LEADER 05302nam 2200517 450 001 996445852003316 005 20200520144314.0 010 $a3-11-059003-4 010 $a3-11-059121-9 024 7 $a10.1515/9783110591217 035 $a(CKB)4100000005958684 035 $a(DE-B1597)493114 035 $a(OCoLC)1041229492 035 $a(DE-B1597)9783110591217 035 $a(Au-PeEL)EBL5516741 035 $a(CaPaEBR)ebr11610602 035 $a(ScCtBLL)f3f0a6c8-3ff1-4638-8610-47a55c0d48c3 035 $a(MiAaPQ)EBC5516741 035 $a(EXLCZ)994100000005958684 100 $a20181008d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe enemy in contemporary film /$fedited by Martin Lo?schnigg and Marzena Soko?owska-Paryz? 210 1$aBerlin ;$aBoston :$cDe Gruyter,$d2018. 215 $a1 online resource (422 pages) 225 1 $aCulture & conflict ;$vVolume 12 311 $a3-11-058992-3 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tTable of Contents -- $tIntroduction / $rSoko?owska-Pary?, Marzena / Löschnigg, Martin -- $tPart I: The 'Faces' of the Enemy: Film Aesthetics and Contemporary (Geo)Politics -- $tNew Enemies, New Cold Wars: Reimagining Occupation and Military Conflict in Norway / $rIversen, Gunnar -- $t'A Murky Business': The Post-Soviet Enemy / $rBrintlinger, Angela -- $tOf Monsters and Men: Forms of Evil in War Films / $rPötzsch, Holger -- $tThe Domestic Enemy in British TV Documentaries on the Iraq War / $rHarris, Janet -- $tBritain's Muslims as the Enemy Within in Contemporary British Cinema / $rJameela, Maryam -- $t(Re)Framing the Disembodied Public Enemy: The 'War on Drugs' in Contemporary Narrative Screen Media / $rZappe, Florian -- $tPart II: Who are the Perpetrators? Who are the Victims? Confronting Difficult Pasts and the Crisis of Identity -- $tFrom 'Ivan' to Andreij: The Red Army in German Film and TV / $rRau, Petra -- $tEnemies within: Reimagining the 'Fallen Women' of World War II in Contemporary Finnish Documentary / $rOisalo, Niina -- $tThe Collaborator as Enemy during the French Occupation in (Auto?)Biographical and Post-Memory Cinema / $rPerret, Caroline -- $tFalse Idyll: Siri's L'Ennemi Intime / $rMcLaughlin, Noah -- $t"Femme, je ne vous aime pas": The Enemy Within in Joachim Lafosse's A perdre la raison / $rBlock, Marcelline -- $tThe Past as Enemy in Argentine Cinema, 1983-2000 / $rRanalletti, Mario -- $tWho Attacked Whom? The Year 1981 in Twenty-First Century Polish Feature Films / $rKobielska, Maria -- $tPart III: Do Nations Need Enemies? Transcending/Perpetuating Nationalisms -- $tRedefining the Enemy in Contemporary Australian Anzac Cinema / $rReynaud, Daniel -- $tThe Fading of Enemy Images in Contemporary Latvian Cinema / $rPlakans, Andrejs / Zel?e, Vita -- $tLooking for an Invisible Enemy in Israeli Film / $rde Lucia, Francesca -- $tBonds Across Borders: A Fictional Enemy in Motion on the Israeli Screen / $rTalmon, Miri -- $tBosnia Beyond Good and Evil: (De)Constructing the Enemy in Western and Post-Yugoslav Films about the 1992-1995 War / $rHarper, Stephen -- $tForbidden Bonding at the Time of the War on Terror: the Enemy as Friend in Camp X-Ray and Boys of Abu Ghraib / $rPary?, Marek -- $tCanadians and the Pacific War 1941-1945 in Anne Wheeler's A War Story and the War Between Us / $rLöschnigg, Martin -- $tLost Pasts and Unseen Enemies: The Pacific War in Recent Japanese Films / $rRayner, Jonathan -- $tContributors -- $tIndex 330 $aWhile filmic representations of 'enemies' are legion, film studies have so far neglected the way in which filmic mediations of enemy images have contributed to shaping cultural memories. The present volume investigates the (de)(re)constructions of enemy images in international film since the 1970s. The three parts deal with (re)configurations of the enemy in contemporary global cinemas, analysing films on the two world wars, on regional military conflicts, ethnic, racial and gender conflicts, socio-political conflicts and forms of terrorism. The essays concentrate on film aesthetics and contemporary (geo)politics, on filmic renderings of identity crises caused by troubled national pasts, and on the way films explore the collective psychological mechanisms at play in the construction, perpetuation or problematizing of enemy images. The volume aims to show how in spite of the diversity of national cinemas, moving images are constitutive of national collectivities by rendering conflicts involving an external or internal enemy as the defining points in national or communal histories. It also points out how the dynamics of internalism and exteriority (of 'we' and 'they') has proved vital in this process.????? 410 0$aCulture & conflict ;$vVolume 12. 606 $aEnemies in motion pictures 615 0$aEnemies in motion pictures. 676 $a791.43653 702 $aLo?schnigg$b Martin 702 $aSoko?owska-Paryz?$b Marzena 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996445852003316 996 $aThe enemy in contemporary film$91901201 997 $aUNISA