LEADER 02884nam 22004575 450 001 996465261003316 005 20220329044247.0 010 $a3-8394-5588-X 024 7 $a10.1515/9783839455883 035 $a(CKB)5860000000038612 035 $a(DE-B1597)574044 035 $a(DE-B1597)9783839455883 035 $a(EXLCZ)995860000000038612 100 $a20220329h20222022 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProcessing Choreography $eThinking with William Forsythe's Duo /$fElizabeth Waterhouse 210 1$aBielefeld : $ctranscript Verlag, $d[2022] 210 4$dİ2022 215 $a1 online resource (342 p.) 225 0 $aTanzScripte ;$v60 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tPreface -- $tIntroduction -- $tPART I ? ART WORLD -- $tIntroduction to Part I: Art World -- $tChapter 1: Ensemble: William Forsythe & Team -- $tChapter 2: The Institutions of Ballett Frankfurt & The Forsythe Company -- $tChapter 3: The Dancers -- $tChapter 4: The Dancers? Practices -- $tChapter 5: Duo?s Art World -- $tPART II ? MOVEMENT -- $tIntroduction to Part II: Movement -- $tChapter 6: The Movement of Showerhead -- $tChapter 7: Movement Material & Relations -- $tChapter 8: Entrainment -- $tChapter 9: Movement Profile of Duo -- $tPART III ? CREATION -- $tIntroduction to Part III: Creation -- $tChapter 10: Creating Duo (1996) -- $tChapter 11: Re-Creating Duo (1996?2016) -- $tConclusion: Choreography as Creative Organization -- $tBibliography -- $tAppendix 330 $aTold from the perspective of the dancers, Processing Choreography: Thinking with William Forsythe's Duo is an ethnography reconstructing the dancers' activity within William Forsythe's Duo project, written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerges through practice and changes over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process - arguing for choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author gives novel insight into this choreographic community. 606 $aPERFORMING ARTS / Dance / General$2bisacsh 610 $aChoreography. 610 $aCreativity. 610 $aDance. 610 $aPractice Theory. 610 $aPractice Turn. 610 $aProcess. 615 7$aPERFORMING ARTS / Dance / General. 700 $aWaterhouse$b Elizabeth, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01222327 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996465261003316 996 $aProcessing Choreography$92834593 997 $aUNISA LEADER 01164nam a2200325 i 4500 001 991001111209707536 005 20020507183454.0 008 950223s1978 us ||| | eng 020 $a012473250X 035 $ab10802472-39ule_inst 035 $aLE01307204$9ExL 040 $aDip.to Matematica$beng 082 0 $a530.12 084 $aAMS 81-06 084 $aAMS 81P 084 $aAMS 81Q 084 $aQC173.96 100 1 $aMarlow, A. R.$0536019 245 10$aMathematical foundations of quantum theory /$cedited by A. R. Marlow 260 $aNew York :$bAcademic Press,$c1978 300 $ax, 372 p. :$bill. ;$c24 cm. 500 $aIncludes bibliographical references. 500 $aPapers from a conference held at Loyola University, New Orleans, June 2-4, 1977 650 4$aQuantum theory$xCongresses 907 $a.b10802472$b21-09-06$c28-06-02 912 $a991001111209707536 945 $aLE013 81-XX MAR11 (1978)$g1$i2013000022697$lle013$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10906733$z28-06-02 996 $aMathematical foundations of quantum theory$9925332 997 $aUNISALENTO 998 $ale013$b01-01-95$cm$da $e-$feng$gus $h0$i1