LEADER 01976nam 2200601 450 001 996466407303316 005 20230508142837.0 010 $a3-030-78346-4 035 $a(CKB)5470000001298868 035 $a(MiAaPQ)EBC6796346 035 $a(Au-PeEL)EBL6796346 035 $a(OCoLC)1286080484 035 $a(PPN)25829843X 035 $a(EXLCZ)995470000001298868 100 $a20220721d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aGeometric and harmonic analysis on homogeneous spaces and applications $eTJC 2019, Djerba, Tunisia, December 15-19 : in honor of Professor Takaaki Nomura /$fAli Baklouti, Hideyuki Ishi, editors 210 1$aCham, Switzerland :$cSpringer,$d[2021] 210 4$d©2021 215 $a1 online resource (268 pages) 225 1 $aSpringer Proceedings in Mathematics & Statistics ;$vVolume 366 311 $a3-030-78345-6 410 0$aSpringer proceedings in mathematics & statistics ;$vVolume 366. 606 $aHarmonic analysis$vCongresses 606 $aLie groups$vCongresses 606 $aAnàlisi harmònica$2thub 606 $aGrups de Lie$2thub 606 $aGeometria algebraica$2thub 606 $aGrups topològics$2thub 606 $aGeometry, Algebraic$vCongresses 608 $aCongressos$2thub 608 $aLlibres electrònics$2thub 615 0$aHarmonic analysis 615 0$aLie groups 615 7$aAnàlisi harmònica 615 7$aGrups de Lie 615 7$aGeometria algebraica 615 7$aGrups topològics 615 0$aGeometry, Algebraic 676 $a515.2433 702 $aBaklouti$b Ali 702 $aIshi$b Hideyuki 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996466407303316 996 $aGeometric and Harmonic Analysis on Homogeneous Spaces and Applications$91563101 997 $aUNISA LEADER 04177nam 2200709 450 001 9910807280803321 005 20200520144314.0 010 $a0-8122-0947-8 024 7 $a10.9783/9780812209471 035 $a(CKB)3710000000093083 035 $a(OCoLC)876431898 035 $a(CaPaEBR)ebrary10848432 035 $a(SSID)ssj0001256394 035 $a(PQKBManifestationID)11737739 035 $a(PQKBTitleCode)TC0001256394 035 $a(PQKBWorkID)11259009 035 $a(PQKB)10911515 035 $a(MdBmJHUP)muse33009 035 $a(DE-B1597)449829 035 $a(DE-B1597)9780812209471 035 $a(Au-PeEL)EBL3442349 035 $a(CaPaEBR)ebr10848432 035 $a(CaONFJC)MIL682572 035 $a(MiAaPQ)EBC3442349 035 $a(EXLCZ)993710000000093083 100 $a20131001h20142014 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe queen's dumbshows $eJohn Lydgate and the making of early theater /$fClaire Sponsler 205 $aFirst edition. 210 1$aPhiladelphia :$cUniversity of Pennsylvania Press,$d[2014] 210 4$d©2014 215 $a1 online resource (317 p.) 225 1 $aMiddle Ages series 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-322-51290-6 311 $a0-8122-4595-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of Abbreviations --$tIntroduction: Theater History as a Challenge to Literary History --$tChapter 1. Shirley?s Hand --$tChapter 2. Vernacular Cosmopolitanism: London Mummings and Disguisings --$tChapter 3. Performing Pictures --$tChapter 4. Performance and Gloss: The Procession of Corpus Christi --$tChapter 5. Inscription and Ceremony: The 1432 Royal Entry --$tChapter 6. Edible Theater --$tChapter 7. The Queen?s Dumbshows --$tChapter 8. On Drama?s Trail --$tAfterword --$tNotes --$tWorks Cited --$tIndex --$tAcknowledgments 330 $aNo medieval writer reveals more about early English drama than John Lydgate, Claire Sponsler contends. Best known for his enormously long narrative poems The Fall of Princes and The Troy Book, Lydgate also wrote numerous verses related to theatrical performances and ceremonies. This rich yet understudied body of material includes mummings for London guildsmen and sheriffs, texts for wall hangings that combined pictures and poetry, a Corpus Christi procession, and entertainments for the young Henry VI and his mother. In The Queen's Dumbshows, Sponsler reclaims these writings to reveal what they have to tell us about performance practices in the late Middle Ages. Placing theatricality at the hub of fifteenth-century British culture, she rethinks what constituted drama in the period and explores the relationship between private forms of entertainment, such as household banquets, and more overtly public forms of political theater, such as royal entries and processions. She delineates the intersection of performance with other forms of representation such as feasts, pictorial displays, and tableaux, and parses the connections between the primarily visual and aural modes of performance and the reading of literary texts written on paper or parchment. In doing so, she has written a book of signal importance to scholars of medieval literature and culture, theater history, and visual studies. 410 0$aMiddle Ages series. 606 $aTheater$zEngland$xHistory$yMedieval, 500-1500 606 $aEnglish drama$yTo 1500$xHistory and criticism 606 $aEnglish literature$yMiddle English, 1100-1500$xHistory and criticism 610 $aCultural Studies. 610 $aLiterature. 610 $aMedieval and Renaissance Studies. 615 0$aTheater$xHistory 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism. 676 $a821/.2 700 $aSponsler$b Claire$01633324 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807280803321 996 $aThe queen's dumbshows$94092725 997 $aUNINA