAI 11062 constitutes the refereed proceedings of the 11th International Conference on Knowledge Science, Engineering and Management, KSEM 2018, held in Changchun, China, in August 2018. The 62 revised full papers and 26 short papers presented were carefully reviewed and selected from 262 submissions. The papers of the first volume are organized in the following topical sections: text mining and document analysis; image and video data analysis; data processing and data mining; recommendation algorithms and systems; probabilistic models and applications; knowledge engineering applications; and knowledge graph and knowledge management. The papers of the second volume are organized in the following topical sections: constraints and satisfiability; formal reasoning and ontologies; deep learning; network knowledge representation and learning; and social knowledge analysis and management. 410 0$aLecture Notes in Artificial Intelligence ;$v11062 606 $aArtificial intelligence 606 $aApplication software 606 $aDatabase management 606 $aComputer communication systems 606 $aData mining 606 $aArtificial Intelligence$3https://scigraph.springernature.com/ontologies/product-market-codes/I21000 606 $aComputer Appl. in Social and Behavioral Sciences$3https://scigraph.springernature.com/ontologies/product-market-codes/I23028 606 $aDatabase Management$3https://scigraph.springernature.com/ontologies/product-market-codes/I18024 606 $aInformation Systems Applications (incl. Internet)$3https://scigraph.springernature.com/ontologies/product-market-codes/I18040 606 $aComputer Communication Networks$3https://scigraph.springernature.com/ontologies/product-market-codes/I13022 606 $aData Mining and Knowledge Discovery$3https://scigraph.springernature.com/ontologies/product-market-codes/I18030 615 0$aArtificial intelligence. 615 0$aApplication software. 615 0$aDatabase management. 615 0$aComputer communication systems. 615 0$aData mining. 615 14$aArtificial Intelligence. 615 24$aComputer Appl. in Social and Behavioral Sciences. 615 24$aDatabase Management. 615 24$aInformation Systems Applications (incl. Internet). 615 24$aComputer Communication Networks. 615 24$aData Mining and Knowledge Discovery. 676 $a006.33 702 $aLiu$b Weiru$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aGiunchiglia$b Fausto$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aYang$b Bo$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996466467203316 996 $aKnowledge Science, Engineering and Management$9772454 997 $aUNISA LEADER 04766nam 2200625Ia 450 001 9910964489403321 005 20200520144314.0 010 $a9783842828452 010 $a3842828454 035 $a(CKB)2670000000250462 035 $a(EBL)1035426 035 $a(OCoLC)815391710 035 $a(SSID)ssj0001073875 035 $a(PQKBManifestationID)11694421 035 $a(PQKBTitleCode)TC0001073875 035 $a(PQKBWorkID)11212603 035 $a(PQKB)11154577 035 $a(Au-PeEL)EBL1035426 035 $a(CaPaEBR)ebr10596604 035 $a(MiAaPQ)EBC1035426 035 $a(Perlego)1893882 035 $a(EXLCZ)992670000000250462 100 $a20120916d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$a"Cashville" $edilution of original country music identity through increasing commercialization /$fStephanie Schafer 205 $a1st ed. 210 $aHamburg $cDiplomica Verlag$d2012 215 $a1 online resource (120 p.) 300 $aDescription based upon print version of record. 311 08$a9783842878457 311 08$a3842878451 320 $aIncludes bibliographical references. 327 $a"Cashville": Dilution of Original Country Music Identity through Increasing Commercialization; Table of Contents; I. Introduction: Country Music as Manifestation of Identity and Cultural Expression; II. Stereotypes and Recognition of American Country Music; III. Perspectives of Identity and Music: Social Identity Theory; 1. Country Music Identity; 2. Where I Come From: Southern Working Class Identity and Country Music; 2.1 Peculiarities of Southern Culture: Sense of Place; 2.2 Working-Class Culture; IV. Generic Themes of Country Music 327 $aV. History of Country Music: Blending of Cultures vs. Preservation of Identity 1. Cowboy Music; 2. 1930's: Western Swing: Bob Wills; 3. The 1940's and 1950's; 3.1 Hillbilly/Honky-Tonk; 3.2 The Bar: An Alternative Home; 4. Reaching a Broader Audience: The Emergence of Radio Broadcasting; 5. Early 1970's: Cosmic Cowboy/ Outlaw Movement; 6. 1970's: Mainstream Country/Country-Pop; 7. Late 1970's/1980's: Urban Cowboy; 8. 1980's: New Traditionalists; 9. 1990's - Today: Young Country; VI. Musical Hybrids; 1. Alternative Country; 2. Country-Rock/Southern Rock/Americana 327 $a3. Blending of Cultures: Conjunto and Tejano Music VII. "Don't Get Above Your Raisin'": Authentic Regional Identity vs.Commercialization; 1. Class Identity; 2. Authenticity and Commodification; 3. Back to the Roots: Country Identity and Regional Pride; 3.1 Texas Country; 3.2 Texas Regional Pride; 3.3 Austin and Lubbock - Lone Star Country Music Arenas; 3.4 Anti-Nashville Sentiments; 4. Nashville Country; 4.1 The (Countrypolitan) Nashville Sound; 4.2 Commercialization and Performance; 4.3 Grand Ol' Opry; 4.4 Cowboy Lifestyle; 4.5 Back to the Roots: The Story of Willie Nelson 327 $a4.6 "Gone Country": The Changing Face of Nashville VIII. Preliminary Conclusion; IX. Red, White, and Blue: National Expansion of Country Music; 1. Country Music Goes to War; 1.1 World War II; 1.2 United Forces against Communism; 2. Walls came tumbling down: Country Music after 9/11; 2.1 Unity in Crisis: National Identity; 2.1.1 Toby Keith: "Courtesy of the Red, White, and Blue (The Angry American)"; 2.1.2 Alan Jackson: "Where Were You (When the World Stopped Turning)"; 2.2 Country Songs in the Patriotic Tradition; 2.2.1 Darryl Worley: "Have you Forgotten"; 2.2.2 Brooks & Dunn: "Holy War" 327 $a3. Political Campaigns and Country Music 4. Country Musicians in Political Battle: Dixie Chicks vs. Toby Keith; X. Conclusion; XI. Bibliography; Author's Profile 330 $aHauptbeschreibung Where I come from, it's cornbread and chicken. This line from Alan Jackson's country hit defines the genre as the music of the American South. All its ambiguity set aside, the South stands proudly for its hospitality, politeness, sense of place and community. Family and religion are traditionally more important down there than in the rest of the country. As Southern culture becomes more and more americanized and the music of the small town Southern man (another Jackson song) is adapted for a mainstream audience, the original rustic identity that defines the true Am 606 $aCountry music$xHistory and criticism 606 $aMusic trade$zTennessee$zNashville 615 0$aCountry music$xHistory and criticism. 615 0$aMusic trade 676 $a781.642 700 $aSchafer$b Stephanie$01177004 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964489403321 996 $a"Cashville"$94356619 997 $aUNINA