LEADER 05710nam 22006255 450 001 996466028703316 005 20200706032801.0 010 $a3-642-40050-7 024 7 $a10.1007/978-3-642-40050-6 035 $a(CKB)3710000000002662 035 $a(SSID)ssj0000962830 035 $a(PQKBManifestationID)11519836 035 $a(PQKBTitleCode)TC0000962830 035 $a(PQKBWorkID)10975707 035 $a(PQKB)10236698 035 $a(DE-He213)978-3-642-40050-6 035 $a(MiAaPQ)EBC3092933 035 $a(PPN)172428890 035 $a(EXLCZ)993710000000002662 100 $a20130729d2013 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aInformation Technologies for Performing Arts, Media Access, and Entertainment$b[electronic resource] $eSecond International Conference, ECLAP 2013, Porto, Portugal, April 8-10, 2013, Revised Selected Papers /$fedited by Paolo Nesi, Raffaella Santucci 205 $a1st ed. 2013. 210 1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: Springer,$d2013. 215 $a1 online resource (XX, 289 p. 76 illus.) 225 1 $aInformation Systems and Applications, incl. Internet/Web, and HCI ;$v7990 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-642-40049-3 320 $aIncludes bibliographical references and index. 327 $aPerspectives and (Digital) Strategies for Cultural Heritage Institutions -- Bringing New Life to Video Narratives for Exploring Cultural Heritage -- A Linked Open Data Service for Performing Arts -- A New Generation Digital Content Service for Cultural Heritage Institutions -- How to Catalogue the Cultural Heritage ?Spectacle? -- Contemporary Italian Theatre on the Web: A Short History and Some Perspectives -- Open Creative Framework for a Smart Cultural City: Bologna Porticoes and the Involvement of Citizens for a UNESCO Candidacy -- Trust, Quality and Tools for Cultural Heritage Digital Libraries -- Preserving Authenticity Evidence to Assess Provenance and Integrity of Digital Resources -- Applicability of Digital Library Descriptive Metadata to the Contemporary Artworks: The Sapienza Digital Library Case Study -- Metadata Quality Assessment Tool for Open Access Cultural Heritage Institutional Repositories -- Validating the Digital Documentation of Cultural Objects -- A Workflow Model and Architecture for Content and Metadata Management Based on Grid Computing -- A Unified Test Procedure Designed for Monitoring the Experimental Settings Ensuring Quality Assurance in 3D and Stereoscopic Productions -- Educational Services for the Performing Arts Cuban Theater Digital Archive: A Multimodal Platform for Theater Documentation and Research -- How Are On-Line Digital Libraries Changing Theatre Studies and Memories? -- Multimedia Performance Reconstruction as a Challenge to Theatre History Writing: Using Interactive Models of Historical Theatre Performances in the Education of Performing Arts -- Education-Performing Arts-Information Technology: An Impossible Triangle? -- Dance in the World of Data and Objects Dance in the World of Data and Objects -- The TKB Project: Creative Technologies for Performance Composition, Analysis and Documentation -- The Challenge of the Inter in the Preservation of Cultural Heritage; The Intangibility of the Material and Immaterial Dancing Body in Performance -- Acting and Natural Interaction -- MultiStage: Acting across Distance -- Networked Performances and Natural Interaction via LOLA: Low Latency High Quality A/V Streaming System -- Music and Opera of a Digital Generation -- Algorithmic Generation of Music Tunes for an iPhone R Game -- Feature Matching of Simultaneous Signals for Multimodal Synchronization -- Augmented Opera Performance. 330 $aThis book contains revised selected papers from the Second International Conference on Information Technologies for Performing Arts, Media Access and Entertainment, ECLAP 2013, held in Porto, Portugal, in April 2013. The 24 papers presented were carefully reviewed and selected for inclusion in this book. They are organized in topical sections named: perspectives and (digital) strategies for cultural heritage institutions; trust, quality and tools for cultural heritage digital libraries; educational services for the performing arts; dance in the world of data and objects; acting and natural interaction; and music and opera of a digital generation. 410 0$aInformation Systems and Applications, incl. Internet/Web, and HCI ;$v7990 606 $aApplication software 606 $aUser interfaces (Computer systems) 606 $aComputers 606 $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036 606 $aUser Interfaces and Human Computer Interaction$3https://scigraph.springernature.com/ontologies/product-market-codes/I18067 606 $aComputing Milieux$3https://scigraph.springernature.com/ontologies/product-market-codes/I24008 615 0$aApplication software. 615 0$aUser interfaces (Computer systems). 615 0$aComputers. 615 14$aComputer Appl. in Arts and Humanities. 615 24$aUser Interfaces and Human Computer Interaction. 615 24$aComputing Milieux. 676 $a004 702 $aNesi$b Paolo$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSantucci$b Raffaella$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a996466028703316 996 $aInformation Technologies for Performing Arts, Media Access, and Entertainment$92830787 997 $aUNISA