LEADER 03612nam 2200481 450 001 996464529703316 005 20220817145647.0 010 $a3-030-85629-1 035 $a(MiAaPQ)EBC6805059 035 $a(Au-PeEL)EBL6805059 035 $a(CKB)19421983900041 035 $a(OCoLC)1285779713 035 $a(PPN)258840196 035 $a(EXLCZ)9919421983900041 100 $a20220817d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMaking musical time /$fGuerino Mazzola [and five others] 210 1$aCham, Switzerland :$cSpringer,$d[2021] 210 4$dİ2021 215 $a1 online resource (261 pages) 225 1 $aComputational music science 311 08$aPrint version: Mazzola, G. (Guerino) Making musical time Cham : Springer International Publishing AG,c2021 9783030856281 320 $aIncludes bibliographical references and index. 327 $aPart I Ontological Orientation -- 1. Ontology, Oniontology, and the (History and Present Stage -- 5. Genealogy and Ontology of Human Time Perception -- Part III Musical Time Concepts -- 6. Meters and Rhythm -- 7. Structures of Organized Time -- 8. Musical Gestures -- 9. Kramers Time Concepts -- 10. Distributed Identity in Music -- Part IV New Developments on Musical Time Concepts -- 11. Limits of Gestural Diagrams -- 12. Imaginary Time -- 13. Mathematical Modeling Kramers Time Concepts -- 14. Functorial Semiotics of Time -- 15. Jordon, Chris, and Renan: Application of these theories -- 16. Experiments with Local and Global Rhythms -- Part V Conclusions -- 17. Time Constructs as a Deeply Musical Endeavor -- 18. Art of Time -- 19. Human Create their Own Time 330 $aThis book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture. It surveys the literature of time in mathematics, philosophy, psychology, music theory, and somatic studies (medicine and disability studies) and looks ahead through original research in performance, composition, psychology, and education. It is the first monograph solely devoted to the theory of construction of musical time since Kramer in 1988, with new insights, mathematical precision, and an expansive global and historical context. The mathematical methods applied for the construction of musical time are totally new. They relate to category theory (projective limits) and the mathematical theory of gestures. These methods and results extend the music theory of time but also apply to the applied performative understanding of making music. In addition, it is the very first approach to a constructive theory of time, deduced from the recent theory of musical gestures and their categories. Making Musical Time is intended for a wide audience of scholars with interest in music. These include mathematicians, music theorists, (ethno)musicologists, music psychologists / educators / therapists, music performers, philosophers of music, audiologists, and acousticians. 410 0$aComputational music science. 606 $aTime in rabbinical literature 606 $aMathematics$xStudy and teaching$xActivity programs 615 0$aTime in rabbinical literature. 615 0$aMathematics$xStudy and teaching$xActivity programs. 676 $a781.22 700 $aMazzola$b G$g(Guerino),$0931562 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996464529703316 996 $aMaking musical time$92842626 997 $aUNISA