LEADER 05189nam 22008895 450 001 996465924803316 005 20200630171846.0 010 $a3-642-24028-3 024 7 $a10.1007/978-3-642-24028-7 035 $a(CKB)2550000000054390 035 $a(SSID)ssj0000609112 035 $a(PQKBManifestationID)11379206 035 $a(PQKBTitleCode)TC0000609112 035 $a(PQKBWorkID)10609163 035 $a(PQKB)11532042 035 $a(DE-He213)978-3-642-24028-7 035 $a(MiAaPQ)EBC3067332 035 $a(PPN)156319683 035 $a(EXLCZ)992550000000054390 100 $a20110923d2011 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aAdvances in Visual Computing$b[electronic resource] $e7th International Symposium, ISVC 2011, Las Vegas, NV, USA, September 26-28, 2011. Proceedings, Part I /$fedited by George Bebis, Richard Boyle, Bahram Parvin, Darko Koracin, Song Wang, Kim Kyungnam, Bedrich Benes, Kenneth Moreland, Christoph Borst, Stephen DiVerdi, Chiang Yi-Jen, Jiang Ming 205 $a1st ed. 2011. 210 1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: Springer,$d2011. 215 $a1 online resource (XXXIX, 783 p.) 225 1 $aImage Processing, Computer Vision, Pattern Recognition, and Graphics ;$v6938 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-642-24027-5 320 $aIncludes bibliographical references and index. 330 $aThe two volume set LNCS 6938 and LNCS 6939 constitutes the refereed proceedings of the 7th International Symposium on Visual Computing, ISVC 2011, held in Las Vegas, NV, USA, in September 2011. The 68 revised full papers and 46 poster papers presented together with 30 papers in the special tracks were carefully reviewed and selected from more than 240 submissions. The papers of part I (LNCS 6938) are organized in computational bioimaging, computer graphics, motion and tracking, segmentation, visualization; mapping modeling and surface reconstruction, biomedical imaging, computer graphics, interactive visualization in novel and heterogeneous display environments, object detection and recognition. Part II (LNCS 6939) comprises topics such as immersive visualization, applications, object detection and recognition, virtual reality, and best practices in teaching visual computing. 410 0$aImage Processing, Computer Vision, Pattern Recognition, and Graphics ;$v6938 606 $aPattern recognition 606 $aComputer graphics 606 $aOptical data processing 606 $aUser interfaces (Computer systems) 606 $aApplication software 606 $aBioinformatics 606 $aPattern Recognition$3https://scigraph.springernature.com/ontologies/product-market-codes/I2203X 606 $aComputer Graphics$3https://scigraph.springernature.com/ontologies/product-market-codes/I22013 606 $aImage Processing and Computer Vision$3https://scigraph.springernature.com/ontologies/product-market-codes/I22021 606 $aUser Interfaces and Human Computer Interaction$3https://scigraph.springernature.com/ontologies/product-market-codes/I18067 606 $aInformation Systems Applications (incl. Internet)$3https://scigraph.springernature.com/ontologies/product-market-codes/I18040 606 $aComputational Biology/Bioinformatics$3https://scigraph.springernature.com/ontologies/product-market-codes/I23050 615 0$aPattern recognition. 615 0$aComputer graphics. 615 0$aOptical data processing. 615 0$aUser interfaces (Computer systems). 615 0$aApplication software. 615 0$aBioinformatics. 615 14$aPattern Recognition. 615 24$aComputer Graphics. 615 24$aImage Processing and Computer Vision. 615 24$aUser Interfaces and Human Computer Interaction. 615 24$aInformation Systems Applications (incl. Internet). 615 24$aComputational Biology/Bioinformatics. 676 $a006.4 702 $aBebis$b George$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aBoyle$b Richard$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aParvin$b Bahram$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aKoracin$b Darko$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aWang$b Song$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aKyungnam$b Kim$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aBenes$b Bedrich$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMoreland$b Kenneth$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aBorst$b Christoph$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aDiVerdi$b Stephen$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aYi-Jen$b Chiang$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMing$b Jiang$4edt$4http://id.loc.gov/vocabulary/relators/edt 712 12$aInternational Symposium on Visual Computing 906 $aBOOK 912 $a996465924803316 