LEADER 02884nam 22004575 450 001 996465261003316 005 20220329044247.0 010 $a3-8394-5588-X 024 7 $a10.1515/9783839455883 035 $a(CKB)5860000000038612 035 $a(DE-B1597)574044 035 $a(DE-B1597)9783839455883 035 $a(EXLCZ)995860000000038612 100 $a20220329h20222022 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProcessing Choreography $eThinking with William Forsythe's Duo /$fElizabeth Waterhouse 210 1$aBielefeld : $ctranscript Verlag, $d[2022] 210 4$d©2022 215 $a1 online resource (342 p.) 225 0 $aTanzScripte ;$v60 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tPreface -- $tIntroduction -- $tPART I ? ART WORLD -- $tIntroduction to Part I: Art World -- $tChapter 1: Ensemble: William Forsythe & Team -- $tChapter 2: The Institutions of Ballett Frankfurt & The Forsythe Company -- $tChapter 3: The Dancers -- $tChapter 4: The Dancers? Practices -- $tChapter 5: Duo?s Art World -- $tPART II ? MOVEMENT -- $tIntroduction to Part II: Movement -- $tChapter 6: The Movement of Showerhead -- $tChapter 7: Movement Material & Relations -- $tChapter 8: Entrainment -- $tChapter 9: Movement Profile of Duo -- $tPART III ? CREATION -- $tIntroduction to Part III: Creation -- $tChapter 10: Creating Duo (1996) -- $tChapter 11: Re-Creating Duo (1996?2016) -- $tConclusion: Choreography as Creative Organization -- $tBibliography -- $tAppendix 330 $aTold from the perspective of the dancers, Processing Choreography: Thinking with William Forsythe's Duo is an ethnography reconstructing the dancers' activity within William Forsythe's Duo project, written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerges through practice and changes over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process - arguing for choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author gives novel insight into this choreographic community. 606 $aPERFORMING ARTS / Dance / General$2bisacsh 610 $aChoreography. 610 $aCreativity. 610 $aDance. 610 $aPractice Theory. 610 $aPractice Turn. 610 $aProcess. 615 7$aPERFORMING ARTS / Dance / General. 700 $aWaterhouse$b Elizabeth, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01222327 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996465261003316 996 $aProcessing Choreography$92834593 997 $aUNISA LEADER 01291nam 2200361 450 001 9910131225903321 005 20240207180215.0 010 $a1-4123-5683-0 035 $a(CKB)3680000000167070 035 $a(NjHacI)993680000000167070 035 $a(EXLCZ)993680000000167070 100 $a20240207d2006 uy 0 101 0 $afre 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDe?veloppement local et action communautaire a? l'heure du ne?o-corporatisme /$fPierre Hamel 210 1$aChicoutimi :$cJ.-M. Tremblay,$d2006. 215 $a1 online resource 225 1 $aClassiques des sciences sociales 327 $aIntroduction -- Le de?veloppement local dans le contexte montre?alais. -- Un autre point de vue sur le de?veloppement local. -- Des lectures diffe?rentes du local. 410 0$aClassiques des sciences sociales. 606 $aLiberalism$xReligious aspects 615 0$aLiberalism$xReligious aspects. 676 $a322/.1 700 $aHamel$b Pierre$0856469 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910131225903321 996 $aDéveloppement local et action communautaire à l'heure du néo-corporatisme$92244660 997 $aUNINA