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010   $a1-4744-2602-6
010   $a1-4744-2200-4
010   $a1-4744-0291-7
024 7 $a10.1515/9781474402910
035   $a(CKB)3710000000963246
035   $a(StDuBDS)EDZ0001740609
035   $a(UkCbUP)CR9781474402910
035   $a(ScCtBLL)04d3937b-9b67-4e31-9d6e-64ca209b6dab
035   $a(DE-B1597)615526
035   $a(DE-B1597)9781474402910
035   $a(EXLCZ)993710000000963246
100   $a20160930d2016||||  uy|            0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aExtreme cinema $eaffective strategies in transnational media /$fAaron Michael Kerner and Jonathan L. Knapp$b[electronic resource]
210  1$aEdinburgh :$cEdinburgh University Press,$d2016.
215   $a1 online resource (179 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 29 Sep 2017).
311   $a1-4744-0290-9 
320   $aIncludes bibliographical references, filmography and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgments -- $t1 Extreme Cinema: Revisiting Body Genres -- $t2 Hearing: With a Touch of Sound?The Affective Charge of Audio Design -- $t3 Pain: Exploring Bodies, Technology, and Endurance -- $t4 Laughter: Belly-aching Laughter -- $t5 Arousal: Graphic Encounters -- $t6 Crying: Dreadful Melodramas? Family Dramas and Home Invasions -- $t7 The End of Extreme Cinema? -- $tBibliography -- $tFilmography -- $tIndex
330   $aExtreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle.
606   $aViolence in motion pictures
606   $aSex in motion pictures
606   $aMotion pictures$xHistory
608   $aHistory.$2fast
615  0$aViolence in motion pictures.
615  0$aSex in motion pictures.
615  0$aMotion pictures$xHistory.
676   $a791.43/655
686   $aAP 47950$2rvk
700   $aKerner$b Aaron$0959811
702   $aKnapp$b Jonathan L.
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a996465265303316
996   $aExtreme cinema$92175265
997   $aUNISA