996 $aAdvances in Visual Computing$9772261 997 $aUNISA LEADER 04926nam 2200649 a 450 001 9910781544303321 005 20230421050721.0 010 $a1-283-35853-0 010 $a9786613358530 010 $a90-272-7731-1 035 $a(CKB)2550000000073839 035 $a(EBL)805780 035 $a(OCoLC)769342189 035 $a(SSID)ssj0001012539 035 $a(PQKBManifestationID)11591067 035 $a(PQKBTitleCode)TC0001012539 035 $a(PQKBWorkID)11053004 035 $a(PQKB)11636562 035 $a(MiAaPQ)EBC805780 035 $a(EXLCZ)992550000000073839 100 $a19920918d1992 uy 0 101 0 $aspa 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 13$aEl metateatro y la drama?tica de Vargas Llosa$b[electronic resource] $ehacia una poe?tica del espectador /$fOscar Rivera-Rodas 210 $aAmsterdam ;$aPhiladelphia $cJ. Benjamins Pub. Co.$d1992 215 $a1 online resource (222 p.) 225 1 $aPurdue University monographs in Romance languages,$x0165-8743 ;$vv. 41 300 $aDescription based upon print version of record. 311 $a1-55619-310-6 311 $a90-272-1767-X 320 $aIncludes bibliographical references. 327 $aEL METATEATRO Y LA DRAMA?TICA DE VARGAS LLOSA; Editorial page; Title page; Copyright page; Table of contents; Introduccio?n: Prolego?menos al metateatro; 1. Ficcio?n y metaficcio?n en el teatro; LA FICCIO?N TEATRAL COMO ENUNCIACIO?N; LA FICCIO?N TEATRAL COMO ENUNCIADO; EL TEATRO: TEMPORALIDAD PRESENTE; 1.1. METAFICCIO?N: DESEMBRAGUE DE LA FICCIO?N; LA DEIXIS DE LA METAFICCIO?N; LA CONCIENCIA Y LA METAFICCIO?N; METAFICCIO?N COMO DEIXIS INTERIOR; 1.2. EL PERSONAJE METAFICTICIO; REALIDAD E IMAGINACIO?N EN EL TEATRO; EL PERSONAJE DE LA METAFICCIO?N; EL PERSONAJE ""ESPECTADOR/ACTOR"" 327 $a2. Reflexividad y estructura drama?ticaLA REFLEXIVIDAD EN EL TEATRO; EL METATEATRO DE VARGAS LLOSA; LA ENUNCIACIO?N DRAMA?TICA COMO TEMA; LA FUNCIO?N DE LA ESTRUCTURA METATEATRAL; LA REFLEXIVIDAD COMO DIFERIMIENTO; 2.1. LA REFLEXIVIDAD DE LA HISTORIA; LA SEN?ORITA DE TACNA; PRIMER ACTO: FICCIO?N Y METAFICCIO?N; SEGUNDO ACTO: FICCIO?N Y METAFICCIO?N; 2.2. LA REFLEXIVIDAD DEL PERSONAJE; KATHIE Y EL HIPOPO?TAMO; PRIMER ACTO: FICCIO?N Y METAFICCIO?N; SEGUNDO ACTO: FICCIO?N Y METAFICCIO?N; 2.3. LA REFLEXIVIDAD DE LAS ACCIONES; LA CHUNGA; PRIMER ACTO: FICCIO?N Y METAFICCIO?N; SEGUNDO ACTO: FICCIO?N Y METAFICCIO?N 327 $a3. La ficcio?n, o las fronteras asfixiantesESTRUCTURA DE LA DIE?GESIS; LA SEMIOSIS DE LA FICCIO?N; 3.1. LA REDUCCIO?N DE LA FICCIO?N; EL PERSONAJE COMO LECTOR IMPLI?CITO; EL PERSONAJE COMO ACTOR; EL PERSONAJE COMO ESPECTADOR; 3.2. LA DEIXIS DEL DISCURSO TEATRAL; LA DEIXIS DE LA FICCIO?N; REPRESENTACIO?N E INTERTEXTUALIDAD; EL ACTO DE LENGUAJE EN ESCENA; 4. La metaficcio?n, o el laberinto de las maravillas; LOS TEXTOS AUSENTES Y DEL SILENCIO; 4.1. LA CONCIENCIA COMO ESPACIO METATEATRAL; TRANSFORMACIONES PARADIGMA?TICAS; LA METAFICCIO?N Y SU DECONSTRUCCIO?N; DECONSTRUCCIO?N Y DIFERENCIA 327 $a4.2. ESTATUTO ACTORIAL Y ALTERIDADTIPOLOGI?A DE LOS PARLAMENTOS; EL PERSONAJE COMO ESPECTADOR IMPLI?CITO; 5. Metateatro: poe?tica del espectador; DE LA REFLEXIO?N A LA DIALE?CTICA; EL ESPACIO DE LA DIALE?CTICA; 5.1. LA SEMIO?TICA DEL ESPECTADOR; LA ESTRATEGIA DEL ESPECTADOR; EL ESPECTADOR POSITIVISTA; EL DISCURSO DEL ESPECTADOR; 5.2. EL ESPECTADOR Y EL CONTRATO DE VERIDICCIO?N; METATEATRO: PERCEPCIO?N ESPECTADORA; LA CONCIENCIA SINTAGMA?TICA; EL METATEATRO COMO META-TEATRO; Notas; Bibliografi?a citada 330 $aRivera-Rodas proposes a new concept about what he calls the poetics of the theatrical reception. The discussion of this phenomenon, which also deals with metatheater, focuses on the dramatic work of Mario Vargas Llosa. Examination of the complex relationships of contemporary dramatic structures provides a new definition of metatheater and its effects on the public. Metatheater is shown as a semiotic result not theatrically representable, since it takes place only in the spectator's perceptible experience. Therefore, it does not exist prior to the theatrical or reading reception, nor is it pres 410 0$aPurdue University monographs in Romance languages ;$vv. 41. 606 $aDrama$xExplication 606 $aReader-response criticism 606 $aDramatic criticism 606 $aTheater audiences 615 0$aDrama$xExplication. 615 0$aReader-response criticism. 615 0$aDramatic criticism. 615 0$aTheater audiences. 676 $a801/.952 700 $aRivera-Rodas$b Oscar$01478296 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781544303321 996 $aEl metateatro y la drama?tica de Vargas Llosa$93693951 997 $aUNINA