LEADER 05159nam 22006492 450 001 996465268703316 005 20230623184248.0 010 $a1-282-17125-9 010 $a9786612171253 010 $a90-485-0122-9 024 7 $a10.1515/9789048501229 035 $a(CKB)1000000000789563 035 $a(EBL)456860 035 $a(OCoLC)471127262 035 $a(SSID)ssj0000276860 035 $a(PQKBManifestationID)11229937 035 $a(PQKBTitleCode)TC0000276860 035 $a(PQKBWorkID)10226505 035 $a(PQKB)10754325 035 $a(MiAaPQ)EBC456860 035 $a(DE-B1597)532742 035 $a(DE-B1597)9789048501229 035 $a(UkCbUP)CR9789048501229 035 $a(Au-PeEL)EBL456860 035 $a(CaPaEBR)ebr10314661 035 $a(CaONFJC)MIL217125 035 $a(EXLCZ)991000000000789563 100 $a20201013d2008|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAnatomy live $eperformance and the operating theatre /$fedited by Maaike Bleeker$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2008. 215 $a1 online resource (270 pages) $cdigital, PDF file(s) 225 1 $aMediaMatters 300 $aTitle from publisher's bibliographic system (viewed on 22 Feb 2021). 311 $a90-5356-516-7 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tAcknowledgements --$tPrologue Men with Glass Bodies /$rBarker, Francis --$tIntroduction /$rBleeker, Maaike --$tPerformance Documentation 1: Holoman; Digital Cadaver /$rTyler, Mike --$tDigital Cadavers and Virtual Dissection /$rDijck, José van --$t'Who Were You?': The Visible and the Visceral /$rMaxwell, Ian --$tPerformance Documentation 2: Excavations : Fresh but Rotten /$rBoulogne, Marijs --$tThe Anatomy Lesson of Professor Moxham /$rIngham, Karen --$t'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre /$rBouchard, Gianna --$tPerformance Documentation 3: De Anatomische Les /$rTetley, Glen --$tOf Dissection and Technologies of Culture in Actor Training Programs - an Example from 1960's West Germany /$rKlöck, Anja --$tOcular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenology in Early Modern Europe /$rCamp, Pannill --$tPerformance Documentation 4: Camillo - Memo 4.0: The Cabinet of Memories - A Tear Donnor Session /$rHrvatin, Emil --$tMartin , Massumi , and The Matrix /$rBleeker, Maaike --$tPerformance Documentation 5: sensing presence no. 1: performing a hyperlink system /$rCopraij / Jenniches / Kunzmann --$t'Where Are You Now?': Locating the Body in Contemporary Performance /$rFoster, Susan Leigh --$tPerformance Documentation 6: Under My Skin /$rMüller, Ivana --$tAnatomies of Live Art /$rNorman, Sally Jane --$tPerformance Documentation 7: Crash /$rJoris, Eric --$tRestaging the Monstrous /$rKunst, Bojana --$tDelirium of the Flesh: 'All the Dead Voices' in the Space of the Now /$rKobialka, Michal --$tPerformance Documentation 8: Körper /$rWaltz, Sasha --$tOperating Theatres: Body-bits and a Post-apartheid Aesthetics /$rFensham, Rachel --$tIndex 330 $aGross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson 'the technically precise province of clinical surgeons and medical faculties' hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. 'Anatomy Live/Performance and the Operating Theatre/ a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head' using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like 'Body Worlds' and 'The Visible Human Project' and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, 'Anatomy Live' is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice. 410 0$aMediaMatters 606 $aTheater$xPhilosophy$vCongresses 606 $aPerformance art$vCongresses 606 $aTheater$xHistory$vCongresses 615 0$aTheater$xPhilosophy 615 0$aPerformance art 615 0$aTheater$xHistory 676 $a792.01 702 $aBleeker$b Maaike 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996465268703316 996 $aAnatomy live$91957304 997 $aUNISA