LEADER 04938 am 22008653u 450 001 996466282603316 005 20230125193409.0 010 $a3-030-33220-9 024 7 $a10.1007/978-3-030-33220-4 035 $a(CKB)4100000009759179 035 $a(DE-He213)978-3-030-33220-4 035 $a(MiAaPQ)EBC6037628 035 $a(Au-PeEL)EBL6037628 035 $a(OCoLC)1143624992 035 $z(PPN)257357807 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37779 035 $a(PPN)255810881 035 $a(EXLCZ)994100000009759179 100 $a20191023d2019 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSemantic Systems. The Power of AI and Knowledge Graphs$b[electronic resource] $e15th International Conference, SEMANTiCS 2019, Karlsruhe, Germany, September 9?12, 2019, Proceedings /$fedited by Maribel Acosta, Philippe Cudré-Mauroux, Maria Maleshkova, Tassilo Pellegrini, Harald Sack, York Sure-Vetter 205 $a1st ed. 2019. 210 $cSpringer Nature$d2019 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2019. 215 $a1 online resource (XVII, 392 p. 144 illus., 68 illus. in color.) 225 1 $aInformation Systems and Applications, incl. Internet/Web, and HCI ;$v11702 311 $a3-030-33219-5 327 $aWeb Semantics and Linked (Open) Data -- Machine Learning and Deep Learning Techniques -- Semantic Information Management and Knowledge Integration -- Terminology, Thesaurus and Ontology Management -- Data Mining and Knowledge Discovery -- Semantics in Blockchain and Distributed Ledger Technologies. 330 $aThis open access book constitutes the refereed proceedings of the 15th International Conference on Semantic Systems, SEMANTiCS 2019, held in Karlsruhe, Germany, in September 2019. The 20 full papers and 8 short papers presented in this volume were carefully reviewed and selected from 88 submissions. 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Internet). 676 $a006.33 700 $aAcosta$b Maribel$4edt$01354882 702 $aAcosta$b Maribel$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aCudré-Mauroux$b Philippe$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMaleshkova$b Maria$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPellegrini$b Tassilo$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSack$b Harald$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSure-Vetter$b York$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996466282603316 996 $aSemantic Systems. The Power of AI and Knowledge Graphs$93358583 997 $aUNISA LEADER 03496 am 22005533u 450 001 9910353331803321 005 20240227004218.0 010 $a9781947477783 024 7 $a10.21983/P3.0241.1.00 035 $a(CKB)4100000009914131 035 $a(OAPEN)1004706 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/36607 035 $a(EXLCZ)994100000009914131 100 $a20200123h20192019 uy 0 101 0 $amul 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBeta exercise $ethe theory and practice of Osamu Kanemura /$fedited by Marco Mazzi, Vincent W.J. van Gerven Oei ; translated by Michiyo Miyake & Nicholas Marshall 210 $aBrooklyn, NY$cpunctum books$d2019 210 1$a[Santa Barbara, California] :$aEarth, Milky Way :$cpunctum books,$d2019. 210 4$d©2019 215 $a1 online resource (227 pages) $cillustrations; PDF, digital file(s) 311 $a9781947477776 320 $aIncludes bibliographical references. 330 $aBeta Exercise: The Theory and Practice of Osamu Kanemura is the first bilingual (Japanese-English) book to provide an overview of the theoretical work of Japanese photographer and video artist Osamu Kanemura, a unique voice in the world of contemporary photography. The opening essay ?Life Is a Gift? comments on the transformation of human life into an exchangeable commodity and the abstraction it entails. ?Essay 01? develops Kanemura?s idea of photographic ?technique? in an era when such techniques have become accessible to all, radically undermining the importance of human subjectivity in the process of capturing the photographic image: ?We can say that modern technology constitutes photographic technique.? Instead, Kanemura argues, extra-technical elements such as concept and vision will have to compensate for the expression of individuality that technique is no longer able to convey. Taking cues from Kiyoshi Kurosawa and Karlheinz Stockhausen, the essay ?Dead-Stick Landing? develops Kanemura?s theory of the moving image as mechanical system, solely governed by an ?on-off switch.? ?Essay 02? develops these ideas into a consideration of cinematic time and the experience of boredom in cinema as the result of a truthful ?loyalty? expressed to machines, and not to stories. The essays are accompanied by an extensive two-part interview with Italian photographer Marco Mazzi, touching upon topics ranging from the technical aspects of his equipment, the concept of non-editing, and the destruction of the frame to the similarity between Mao?s dialectics and the camera, the presence of the human figure as trace, and the politics of photographing Tokyo. 606 $aPhotography$zJapan 606 $aPhotography, Artistic 606 $aArchitectural photography 610 $aphotography 610 $amedia studies 610 $aOsamu Kanemura 610 $aJapan 610 $aaesthetics 615 0$aPhotography 615 0$aPhotography, Artistic. 615 0$aArchitectural photography. 676 $a779 700 $aKanemura$b Osamu$4auth$01088339 702 $aMazzi$b Marco 702 $aGerven Oei$b Vincent W. J. van$f1983- 702 $aMiyake$b Michiyo 702 $aMarshall$b Nicholas 801 2$bUkMaJRU 906 $aBOOK 912 $a9910353331803321 996 $aBeta exercise$93386687 997 $aUNINA