LEADER 04018nam 22007092 450 001 996465270503316 005 20210208090034.0 010 $a1-280-91948-5 010 $a9786610919482 010 $a90-485-0506-2 010 $a0-585-49531-9 024 7 $a10.1515/9789048505067 035 $a(CKB)111087028328332 035 $a(EBL)419770 035 $a(OCoLC)614701968 035 $a(SSID)ssj0000117081 035 $a(PQKBManifestationID)11145156 035 $a(PQKBTitleCode)TC0000117081 035 $a(PQKBWorkID)10047952 035 $a(PQKB)11274105 035 $a(MiAaPQ)EBC419770 035 $a(DE-B1597)532745 035 $a(OCoLC)1100504024 035 $a(DE-B1597)9789048505067 035 $a(UkCbUP)CR9789048505067 035 $a(Au-PeEL)EBL419770 035 $a(CaPaEBR)ebr10053692 035 $a(CaONFJC)MIL91948 035 $a(OCoLC)54471225 035 $a(EXLCZ)99111087028328332 100 $a20210107d2003|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCamera obscura, camera lucida $eessays in honor of Annette Michelson /$fedited by Richard Allen and Malcolm Turvey$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2003. 215 $a1 online resource (294 pages) $cdigital, PDF file(s) 225 1 $aFilm culture in transition 300 $aTitle from publisher's bibliographic system (viewed on 05 Feb 2021). 311 0 $a90-5356-494-2 320 $aIncludes bibliographical references (p. [275]-282) and index. 327 $tFront matter --$tContents --$tAcknowledgements --$tPreface /$rKrauss, Rosalind --$tIntroduction /$rTurvey, Malcolm --$tThe Logic Of An Illusion Notes On The Genealogy Of Intellectual Cinema /$rIampolski, Mikhail --$tNarcissistic Machines And Erotic Prostheses /$rWeiss, Allen S. --$tLoïe Fuller And The Art Of Motion Body, Light, Electricity, And The Origins Of Cinema /$rGunning, Tom --$tVisitings Of Awful Promise The Cinema Seen From Etna /$rLiebman, Stuart --$tTransfiguring The Urban Gray László Moholy-Nagy's Film Scenario 'Dynamic Of The Metropolis' /$rDimendberg, Edward --$tEisenstein's Philosophy Of Film /$rCarroll, Noël --$tKnight's Moves /$rWollen, Peter --$tHitchcock And Narrative Suspense Theory And Practice /$rAllen, Richard --$tFrom The Air A Genealogy Of Antonioni's Modernism /$rSteimatsky, Noa --$tDr. Strangelove Or: The Apparatus Of Nuclear Warfare /$rSimon, William G. --$tCollection And Recollection On Film Itineraries And Museum Walks /$rBruno, Giuliana --$tAfterward: A Matter Of Time Analog Versus Digital, The Perennial Question Of Shifting Technology And Its Implications For An Experimental Filmmaker's Odyssey /$rMangolte, Babette --$tSelect Bibliography --$tList Of Contributors --$tIndex 330 $aAnnette Michelson's contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to her extraordinary contribution. 410 0$aFilm culture in transition 606 $aMotion pictures 606 $aModernism (Art) 606 $aArt and motion pictures 615 0$aMotion pictures. 615 0$aModernism (Art) 615 0$aArt and motion pictures. 676 $a791.43 702 $aAllen$b Richard$f1959- 702 $aTurvey$b Malcolm$f1969- 702 $aMichelson$b Annette 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996465270503316 996 $aCamera obscura, camera lucida$91975138 997 $aUNISA