LEADER 01053cam--2200373---450- 001 990002432350203316 005 20161219160717.0 010 $a88-315-2319-8 035 $a000243235 035 $aUSA01000243235 035 $a(ALEPH)000243235USA01 035 $a000243235 100 $a20050610d1984----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay|||||||001yy 200 1 $a<> speranza nell'apocalisse$fSergio Quinzio 210 $aRoma$cPaoline$d1984 215 $a175 p.$d20 cm 225 2 $aFrammenti di vita$v2 410 0$12001$aFrammenti di vita$v2 606 0 $aFede$2BNCF 676 $a234.23 700 1$aQUINZIO,$bSergio$035523 801 0$aIT$bsalbc$gISBD 912 $a990002432350203316 951 $aII.2. 6133(III 4 77)$b428 DSSS$cII.2.$d356032 959 $aBK 969 $aUMA 979 $aDSSS$b10$c20050610$lUSA01$h1757 979 $aANNAMARIA$b90$c20140703$lUSA01$h1342 979 $aANNAMARIA$b90$c20161219$lUSA01$h1607 996 $aSperanza nell'apocalisse$91056774 997 $aUNISA LEADER 03485nam 22006012 450 001 996465265503316 005 20170929033858.0 010 $a1-4744-2591-7 010 $a1-4744-1845-7 010 $a1-4744-1143-6 024 7 $a10.1515/9781474411431 035 $a(CKB)3710000000924804 035 $a(StDuBDS)EDZ0001816304 035 $a(UkCbUP)CR9781474411431 035 $a(MiAaPQ)EBC5775704 035 $a(OCoLC)1103684063 035 $a(MdBmJHUP)muse73595 035 $a(ScCtBLL)e05fe62a-cac4-4a62-b439-b22c9c19d17d 035 $a(DE-B1597)615079 035 $a(DE-B1597)9781474411431 035 $a(EXLCZ)993710000000924804 100 $a20160930d2016|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBorder crossing $eRussian literature into film /$fedited by Alexander Burry and Frederick H. White$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2016. 215 $a1 online resource (xi, 298 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 29 Sep 2017). 311 $a1-4744-1142-8 320 $aIncludes bibliographical references (pages 265-280), filmography (pages 281-287) and index. 327 $tFrontmatter -- $tContents -- $tList of Figures -- $tNotes on the Contributors -- $tIntroduction: Filming Russian Classics?Challenges and Opportunities -- $t1 Across the Russian Border -- $t2 Dostoevskii?s ?White Nights?: The Dreamer Goes Abroad -- $t3 On Not Showing Dostoevskii?s Work: Robert Bresson?s Pickpocket -- $t4 Stealing the Scene: Crime as Confession in Robert Bresson?s Pickpocket -- $t5 The Eye-deology of Trauma: Killing Anna Karenina Softly -- $t6 ?A Vicious Circle?: Karen Shakhnazarov?s Ward no. 6 -- $t7 A Slap in the Face of American Taste: Transporting He Who Gets Slapped to American Audiences -- $t8 Against Adaptation? The Strange Case of (Pod) Poruchik Kizhe -- $t9 Chasing the Wealth: The Americanization of Il?f and Petrov?s -- $t10 Fassbinder?s Nabokov?From Text to Action: Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment -- $t11 ?The Soviet Abroad (That We Lost)?: The Fate of Vasilii Aksenov?s Cult Novel A Starry Ticket on Paper and on Screen -- $tConclusion: Passport Control?Departing on a Cinematic Journey -- $tBibliography -- $tFilmography -- $tIndex 330 $aApplying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. 606 $aRussian literature$vFilm adaptations 606 $aFilm adaptations$zRussia 606 $aEmigration and immigration in literature 606 $aEmigration and immigration in motion pictures 615 0$aRussian literature 615 0$aFilm adaptations 615 0$aEmigration and immigration in literature. 615 0$aEmigration and immigration in motion pictures. 676 $a791.4360947 700 $aBurry$b Alexander, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01088870 702 $aBurry$b Alexander 702 $aWhite$b Frederick H.$f1970- 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996465265503316 996 $aBorder crossing$92835414 997 $aUNISA