LEADER 04332nam 22006372 450 001 996465257403316 005 20170511154021.0 010 $a1-4744-2680-8 010 $a1-4744-1122-3 010 $a1-4744-1121-5 024 7 $a10.1515/9781474411219 035 $a(CKB)3710000001156180 035 $a(UkCbUP)CR9781474411219 035 $a(StDuBDS)EDZ0001665553 035 $a(MiAaPQ)EBC5013852 035 $a(ScCtBLL)b6429e0d-88e5-4019-b0a2-d3ed9093d8d8 035 $a(DE-B1597)619442 035 $a(DE-B1597)9781474411219 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/39156 035 $a(EXLCZ)993710000001156180 100 $a20170302d2016|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSensational internationalism $ethe Paris Commune and the remapping of American memory in the long nineteenth century /$fJ. Michelle Coghlan$b[electronic resource] 210 $cEdinburgh University Press$d2016 210 1$aEdinburgh :$cEdinburgh University Press,$d2016. 215 $a1 online resource (xi, 228 pages) $cdigital, PDF file(s) 225 1 $aEdinburgh critical studies in Atlantic literatures and cultures 300 $aTitle from publisher's bibliographic system (viewed on 10 May 2017). 311 $a1-4744-1120-7 320 $aIncludes bibliographical references and index. 327 $aFraming the pe?troleuse : postbellum poetry and the visual culture of gender panic -- Becoming Americans in Paris : the Commune as frontier in turn-of-the-century adventure fiction -- Radical calendars : the Commune rising in postbellum internationalism -- Tasting space : sights of the commune in Henry Jame's Paris. 330 $aRemaps the borders of transatlantic feeling and resituates the role of international memory in U.S. culture in the long nineteenth century and beyond.

In refocusing attention on the Paris Commune as a key event in American political and cultural memory, Sensational Internationalism radically changes our understanding of the relationship between France and the United States in the long nineteenth century. It offers fascinating, remarkably accessible readings of a range of literary works, from periodical poetry and boys' adventure fiction to radical pulp and the writings of Henry James, as well as a rich analysis of visual, print, and performance culture, from post-bellum illustrated weeklies and panoramas to agit-prop pamphlets and Coney Island pyrotechnic shows. Throughout, it uncovers how a foreign revolution came back to life as a domestic commodity, and why for decades another nation's memory came to feel so much our own. This book will speak to readers looking to understand the affective, cultural, and aesthetic afterlives of revolt and revolution pre-and-post Occupy Wall Street, as well as those interested in space, gender, performance, and transatlantic print culture.

Key Features 410 0$aEdinburgh critical studies in Atlantic literatures and cultures. 606 $aPublic opinion$zUnited States 606 $aPolitical culture$zUnited States$xHistory$y19th century 607 $aParis (France)$xHistory$yCommune, 1871$xPublic opinion 607 $aFrance$xForeign public opinion, American 607 $aParis (France)$xHistory$yCommune, 1871$xInfluence 608 $aHistory.$2fast 610 $aLiterary Criticism 610 $aAmerican 610 $aGeneral 615 0$aPublic opinion 615 0$aPolitical culture$xHistory 676 $a327.73044 700 $aCoghlan$b J. Michelle$f1978-$0987520 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996465257403316 996 $aSensational internationalism$92257431 997 $aUNISA