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101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aAdaptation in the age of media convergence /$fedited by Johannes Fehrle and Werner Scha?fke-Zell$b[electronic resource]
210  1$aAmsterdam :$cAmsterdam University Press,$d2019.
215   $a1 online resource (232 pages) $cdigital, PDF file(s)
225 1 $aTransmedia: participatory culture and media convergence
300   $aTitle from publisher's bibliographic system (viewed on 20 Nov 2020).
311   $a94-6298-366-6 
327   $tFrontmatter --$tTable of Contents --$t1. Introduction: Adaptation in a Convergence Environment --$t2. Adaptation as Connection : A Network Theoretical Approach to Convergence, Participation, and Co-Production --$t3. Filing off the Serial Numbers : Fanfiction and its Adaptation to the Book Market --$t4. From Paratext to Polyprocess: The "Quirky" Mashup Novel --$t5. "You Just Got Covered" : YouTube Cover Song Videos as Examples of Para-Adaptation --$t6. Masters of the Universe? Viewers, the Media, and Sherlock's Lead Writers --$t7. Alien Adapted (Again and Again) : Fictional Universes between Difference and Repetition --$t8. "Everything is Awesome:" Spreadability and The LEGO Movie --$t9. Localization as Adaptation in the Wolfenstein Franchise --$tIndex
330   $aThis collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).
410  0$aTransmedia (Amsterdam, Netherlands)
606   $aAdaptation (Literary, artistic, etc.)
606   $aPopular culture and globalization
610   $aAdaptation Studies.
610   $aFan Studies.
610   $aMedia Convergence.
610   $aMedia Franchising.
610   $aTransmedia.
615  0$aAdaptation (Literary, artistic, etc.)
615  0$aPopular culture and globalization.
676   $a700.457
686   $aAP 13550$2rvk
702   $aFehrle$b Johannes
702   $aScha?fke-Zell$b Werner
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a996465264103316
996   $aAdaptation in the age of media convergence$92784639
997   $aUNISA