LEADER 05384nam 2200925 450 001 9910779625003321 005 20230313054105.0 010 $a1-4426-6139-9 010 $a1-4426-6138-0 024 7 $a10.3138/9781442661387 035 $a(CKB)2550000001042773 035 $a(EBL)3285485 035 $a(SSID)ssj0000886004 035 $a(PQKBManifestationID)12448855 035 $a(PQKBTitleCode)TC0000886004 035 $a(PQKBWorkID)10817115 035 $a(PQKB)11623569 035 $a(CEL)438898 035 $a(OCoLC)837527908 035 $a(CaBNVSL)slc00231895 035 $a(MiAaPQ)EBC3285485 035 $a(MiAaPQ)EBC4670064 035 $a(DE-B1597)465266 035 $a(OCoLC)979595927 035 $a(DE-B1597)9781442661387 035 $a(Au-PeEL)EBL4670064 035 $a(CaPaEBR)ebr11256578 035 $a(OCoLC)958578468 035 $a(MdBmJHUP)musev2_105975 035 $a(EXLCZ)992550000001042773 100 $a20160921h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe ends of the body $eidentity and community in medieval culture /$fedited by Suzanne Conklin Akbari and Jill Ross 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2013. 210 4$d©2013 215 $a1 online resource (338 p.) 311 $a1-4426-4470-2 320 $aIncludes bibliographical references and index. 327 $tIntroduction: Limits and Teleology: The Many Ends of the Body /$rSuzanne Conklin Akbari and Jill Ross --$g1.$tBooks, Bodies, and Bones: Hilduin of St Denis and the Relics of St Dionysius /$rAnn Taylor --$g2.$tDeath Is Not the End: The Encounter of the Three Living and the Three Dead in the Berlin Hours of Mary of Burgundy and Maximilian I /$rChristian Kralik --$g3.$tThe Good Death of Richard Whittington: Corpse and Corporation /$rAmy Appleford --$g4.$tAn Epic Incarnation of Salvation: The Function of the Body in the Eupolemius /$rSybia Parsons --$g5.$tLosing Face: Heroic Discourse and Inscription in Flesh in Scela Mucce Meic Datho? /$rSarah Sheehan --$g6.$tThe Dazzling Sword of Language: Masculinity and Persuasion in Classical and Medieval Rhetoric /$rJill Ross --$g7.$tAmputating the Traitor: Healing the Social Body in Public Executions for Treason in Late Medieval England /$rDanielle M. Westerhof --$g8.$t"A defect of the Mind or Body": Impotence and Sexuality in Medieval Theology and Canon Law /$rCatherine Rider --$g9.$tBodily Performances and Body Talk in Medieval Islamic Preaching /$rLinda G. Jones --$g10.$tThe Leprous Body in Twelfth- and Thirteenth century Rouen: Perceptions and Responses /$rElma Brenner --$g11.$tThe Feminine Flesh in the Disputacione betwyx the Body and Worms /$rWendy A. Matlock --$g12.$tDeath as Metamorphosis in the Devotional and Political Allegory of Christine de Pi?zan /$rSuzanne Conklin Akbari. 330 $a"Drawing on Arabic, English, French, Irish, Latin and Spanish sources, the essays share a focus on the body's productive capacity - whether expressed through the flesh's materiality, or through its role in performing meaning. The collection is divided into four clusters. 'Foundations' traces the use of physical remnants of the body in the form of relics or memorial monuments that replicate the form of the body as foundational in communal structures; 'Performing the Body' focuses on the ways in which the individual body functions as the medium through which the social body is maintained; 'Bodily Rhetoric' explores the poetic linkage of body and meaning; and 'Material Bodies' engages with the processes of corporeal being, ranging from the energetic flow of humoural liquids to the decay of the flesh. Together, the essays provide new perspectives on the centrality of the medieval body and underscore the vitality of this rich field of study."--Jacket. 606 $aHuman body$xSocial aspects$zEurope$xHistory$yTo 1500 606 $aHuman body$xSymbolic aspects$zEurope$xHistory$yTo 1500 606 $aIdentity (Psychology)$zEurope$xHistory$yTo 1500 606 $aIndividuality$zEurope$xHistory$yTo 1500 606 $aCommunity life$zEurope$xHistory$yTo 1500 606 $aLiterature, Medieval$xHistory and criticism 606 $aHuman body in literature 606 $aHuman figure in art 606 $aCivilization, Medieval$vSources 607 $aEuropa$2gnd 607 $aEuropa$2gnd 607 $aEurope$2fast 608 $aSources. 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aHuman body$xSocial aspects$xHistory 615 0$aHuman body$xSymbolic aspects$xHistory 615 0$aIdentity (Psychology)$xHistory 615 0$aIndividuality$xHistory 615 0$aCommunity life$xHistory 615 0$aLiterature, Medieval$xHistory and criticism. 615 0$aHuman body in literature. 615 0$aHuman figure in art. 615 0$aCivilization, Medieval 676 $a940.1 700 $aAkbari$b Suzanne Conklin$0856712 702 $aRoss$b Jill$f1961- 702 $aAkbari$b Suzanne Conklin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779625003321 996 $aThe ends of the body$93708633 997 $aUNINA LEADER 03927nam 22005895 450 001 996448851903316 005 20240405191206.0 010 $a0-691-04994-7 010 $a1-4008-3247-0 024 7 $a10.1515/9781400832477 035 $a(OCoLC)900633343 035 $a(MdBmJHUP)muse45426 035 $a(DE-B1597)459753 035 $a(OCoLC)979910838 035 $a(DE-B1597)9781400832477 035 $a(MiAaPQ)EBC1925981 035 $a(dli)HEB05961 035 $a(MiU)MIU01200000000000000000038 035 $a(PPN)259898325 035 $a(CKB)3710000000341573 035 $a(EXLCZ)993710000000341573 100 $a20190708e20102000 fg 101 0 $aeng 135 $aurun#|||uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBallet and Opera in the Age of Giselle /$fMarian Smith 205 $a1st ed. 210 1$aPrinceton, NJ :$cPrinceton University Press,$d[2010] 210 4$d©2000 215 $a330p 225 0 $aPrinceton Studies in Opera ;$v21 300 $aIncludes libretto for Giselle in French with English translation. 311 $a1-322-66852-3 311 $a0-691-14649-7 320 $aIncludes bibliographical references, and index. 327 $tFront matter --$tContents --$tList of Tables and Illustrations --$tPreface --$tAcknowledgments --$tNote to the Reader: A Few Terms --$tChapter One. Introduction: Music and the Story --$tChapter Two. A Family Resemblance --$tChapter Three. The Lighter Tone of Ballet-Pantomime --$tChapter Four. Ballet-Pantomime and Silent Language --$tChapter Five. Hybrid Works at the Opéra --$tChapter Six. Giselle --$tAppendix One. Ballet-Pantomimes and Operas Produced at the Paris Opera, 1825 -1850 --$tAppendix Two. The Giselle Libretto --$tAppendix Three. Sources for Musical Examples --$tNotes --$tIndex 330 $aMarian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830's through the 1840's), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ? 410 0$aPrinceton studies in opera. 606 $aBallet$zFrance$zParis$xHistory$y19th century 606 $aOpera$zFrance$zParis$y19th century 615 0$aBallet$xHistory 615 0$aOpera 676 $a782.1/09/034 700 $aSmith$b Marian Elizabeth$01266010 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996448851903316 996 $aBallet and Opera in the Age of Giselle$92968532 997 $aUNISA