LEADER 06223nam 22007695 450 001 996466142903316 005 20200703182946.0 010 $a3-540-37596-1 024 7 $a10.1007/11821731 035 $a(CKB)1000000000283868 035 $a(SSID)ssj0000318063 035 $a(PQKBManifestationID)11267550 035 $a(PQKBTitleCode)TC0000318063 035 $a(PQKBWorkID)10308492 035 $a(PQKB)10546100 035 $a(DE-He213)978-3-540-37596-8 035 $a(MiAaPQ)EBC3068168 035 $a(PPN)123137489 035 $a(EXLCZ)991000000000283868 100 $a20100301d2006 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aHaptic and Audio Interaction Design$b[electronic resource] $eFirst International Workshop, HAID 2006, Glasgow, UK, August 31 - September 1, 2006, Proceedings /$fedited by David McGookin, Stephen Brewster 205 $a1st ed. 2006. 210 1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: Springer,$d2006. 215 $a1 online resource (XII, 167 p.) 225 1 $aInformation Systems and Applications, incl. Internet/Web, and HCI ;$v4129 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-540-37595-3 320 $aIncludes bibliographical references and index. 327 $aSession: Interaction -- Perception of Audio-Generated and Custom Motion Programs in Multimedia Display of Action-Oriented DVD Films -- Evaluating the Influence of Multimodal Feedback on Egocentric Selection Metaphors in Virtual Environments -- Session: Psychophysics -- Haptic-Auditory Rendering and Perception of Contact Stiffness -- Designing Haptic Feedback for Touch Display: Experimental Study of Perceived Intensity and Integration of Haptic and Audio -- Session: Music and Gesture -- Rhythmic Interaction for Song Filtering on a Mobile Device -- Lemma 4: Haptic Input + Auditory Display = Musical Instrument? -- Session: Visual Impairments I -- Navigation and Control in Haptic Applications Shared by Blind and Sighted Users -- User Evaluations of a Virtual Haptic-Audio Line Drawing Prototype -- Session: Visual Impairments II -- Creating Accessible Bitmapped Graphs for the Internet -- Supporting Cross-Modal Collaboration: Adding a Social Dimension to Accessibility -- Non Visual Haptic Audio Tools for Virtual Environments -- Session: Design I -- A Semiotic Approach to the Design of Non-speech Sounds -- Listen to This ? Using Ethnography to Inform the Design of Auditory Interfaces -- An Activity Classification for Vibrotactile Phenomena -- Session: Design II -- Haptic-Audio Narrative: From Physical Simulation to Imaginative Stimulation. 330 $aOverview The International Workshop on Haptic and Audio Interaction Design was - ganized as part of the EPSRC-funded MultiVis project. The main focus of the workshop was to investigate how the modalities of sound and haptics (touch) could be used together in interaction, and what novel interfaces could be p- vided when they are used in conjunction. What are the relative advantages of each of the modalities when used alone and together? Are there reasons why haptic-based information is moreuseful in certain situations than equivalent - dio information? How can di?erent modalities be used together to create c- pelling and useful interaction with computer-based systems? We posed these questions to researchers around the world, asking them to submit novel work which sought to discover answers. Thirty papers were submitted of which 15 were accepted. Each paper was peer reviewed at least twice using an esteemed set of leading international ?gures from both academia and industry, to whom we are grateful for the quality of their reviews, time, patience and responding within our tight schedule. Thepaperspresentedattheworkshopcomefromawidevarietyofdisciplines ranging from psychology to art, showcasing how haptics and sound can improve user interaction with computers; challenging us to move beyond simple mouse and keyboard metaphors to produce interfaces for devices and applications that allow for the full range of human interactivity. Below the papers are categorized and summarized based on their application and focus. 410 0$aInformation Systems and Applications, incl. Internet/Web, and HCI ;$v4129 606 $aComputers 606 $aUser interfaces (Computer systems) 606 $aInformation storage and retrieval 606 $aApplication software 606 $aComputers and civilization 606 $aEducation?Data processing 606 $aTheory of Computation$3https://scigraph.springernature.com/ontologies/product-market-codes/I16005 606 $aUser Interfaces and Human Computer Interaction$3https://scigraph.springernature.com/ontologies/product-market-codes/I18067 606 $aInformation Storage and Retrieval$3https://scigraph.springernature.com/ontologies/product-market-codes/I18032 606 $aInformation Systems Applications (incl. Internet)$3https://scigraph.springernature.com/ontologies/product-market-codes/I18040 606 $aComputers and Society$3https://scigraph.springernature.com/ontologies/product-market-codes/I24040 606 $aComputers and Education$3https://scigraph.springernature.com/ontologies/product-market-codes/I24032 615 0$aComputers. 615 0$aUser interfaces (Computer systems). 615 0$aInformation storage and retrieval. 615 0$aApplication software. 615 0$aComputers and civilization. 615 0$aEducation?Data processing. 615 14$aTheory of Computation. 615 24$aUser Interfaces and Human Computer Interaction. 615 24$aInformation Storage and Retrieval. 615 24$aInformation Systems Applications (incl. Internet). 615 24$aComputers and Society. 615 24$aComputers and Education. 676 $a006.5 702 $aMcGookin$b David$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aBrewster$b Stephen$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a996466142903316 996 $aHaptic and Audio Interaction Design$9772620 997 $aUNISA