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100   $a20110617d2011      u|             0
101 0 $aeng
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181   $ctxt
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200 10$aMathematics and Computation in Music$b[electronic resource] $eThird International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings /$fedited by Carlos Agon, Emmanuel Amiot, Moreno Andreatta, Gerard Assayag, Jean Bresson, John Manderau
205   $a1st ed. 2011.
210  1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: Springer,$d2011.
215   $a1 online resource (XV, 375 p. 200 illus., 71 illus. in color.)
225 1 $aLecture Notes in Artificial Intelligence ;$v6726
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a3-642-21589-0 
320   $aIncludes bibliographical references and index.
330   $aThis book constitutes the refereed proceedings of the Third International Conference on Mathematics and Computation in Music, MCM 2011, held in Paris, France, in June 2011. The 24 revised full papers presented and the 12 short papers were carefully reviewed and selected from 62 submissions. The MCM conference is the flagship conference of the Society for Mathematics and Computation in Music. This year?s conference aimed to provide a multi-disciplinary platform dedicated to the communication and exchange of ideas amongst researchers involved in mathematics, computer science, music theory, composition, musicology, or other related disciplines. Areas covered were formalization and geometrical representation of musical structures and processes; mathematical models for music improvisation and gestures theory; set-theoretical and transformational approaches; computational analysis and cognitive musicology as well as more general discussions on history, philosophy and epistemology of music and mathematics.
410  0$aLecture Notes in Artificial Intelligence ;$v6726
606   $aApplication software
606   $aMusic
606   $aAlgebra
606   $aComputer science?Mathematics
606   $aData structures (Computer science)
606   $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036
606   $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000
606   $aAlgebra$3https://scigraph.springernature.com/ontologies/product-market-codes/M11000
606   $aDiscrete Mathematics in Computer Science$3https://scigraph.springernature.com/ontologies/product-market-codes/I17028
606   $aData Structures$3https://scigraph.springernature.com/ontologies/product-market-codes/I15017
615  0$aApplication software.
615  0$aMusic.
615  0$aAlgebra.
615  0$aComputer science?Mathematics.
615  0$aData structures (Computer science).
615 14$aComputer Appl. in Arts and Humanities.
615 24$aMusic.
615 24$aAlgebra.
615 24$aDiscrete Mathematics in Computer Science.
615 24$aData Structures.
676   $a004
702   $aAgon$b Carlos$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aAmiot$b Emmanuel$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aAndreatta$b Moreno$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aAssayag$b Gerard$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aBresson$b Jean$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aManderau$b John$4edt$4http://id.loc.gov/vocabulary/relators/edt
906   $aBOOK
912   $a996465570403316
996   $aMathematics and Computation in Music$92512995
997   $aUNISA